Nancy's Notes From Florida

Mystery Plot Points

April 23, 2010

What are the turning points in a mystery? When we plot romances, we have certain emotional plot points, like first kiss and big dark moment. What about the traditional whodunit mystery? For example, is it necessary to have a dead body in chapter one? Does the crime always have to be a murder? How many suspects is too many? How can the sagging middle be avoided?

Each author will have a different answer, and they’re all right. I’ve read mysteries where no one gets killed for the first hundred pages. You can guess who might get the axe and are often right, but everyone you meet until that point becomes a suspect. This works if the sleuth leads such an interesting life that you don’t care about when the body shows up, or the author’s voice is so catchy and engaging that you’ll read along just for pleasure. But for beginning mystery authors, placing the body up front is often the best bet.

After writing ten mysteries in my Bad Hair Day series, I found a pattern that I find comfortable. This isn’t to say I follow it every single time. But my loose structure might help others who are wondering how to plot those turning points. Keep in mind that other writers might reverse the order, jumble it up, or not include these items at all. The crime might be a stolen object of value, a missing person, a kidnap victim. It doesn’t always have to be a murder. But for a mystery in the traditional sense, the story usually involves a murder with an amateur sleuth in a confined setting, which may be a small town that has its own unique flavor. So these are the plot points I might employ:

Dead Body

Introduction of Suspects

Secrets: Every suspect has something to hide

Second dead body

Attempts on sleuth’s life as he/she gets closer to truth

One suspect turns out to be a red herring and has led sleuth down the wrong path

Secrets are exposed and suspects are eliminated

Final clue leading to killer

Through all of this is the personal subplot, often a romance or other relationship, that leads the sleuth to experience a revelation about herself thus providing character growth by the end of the story. This is the hook to make your reader buy your next book. She has to care what happens to your sleuth, and it’s the personal relationships, the sleuth’s quirky outlook on life, and the distinctive setting that will draw readers back for more.

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Setting the Scene

April 19, 2010

Have you ever written your characters into a hole? I did this recently and had to pause in my writing schedule to figure out a way to salvage the situation. Jennifer and Paz, the only passengers on a private jet in my story, are attacked midair by the villains who set off an electromagnetic pulse grenade. The blast disables the plane’s electronics and the aircraft plummets toward Earth. The pilots have been shot, and Paz is supposed to save the day.

Since he has knowledge of advanced technology, I figured he’d use Jen’s diamond earrings for their inherent crystal properties and power the airplane.

Problem #1: When I researched diamonds, I read they can conduct electricity but they do not produce it (correct me if I’m wrong here). If anything, it might be quartz that has more undiscovered properties.

Problem #2: Even if he finds a power source, isn’t the wiring on the aircraft fried from the EM pulse? (Research topic: non-nuclear electromagnetic pulse weapons)

Problem #3: In the opening chapter, he shows up naked. O-kay, you’ll have to read the story to learn the particulars, but this means he has no futuristic gizmos on his person to help him out.

Solution #1: Allow him to keep his personal comm unit that looks like a wrist watch in chapter one even if his clothes have been ripped off by….sorry, spoiler alert.  That info is classified for now.  Anyway, he uses the comm unit as a power source and the diamonds as a wireless transmitter to power the engines.

Problem #4: Hero successfully lands aircraft. (Research source: Star Trek: The Starfleet Survival Guide). But where do they land? (Research topic: The Pacific Ring of Fire and the Izu Islands)

Problem #5: The villain has a fortress complex on this island. Is it Mediterranean in style? That’s illogical since we’re in Asian territory. Have the villains brought in native materials from their homeland and built it from scratch? Or maybe they took over an estate from a previous occupant.

I recall a couple of James Bond films with confrontations on islands. (Research James Bond). These are The Man with the Golden Gun and You Only Live Twice. Or maybe the estate should be Japanese since our heroes originated their journey in Tokyo. (Research topic: Asian castle fortress estates). I discover Himeji Castle. (Research: Construction, Maps, Interiors).  Very cool place.            

Yes! I can land my people, describe the island, get them inside the villain’s lair. Next up: They hitch a ride on a Chinese junk to escape the island. Uh oh, more research required. And although I can now have my hero land the airplane, I’d better look up what the basic controls on a private jet are called. A visit to http://science.howstuffworks.com/ is on order plus a look at the reference books on my office shelves.

As you have gathered by now, I research as I go along. I just do enough to be able to formulate my synopsis but the details wait for the scene itself. Then I have to stop, study the materials I’ve collected, visualize the setting, and write.

Oh, and this is for a paranormal romance, so don’t ever say we fiction writers make everything up. I just might have to challenge you to a duel.

So please tell us, what do YOU do when you’ve written your characters into a hole?

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Lake Eola

April 16, 2010

We spent a lovely day recently at Lake Eola in Orlando. Close to downtown, this peaceful lake hosted their annual Spring Festival. Vendors lined the walkways, selling jewelry, art works, and hand-crafted items, among other things. Smells of hot dogs, kettle popcorn, and barbecued chicken wafted our way as we strolled around the lake past the bandstand and swan boats. On Sundays, you can shop the Farmer’s Market here. We dined at Spice on their outdoor patio facing the tranquil lake. Just a few blocks away is trendy Thorton Park with Lake Eola Wine Company, Hues, Dexters, and other popular restaurants. Spanish moss drapes from the live oak trees in this upscale neighborhood. We dodged mothers pushing baby strollers, people walking dogs, young couples, and families out for the day. So put this on your list of other things to do next time you’re in Orlando and get tired of the theme parks.

Spring Festival
Spring Festival
Lake Eola
Swans
Ducks
Spice Restaurant
Lake Eola

 



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Florida Library Association

April 14, 2010

I was happy to participate in a panel discussion at the Florida Library Association Convention in Orlando recently. The evening before, local MWA members met for dinner at Hot Olives in Winter Park. Located on New England Avenue, this trendy restaurant sat us outside on their shady patio amid bamboo, lit torches, and tropical trees. I tried their famous chopped olive appetizer and ordered pecan crusted salmon while chatting with fellow MWAers. We all had a great time in a relaxed atmosphere.

Grace Kone & Nancy Cohen
Ann Meier & Sharon Potts
MWA1
Neil Plakcy, James Born, Julie Compton
Neil Plakcy & Bob Morris
Dean Murphy, Joan Bond, Gerry Wolfson-Grande, Frances Palmingiano
Linda Hengerer & Olive Pollak

 

 

 

 

 

 

 

 

 

 

 

 

 

Early the following morning, six of us appeared at an MWA sponsored breakfast at the FLA convention. Over 150 librarians ate the sit-down meal while we introduced ourselves and answered questions from the guests. James Born, Neil Plakcy, Julie Compton, Deborah Sharp, Sharon Potts, and Moi then spoke on a panel about Florida mysteries and why we like living and writing about this vast state. We all agreed Florida has such a diverse population, ecology, and climate, not to mention kooky characters, that it’s the perfect setting for our stories.

Julie Compton, Neil Plakcy, Nancy Cohen, Sharon Potts, James Born, Deborah Sharp
Sharon Potts & Nancy Cohen with Librarian Judy Buckland

 



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Why We Read Mysteries

April 6, 2010

I awoke to the news there had been a home invasion robbery and murder in my town. Although we’re a western suburb of Fort Lauderdale, our city doesn’t experience violent crime all that often. So when it does occur, it’s scary. What’s even more scary is that I just got a call from a mystery writer friend of mine, and it happened right across the street from her. I hadn’t even connected the addresses. She can see the CSI folks out her front window.

This incident brings home the fact that a random act of violence can happen to anyone. All we need is somebody to follow us home because we drive a nice car, or a nutcase to obsess on us, or else we’re just in the wrong place at the wrong time. Often these cases end badly. No wonder we want to read crime novels where the villain is caught and justice is served. I’d say this is Reason #1 why we read this genre. Stories may reflect on social ills and grapple with weighty issues, but they still reach a satisfactory conclusion, unlike real life.

An HEA ending (i.e. Happy Ever After) makes us less afraid. These stories force us to confront our fears, especially in psychological thrillers or romantic suspense. In my case, I prefer to read lighter fare, humorous mysteries where no one likes the victim and the amateur sleuth catches the crook. I accept that these are fantasies, because in reality, murder is a somber and sad business. Survivors mourn the dead. The killer may never be caught. So what do you say? Do you get your thrills from gritty crime fiction, true crime, or stories rife with forensic details? Or would you rather confine reality to the news and read a book with an HEA that leaves you with a smile?



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