Nancy's Notes From Florida

Editing Conundrums

March 30, 2019

Editing your novel always brings surprises. Here’s the latest one that I found upon doing a final read-through for Perish by Pedicure, one of my backlist titles that I’ve revised for an updated Author’s Edition.

HANGAR OR HANGER? This one tripped me up, so I looked for a definition. Guess what? My word choice was wrong. A hangar is a shed or shelter especially for housing aircraft. A hanger is a shoulder-shaped frame with a hook at the top for hanging a garment when not in use.

Here’s the original excerpt from Perish by Pedicure (previously edited by Kensington). Oops, I’ve also started three sentences in this paragraph with “ing” phrases. I’ll change the second one for better grammar.

Old Version:
Imagining how she’d exact restitution, Marla showered, blew out her hair, did her makeup, then pulled on a pair of black slacks and a ruby knit top. Not knowing what to expect at the convention center, she snatched a black Ann Taylor jacket from its hangar in case she would need it later. One more thing. Picking up the telephone receiver, she dialed her salon and left a message that she’d be there that afternoon with the Luxor crew. Thank goodness Georgia had stayed overnight at the hotel, she thought, finishing with a spritz of perfume. Dealing with two houseguests already had her frazzled.

New Version:
Imagining how she’d exact restitution, Marla showered, blew out her hair, did her makeup, then pulled on a pair of black slacks and a ruby knit top. Not knowing what to expect at the convention center, she snatched a black Ann Taylor jacket from its hanger in case she would need it later. One more thing. She picked up the phone receiver, dialed her salon, and left a message that she’d be there that afternoon with the Luxor crew. Thank goodness Georgia had stayed overnight at the hotel, she thought, finishing with a spritz of perfume. Dealing with two houseguests already had her frazzled.

Watch for over usage of the word, “Just” like in this passage where I use it three times.

“And why was that?” Marla asked, noting Ron rushing around the corner. Spotting her, the master stylist halted, looking shocked, but then he just as quickly recovered himself. He must have gotten a look at Sampson’s disheveled appearance. Marla missed Miguel’s response, because just then the hostess called their group. “Wait, Georgia isn’t here yet.”

“She’ll find us inside,” Liesl said, looking very hip in an off-the-shoulder ribbed lavender top. “Let’s go, luv.”

Twenty minutes later, Marla got worried when Georgia hadn’t shown up. Her friend knew they were meeting everyone at eight o’clock. Had she gone to their room to change? Taking her cell phone from her purse, she punched in Georgia’s personal number. No answer.

After excusing herself, she found a hotel phone and dialed their room. The ringing tone persisted until Marla gave up. Now what? Could Georgia have met some guy at the marina and decided to chuck her plans? Possibly, but she would’ve told me, knowing that I’d worry. She’d wait a while longer just in case her fears were groundless.

Replacements:
Marla missed Miguel’s response, because the hostess chose that moment to call their group.

She’d wait a while longer in case her fears were groundless.

These are the latest! Something always pops up when you are editing your work. But it’s important to catch these problems to make your work as polished as possible. Don’t stint on proofreading for one final time. Chances are you’ll always catch something. Happy Writing!

What are mistakes writers make that bother you the most?

 

 



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Saturday at Sleuthfest – Part 2

March 29, 2019

After lunch on Saturday at Sleuthfest mystery writers conference, I attended a workshop given by Jane R. Wood on Marketing Your Books to Schools. This was a lot more complicated than I would have guessed. Your books must be appropriate for schools, have educational value, and be compatible with the core curriculum. They should reinforce what the teachers are teaching in their classrooms. Also, you should be able to enhance its value with additional educational resources. These might include vocabulary words, discussion questions, student activities such as puzzles and games. Suggest books the students might read that will reinforce their curriculum.

As an author, you should be prepared to discuss revising, editing, sentence structure, the writing process. You should be comfortable speaking to kids and willing to work with the school on payment options. Offer a discount on book sales and make up a purchase order form. Ask if you are allowed to sell books directly to students. If so, print copies of a promotional flyer that they can take home.

To approach a school, contact the media specialist if you don’t know anyone there. Check out the school website for contact info. Send a short email providing information about your school visits and direct them to your website. Offer a complimentary review book. If you are accepted, ask about school expectations for your visit, the length of each presentation, and all the logistics involved.

As I left the room In awe of the preparatory work needed to propose a school visit, I meandered toward the editor/agent appointments. Since I wasn’t needed as an usher, I went upstairs to rest until the evening cocktail party. At Sleuthfest, we always include enough food for dinner, and tonight’s pasta station and passed hot appetizers were no exception. The raffle basket drawing was held at the conclusion.

Sunday Morning, March 17, 2019

I participated on a panel on Independent Publishing this morning along with David Wind and Tara L. Ames. We discussed the importance of a professional product before seguing into book marketing. As David said, about forty percent of a writer’s time is spent on writing, while the remainder is spent on marketing. This critical element applies whether you are traditionally published or indie published. We had lots of material but ran out of time.

Brunch included a talk by esteemed author Les Standiford in the ballroom before the conference ended.

See my Photos Here

GIVEAWAYS

Download 40+ free cozy mysteries in a limited time giveaway, including a copy of my book, HAIR RAISER. https://books.bookfunnel.com/cozymysterybonanza/b1nj1qfi4p

Follow me on BookBub and Enter to Win a $20 Amazon gift card http://authorsxp.com/gc

 

 



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Saturday at Sleuthfest – Part 1

March 27, 2019

Saturday morning at SleuthFest mystery writers conference, I spoke on a panel about Ending Your Book with Susan Sussman, Cheryl Hollon and myself, moderated by Lynnette Austin. We discussed if we are plotters or pantsers, how we approach the end of our books, how to make it satisfying for the reader, tying up loose ends, what turns us off as readers, and how to ramp up the action in the middle. Also, how do you avoid predictability while remaining true to reader’s expectations? We got some great questions from the audience.

Next, I attended a workshop on Writing Mystery Short Stories with author faculty Elaine Viets. “Think small and think twisted,” was her advice. Avoid having too many characters, lengthy descriptions, background information, and subplots. More than four characters are too many. Your story needs a twist or a surprise at the beginning or at the end. Story length should be 3000 – 7000 words.

What editors are not looking for are spouses who killed each other, a main character who wakes up from a dream, cruise ship murders, and oleander poisoning.

The story should have a singularity of purpose and a type of movement or trajectory. This is likely to be how the characters respond and grow. Put in roadblocks that could derail the story. Lay the groundwork for the plot twist. Its purpose is to reveal character.

Lunch followed with keynote speaker T. Jefferson Parker. FMWA President, Diane A.S. Stuckart, received the coveted Flamingo Award for her service to the chapter.

GIVEAWAYS

Download 40+ free cozy mysteries in a limited time giveaway, including a copy of my book, HAIR RAISER. https://books.bookfunnel.com/cozymysterybonanza/b1nj1qfi4p

Follow me on BookBub and Enter to Win a $20 Amazon gift card http://authorsxp.com/gc

 



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Dead Roots Reissue

March 26, 2019

I am proud to announce the reissue of DEAD ROOTS, #7 in the Bad Hair Day Mysteries.

Dead Roots

A Cozy Mystery with a Haunted Hotel, Ghosts, Secret Passages, and Paranormal Experts on Thanksgiving weekend.

Marla’s family reunion at a haunted Florida resort turns up dead bodies instead of fond memories in this spooky cozy mystery.

Hairstylist Marla Shore is eager to introduce her fiancé, Detective Dalton Vail, to her extended family over Thanksgiving weekend at Sugar Crest Plantation Resort. But that was before she found Aunt Polly suffocated in bed. Is it a coincidence that her aunt’s father once owned the property? According to rumor, he met with two mysterious Cossacks immediately before his premature death. Their spirits are said to haunt the place, and Marla believes it when she hears a bell tolling outside and feels a cold presence inside the hotel’s rickety elevator.

Are ghosts at fault for the strange goings-on, or could politics be playing a part? Sugar Crest is slated for demolition, although some folks would profit if it was remodeled instead. The city council meeting is being held that weekend to determine the resort’s fate. Tensions deepen when another body turns up on the nature trail. Whatever is going on at Sugar Crest, someone is willing to go to great lengths to keep it hidden. But the killer doesn’t count on Marla, who determines to learn the truth even if it means uprooting her family’s unsavory past.

Dead Roots was originally published by Kensington. This Author’s Edition has been revised and updated with added bonus materials.

Buy the Kindle Edition

Buy the Print Edition

“Dead Roots has all right the ingredients for a great hair day, absolutely fun, winsome characters, a fast paced, wonderful mystery read!” Heather Graham, NY Times Bestselling Author

“Cohen constructs a dandy murder mystery with a wonderfully thought out story line that includes family secrets, historic preservationists, real estate developers, and some scary things that go bump in the night. The characters are fully developed and very likeable…Spend Thanksgiving with Marla and her family at the haunted Sugar Crest Hotel.” Sharon Katz, Reviewing the Evidence

“Well developed characters and an intriguing historical background enhance this winning cozy.” Publishers Weekly

“Ghost stories, nifty secret passages, tales of gemstones and family secrets enliven this tale.” Oline Cogdill, Sun-Sentinel

“Condemned wings of the hotel, secret passages, and a gaggle of paranormal experts investigating the resident ghosts, all add up to a frenetic mixture of mirth and mayhem.” Manya Nogg, I Love A Mystery

Print ISBN: 9780998531786, $14.99
Digital ISBN: 9780998531793, $3.99
Cover Design and Illustration by Boulevard Photografica
Digital Layout by www.formatting4U.com

 

 



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Sleuthfest 2019 – Day 2

March 25, 2019

On Friday morning at SleuthFest mystery writers conference, the editors’ roundtable was held. Guest editors included Anna Michels (Sourcebooks), Chantelle Aimee Osman (Polis Books), Stacey Donovan (Hallmark Publishing), and special guest Neil Nyren. Conference co-chair, Michael L. Joy, moderated. Here is the gist of what I learned. Any errors are due to my misinterpretation.

editors panel editors panel2

Sourcebooks has acquired Poisoned Pen Press and its entire backlist. Anna is acquiring for this line. She’s looking for mysteries, thrillers, and suspense. Their books run 75k to 110k words.

Hallmark’s core audience likes print books. These would be sweet and wholesome stories, same as their movies. Mysteries should be a regular series and not a Christmas setting. Character arcs and motivation are important elements in their stories. Their books run 75k to 90k words.

Polis Books is looking for new and unique voices for their Agora imprint.

All of these editors (except Neil) take unagented manuscripts, but they recommend you have one to negotiate a good contract in the author’s favor. Check their websites for submission requirements. Hallmark has open calls for submissions on certain dates.

“You’re buying the writer. You’re not buying the book.” As soon as they buy your book, they’ll want you to be working on the next one.

I cut out of this workshop to see what my friends were saying about being orphaned by their publisher. Diane A.S. Stuckart moderated this panel with Marty Ambrose, Debra H. Goldstein, Alyssa Maxwell, and Dr. Lenore E. Walker. After you pick yourself off the floor from hearing the publisher dropped your series, you recover and reinvent yourself. This could end up being the best thing for your career.

Getting Orphaned panel

Next I gave my workshop on “How-To Become a Hybrid Author.” I discussed the reasons for going indie, the pros and cons, and the exact steps to take from manuscript preparation to production to marketing. Look for further blogs on this topic here.

Nancy J. Cohen   Nancy workshop

Lunch was a sobering talk by E.J. Wagner on the Evolution of Forensic Sciences. It was fascinating to hear how bodies used to be sold to medical schools in merry old England. Table decorations were lovely, and I was happy again to sit with good friends.

I missed the afternoon sessions since I had an hour and a half of volunteer duty as usher for an editor during the pitch appointments. Since I was barely able to walk after my mishap yesterday, I went to rest my foot afterward until the Volunteer Appreciation Party. Free snacks and drinks flowed as we all complimented each other on another great conference.

volunteer party   volunteers

Dinner followed in the ballroom with the author auction, where famous authors auctioned off an hour phone conversation, or a chapter critique, or a character name.

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