Weaving mythology into your novel can add depth and resonance. How mythology influences story structure is explained fully in The Writer’s Journey by Christopher Vogler, a book that I highly recommend. But aside from structure, you can use myths and legends to drive your story or an entire series.

In Circle of Light, book one in the Light-Years Series, attorney Sarina Bretton is kidnapped from Earth to become the legendary Great Healer. For eons, tales had been told of a savior, but as nothing occurred, the myth faded. Then the predicted signs started coming true and talk of the legend revived. Signs of the Coming included a Comet, Conquerors, Internal Strife, and a Plague.

It was said the legend would come to pass when the Great Healer married a Raimorrdan who was highly placed and who was born under the sign of the circle. The healing aura could only be activated by the power of love. But can Sarina learn to love Lord Cam’brii, the man she will be obligated to wed? Or does her heart belong to the rakish starship captain who transports her to meet her betrothed? In reflecting our own times, the similarities seem uncanny. We have a pandemic, political strife, and conquerors throughout the world. All we are missing is the Comet. Where is the Great Healer when we need her?

Moonlight Rhapsody, the next volume in the Light-Years series, is based on the mythical sirens who lure sailors to their doom. Ilyssa, the heroine, has the power to mindwash men with her singing voice.

The Drift Lords series also relies on myth and magic. These stories derive from Norse mythology complete with runes, descendants of Odin and Thor, magic devices and mystical realms. The legend in this story is that “The six daughters of Odin must join with the six sons of Thor to utter the ancient words.” By chanting this spell, they will repel Loki and shut the rifts between dimensions. First the Drift Lord warriors must find their destined mates, and the women have to be awakened to their powers. We start with their team leader in Warrior Prince, book one in this saga that also includes mythological creatures like this sea monster.

Using myths and legends works in mysteries, too. In Facials Can Be Fatal, there’s the legend of an infamous pirate that plays into the story. This was loosely based on the pirate Gasparilla who sailed off the Florida coast. Here’s an excerpt:

“A pirate nicknamed Red Ted, because of his lust for bloodshed, plied the waters off the Florida coast. He died in battle with an American naval warship. But when the troops arrived at his camp near St. Augustine, it was empty. No captives, no loot.”

“Yes, I read about him.” Even to Marla’s own ears, her voice reflected her excitement. “Warren mentioned this guy in his journal. He thought they might have uncovered part of his hoard.”

“Before his last voyage, Red Ted was getting set to retire. He’d loaded his goods onto a mule train and told his second in command to take it to Key West, where he planned to hole up in his later years. Then a sighting came for one more merchant ship that appeared to be unarmed. He couldn’t resist this last kill and set sail. The vessel turned out to be a warship hiding under a merchant flag, and Red Ted shot himself rather than be captured.”

“What happened to his mule train?” Marla asked.

“They were attacked by Indians on the route south. The natives made off with horses and mules and left them with fewer pack animals. They had to lighten their load and so buried some of the chests. They didn’t have much better luck as they headed into swampland and were beset by storms as well as bandits. With dwindling resources, they buried more loads along the way.”

“Hopefully someone kept track of those locations,” Dalton said in a wry tone.

“Only one survivor staggered into Key West. He waited for Red Ted until word came that the pirate king was dead. Ravaged by disease, he tried to sell his map but nobody believed him. He headed north, afraid he’d be identified as a pirate and hanged. That was the last anyone heard about Red Ted’s treasure. But the man had a pouch of uncut emeralds on him that provided him with a cushy lifestyle in the end. In my mind, that indicates the tales of Red Ted were true.”

Adding myths and legends to your story makes them fun and interesting beyond the ordinary. You can delve into history or mythology and magic while adjusting the ancient legends for your own needs. It gives an added dimension to your work and resounds within our storytelling minds.

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