I have finished the first draft of EASTER HAIR HUNT, #16 in the Bad Hair Day Mysteries!
Yay, the work is done! Or is it? Yes, the creative part is over, the agony and anticipation of facing a blank page every day and wondering if the words will come. It’s a great relief to type THE END, knowing you’ve reached your word count and have completed the story. But your labor is far from finished.
The first thing I suggest doing next is to revise the synopsis. Inevitably the story has gone in a new direction since you wrote the first version. Now you’ll need to bring this tool up to date. Patch in the new information and polish it so the story reads seamlessly from start to finish.
Why is this important? You may need a synopsis as a sales tool. Your publisher may require one. You might need a synopsis, short or long, to enter your book in a writing contest. Or your marketing department may need it for their purposes.
At the same time, you can start working on your story blurb. If you’re with a small publisher, they may ask you to come up with the cover copy. If you are an indie author, you’ll have to create the book descriptions on your own. Even if you hire one of the services available for this purpose, they most likely will require a synopsis as well. If you’ve gotten a head-start on the blurb, these folks can use it as a jumping off point. You’ll want a one-liner tag line, a few sentences for a log line, then a short one-paragraph description and a longer one of two to three paragraphs. Remember to maintain the tone of your story in the blurb.
Several rounds of editing and revisions will follow. I need some distance from a story before I can begin line editing, so I may work on something else until I’m ready. If you’re writing a series, this is a good time to do research or jot notes for the next story. Or work on a marketing plan for your book. Then it’s time for line edits, read-throughs for consistency and to catch repetitions, editorial revisions, and beta readers. A final polish will always find more to fix. So there’s a lot more work before your baby is ready to face the world.
In the meantime, celebrate your achievement. You’ve finished a book. Savor the satisfaction and give your creative mind a break. Enjoy your well-earned glass of champagne, specialty coffee, or raspberry lemonade. You deserve a treat. Indulge yourself and relax with some fun activities. When you’re ready to return to the story, your muse will let you know.
Writers, what do you do after finishing the first draft of your novel?You’ve finished the first draft of your novel. What’s next? #amwriting #writetip Click To Tweet
Enter Now to win a free book from the prize vault at Booklover’s Bench.
How do you keep track of timelines in your work-in-progress? Do you use graphs, charts, or plotting boards to note the days of the week? When I was starting out as a writer, I kept plotting boards. This was a poster board that I divided into blocks representing each chapter. After I wrote a section, I’d fill it in on the poster for a quick visual reference. These days, I use a chapter by chapter outline in a Word file. I’ll still fill it in after I write each segment. I add the days of the week so I can remember what day it is for each scene.
Spoiler Alert! As I was working on EASTER HAIR HUNT, #16 in my Bad Hair Day mysteries, I hit a major snag. The story begins on the day before Easter. It’s March. My hairdresser sleuth, Marla Vail, is seven months pregnant. Her mother wants to plan a baby shower. Meanwhile, Marla is chasing down her missing friend, Blinky, who disappeared after an Easter Egg Hunt at Tremayne Manor.
How much time has passed since Blinky had gone missing? Was it reasonable to think she might still be alive? Uh-oh, I’d better check on the timeline. This realization led me to a plot twist two-thirds through the story.
I’d been concentrating so hard on the storyline, that I had lost sight of the subplots. If Marla is seven months pregnant, when is her due date? I had to go back to the previous book, Trimmed to Death, to figure out when she might have conceived. Then I printed out a set of calendars from https://www.timeanddate.com/calendar/
According to what I read online, Easter Sunday can fall between March 22 and April 25. In 2008, Easter was March 23 and Passover was April 20. Okay, my story will start on Saturday, March 22. By counting the weeks, I figured out Marla’s due date will be June 15.
By now, my story had progressed into April. Her mother could hold the baby shower on April 19, the day before Passover. I penciled in other events involving Marla’s friends and relatives. Now I know exactly what is happening, and when. Had I done this from the start, I wouldn’t have had to go back and change each conversation that mentioned these personal issues. I’d like this story to finish before Marla’s baby shower, so that could be my final wrap scene.
Sometimes you get carried away in the rush of storytelling and have to go back to fill in the details. What’s my advice? Get a calendar and follow your story along so you know which week you’re on and how long the action is taking. Sometimes you’ll read an entire murder mystery that takes place over a weekend. In that case, you’d need to keep an hourly account. Either way, keep track of your timeline from the start and save yourself some time-consuming revisions.How do you keep track of timelines in your novel? #amwriting #writetip Click To Tweet
Enter June 1-18 to win a free mystery from the prize vault at Booklovers Bench
Book Production for the Indie Author
This is Part 5 of my Self-Publishing Made Simple blog series.
You have a polished manuscript. You have bought a block of ISBN numbers. You’ve determined how you want to present yourself as a publisher re using an imprint or not.
Now you’ll need to decide if you will be publishing an ebook, paperback, and/or hardcover edition. Finish the copyright page by adding ISBNs for the format of your choice.
Note: If you’re simply going to upload your book to Amazon and participate in their KU program, likely you can use the ISBN number assigned by Amazon. This is true for certain other distributors as well. But keep in mind that this will register them as the publisher on record rather than you. See Part 4 for how to assign book titles to an ISBN number.
Book Descriptions and Tag Line
Write a one-sentence tag line for your book along with short and long story descriptions. If you need help, go here:
Blurb Writer: http://www.blurbwriter.com/
Blurb Bitch: http://www.blurbbitch.com
Karen’s Blurb Service: http://www.angelfire.com/stars4/kswiesner/BlurbService.html
Killion Group: http://thekilliongroupinc.com/
For a paperback, decide if you want a longer blurb on the back cover or a shorter one with review quotes. Remember to leave room for the bar code. You do not need to buy this. Distributors will provide their own bar codes, or you can get one free online. Prepare the back cover copy to send to your cover designer.
Prepare your author biography. This should be written in third person in an engaging manner. List your writing awards, professional organizations, genres, and special interests. Have a long bio, a short bio, and a couple of speaker introductions geared to writers and readers. You’ll need a shorter bio for the online book distributors, where you might want to include the URL to your website or newsletter.
Make a list of your keywords. These are phrases readers might use to search for your book. They don’t have to be one word. You can use phrases such as, “mysteries with humor” or “cozy mysteries with pets” or “mysteries set in small towns.” Here’s an example of more keywords for mysteries. Look at the bestseller categories on Amazon for more ideas. https://kdp.amazon.com/en_US/help/topic/G201276790
Think about a scene or two that you’d like to see depicted on your cover. Also consider your series branding if your book isn’t a standalone. Colors, text, and placement should be consistent from book to book. So should the art style. Look for a cover artist who has a portfolio of books in your genre. Join the writing community to get recommendations.
If you’re unsure what to charge, look at other books in your genre with similar page counts to see what the going rates are. What are readers in your genre willing to pay for a print book or a digital copy?
Formatting comes next. You can do it yourself, hire a professional, or use one of the third party aggregates, such as Draft2Digital, to do the conversions for you. What you’ll need will depend on your technical skills and where you plan to upload your book.
Before we get into particulars on book distributors, decide where you want your book to be sold. Are you planning to sell it at Amazon alone, perhaps with their Kindle Select program so people can get your book through Kindle Unlimited? Then all you need is a mobi file. For BN, Kobo, and Apple, you’ll need an ePub file. For print, a pdf file is required.
Barnes & Noble Press: https://press.barnesandnoble.com/
Apple Books: https://itunesconnect.apple.com
Google Play: Access through one of the Aggregators below
Once you have all these pieces ready to go, you can start uploading to the various book distributors.Self-Publishing Made Simple, Part 5 - Book Production for the Indie Author #indiepublishing #amwriting Click To Tweet
Coming Next: Ebook Distributors
Did you miss our earlier posts on Self-Publishing Made Simple Blog Series?
Go here to catch up:
Part 4 – Buying and Assigning ISBNs https://wp.me/paLXP7-4pO
Part 3 – Adding Front & Back Material https://wp.me/paLXP7-4pz
Part 2 – Manuscript Preparation for the Indie Author https://wp.me/paLXP7-4oX
Part 1 – Getting Started as an Indie Publisher https://wp.me/paLXP7-4oQ
April 15-21 RONE Awards
Please VOTE for Body Wave Audiobook in the RONE Awards THIS WEEK ONLY! Sign in or Register at InD’Tale Magazine, https://www.indtale.com Be sure to click the email confirmation link if you are registering for the first time. Once logged in, go to RONES in upper right corner, hover over 2019 RONE Awards, and click on 2019 RONE Awards Week One that pops up. Scroll down to the Audiobook: Paranormal/Mystery Category and vote for my title, BODY WAVE.
April 1 – 18 Booklovers Bench
Enter to win a free book from the Prize Vault at Booklovers Bench, including a copy of SHEAR MURDER, #10 in the Bad Hair Day Mysteries. https://bookloversbench.com/win-a-free-book-april-2019/ #giveaway #cozymystery
Buying and Assigning ISBNs for your Indie Published Books
This is Part 4 in my Self-Publishing Made Simple blog series.
You’ve prepared your manuscript as per Part 2 and Part 3 below. Now decide if you’ll want to publish your work under your own imprint. If so, create a publisher name and do an online search to see if the domain is taken. If it is available, reserve the domain name.
Register with your State as a “Fictitious Name” or a “Doing Business As” company. You can do this online. Or establish an LLC. Check with your accountant to see which one is right for you. It looks more professional for your book to be published by “XYZ” Press than by the author.
Apply for a county or city business license/tax receipt as required. Note: if you’re 65, you may be exempt from fees but you still have to apply. Check your local regulations.
Open a business bank account. Consider if you’ll be selling your own books and will need to collect sales tax. Otherwise as sole proprietor, you don’t need an EIN number. Use your own SS number as an individual proprietor. Again, check with your accountant or attorney for what’s best for you.
ISBN stands for International Standard Book Number. Why own your ISBNs?
- Control over metadata
- More professional – Your imprint is the publisher
- More availability to retailers, booksellers, and librarians
- You need an ISBN to get a barcode, which may or may not include pricing information.
- You need one ISBN number per format. So for an ebook and a paperback edition, you’d need two ISBNs. For a hardcover, you’d need another one. You do not need an ISBN to publish an audiobook through ACX. You may need one for audiobook distribution elsewhere.
- Certain book distributors will require you to have your own ISBN.
- Resource: http://www.ingramspark.com/blog/owning-your-own-isbn-in-self-publishing
Where can you buy them?
Sign in to http://www.Bowker.com It costs $295 for 10 ISBN numbers. You DO NOT need to buy a barcode or a QR code. You can get these free online by searching for free barcode generators or free QR codes. Otherwise, distributors such as Ingram and KDP Amazon supply their own barcodes. Sign up for emails from Bowker.com so you can be notified of sales.
How to Assign Title Data to Your ISBN(s):
- Sign into https://www.myidentifiers.com/ with your username and password
- Go to the My Account dropdown menu on the right side of the navigation bar at the top of the page.
- Click Manage ISBNs.
- Click Assign Title next to the ISBN number you wish to assign.
- Complete all fields marked with red asterisks. Be sure you have ready your book’s description, format, price, and author biography.
Book title, subtitle, main description, original publication date, language, copyright year, optional Library of Congress Control Number, cover image.
Your author name goes here along with your bio.
Format and Size
Medium, i.e. Ebook, Digital, Print, or Audio
Format, i.e. Electronic Book Text
Primary Subject, i.e. Fiction, Mystery and Detective, General
Secondary Subject, i.e. Fiction General
Editions and Volumes; Title Volume Number – number of book in a series; Total Volume Number – number of products in a multi-volume work (i.e. box set)
Previous Edition ISBN or New Edition ISBN
Sales and Pricing
Where is the title sold? United States
Publisher and Imprint. Here is where you put your LLC or fictitious publisher name.
Title Status: Active Record
Publication Date: Fill this in; you can change it later if necessary
Target Audience, i.e. Trade
Price: Currency (US Dollars), Price (3.99) Type (Retail Price)
Series Title Info (name of series) and Series Volume Number
Hit the SUBMIT button.
You can change or add any of this material, except the ISBN number assignments, at a later date.
If you have another format for the same title, you can click “Clone” next to the first one, select the next ISBN number, and change the data accordingly for the new title.
If this site isn’t working work well for you, switch to a different browser.
Keep your ISBNs handy. You’ll need to add them to your copyright page before formatting and to fill them in when you upload your book to the various distributors.
Do you have any tips on this topic to add?Buying & Assigning ISBNs for your Indie Published Books #indiepublishing #amwriting Click To Tweet
Coming Next: Preparing for Book Production
Enter our Monthly Giveaway at Booklovers Bench for a chance to win a free book from our Prize Vault.
Self-Publishing Made Simple – Manuscript Preparation
Reissuing Your Backlist Titles
1. For older works where you don’t have a cohesive master file, you may need to use a scanning company such as Blue Leaf (http://www.blueleaf-book-scanning.com/). You’ll need a print copy to send in, and it won’t be returned. Send the version that’s the most up to date, i.e. later paperback instead of original hardcover.
2. After receiving your digital copy, review the story to correct formatting errors. Turn on the paragraph symbol in Word and look for weird symbols in between letters, missing or wrong punctuation, misinterpreted words, and misspellings. Search for ^- or an optional hyphen. Look for “die” instead of “the” or the number 1 instead of “I.” Italics might be missing or bolded instead. Look for “rn” coming out as “m”, such as “comer” instead of “corner.” In other cases “tly” might come as “dy”, as in “slighdy instead of “slightly.” Quote marks might be reversed, or there could be section breaks instead of page breaks.
3. If your publisher has provided you with a final pdf file, or you’ve downloaded an ebook file, you can use Calibre Ebook Management (https://calibre-ebook.com/) or Zamzar (https://www.zamzar.com/) to convert it into Word. However, the formatting may be messed up. In this case, copy the entire document onto a blank sheet and save it as a text file. Click on Remove Formatting (see symbol on Home page). Then reformat and save it as a Word file. You will lose italics but any weird justifications will be gone. You’ll have to read through the story very carefully adding in italics and looking for spacing errors or other problems as above.
4. Decide if you mean to revise the work and update the technology in the story.
For a full-length original novel, hire a developmental editor and a copy editor/proofreader. Join author groups online and ask for names of editors who have experience in your fiction genre. You don’t want the local newspaper editor who’s your friend. Fiction is about structure and pacing along with grammar. You need an editor familiar with genre conventions. Experience at a publishing house is a plus.
Use a program such as Smart Edit (https://www.smart-edit.com/) to look for redundancies and repetitions. Revise your work as many times as necessary to give it professional polish. Ask beta readers to critique your story. Make it the best it can be and don’t be impatient, or your lack of care will show in customer reviews.
General Formatting Notes
I hire a professional formatter, so this section isn’t in my realm of expertise. However, I can share that we use Times New Roman 12 pt. font, 1 inch margins, indent first line 0.33 inches, Widow/Orphan off, single spacing. I put a page break at the end of each chapter. My chapter headings use Heading 1 so they get marked for the table of contents. The line of each chapter is flush left as per my preference. There are lots more choices here, but I’m not going into further details because your formatting source might advise something different. Or you can upload your Word file to one of the aggregators and they’ll do the conversions for you. More on this in a subsequent post.
The main point of this section is to be sure you have a polished, edited work that you’ll be proud to share. You can hire a formatter or learn how to do it yourself, but that’s later down the road after your manuscript is ready.Self-Publishing Made Simple - Part 2: Preparing Your Manuscript #indiepublishing #amwriting Click To Tweet
Coming Next: Adding Front and Back Material
Are you interested in reissuing backlist titles or publishing new, original works?
Editing your novel always brings surprises. Here’s the latest one that I found upon doing a final read-through for Perish by Pedicure, one of my backlist titles that I’ve revised for an updated Author’s Edition.
HANGAR OR HANGER? This one tripped me up, so I looked for a definition. Guess what? My word choice was wrong. A hangar is a shed or shelter especially for housing aircraft. A hanger is a shoulder-shaped frame with a hook at the top for hanging a garment when not in use.
Here’s the original excerpt from Perish by Pedicure (previously edited by Kensington). Oops, I’ve also started three sentences in this paragraph with “ing” phrases. I’ll change the second one for better grammar.
Imagining how she’d exact restitution, Marla showered, blew out her hair, did her makeup, then pulled on a pair of black slacks and a ruby knit top. Not knowing what to expect at the convention center, she snatched a black Ann Taylor jacket from its hangar in case she would need it later. One more thing. Picking up the telephone receiver, she dialed her salon and left a message that she’d be there that afternoon with the Luxor crew. Thank goodness Georgia had stayed overnight at the hotel, she thought, finishing with a spritz of perfume. Dealing with two houseguests already had her frazzled.
Imagining how she’d exact restitution, Marla showered, blew out her hair, did her makeup, then pulled on a pair of black slacks and a ruby knit top. Not knowing what to expect at the convention center, she snatched a black Ann Taylor jacket from its hanger in case she would need it later. One more thing. She picked up the phone receiver, dialed her salon, and left a message that she’d be there that afternoon with the Luxor crew. Thank goodness Georgia had stayed overnight at the hotel, she thought, finishing with a spritz of perfume. Dealing with two houseguests already had her frazzled.
Watch for over usage of the word, “Just” like in this passage where I use it three times.
“And why was that?” Marla asked, noting Ron rushing around the corner. Spotting her, the master stylist halted, looking shocked, but then he just as quickly recovered himself. He must have gotten a look at Sampson’s disheveled appearance. Marla missed Miguel’s response, because just then the hostess called their group. “Wait, Georgia isn’t here yet.”
“She’ll find us inside,” Liesl said, looking very hip in an off-the-shoulder ribbed lavender top. “Let’s go, luv.”
Twenty minutes later, Marla got worried when Georgia hadn’t shown up. Her friend knew they were meeting everyone at eight o’clock. Had she gone to their room to change? Taking her cell phone from her purse, she punched in Georgia’s personal number. No answer.
After excusing herself, she found a hotel phone and dialed their room. The ringing tone persisted until Marla gave up. Now what? Could Georgia have met some guy at the marina and decided to chuck her plans? Possibly, but she would’ve told me, knowing that I’d worry. She’d wait a while longer just in case her fears were groundless.
Marla missed Miguel’s response, because the hostess chose that moment to call their group.
She’d wait a while longer in case her fears were groundless.
These are the latest! Something always pops up when you are editing your work. But it’s important to catch these problems to make your work as polished as possible. Don’t stint on proofreading for one final time. Chances are you’ll always catch something. Happy Writing!
What are mistakes writers make that bother you the most?
Download 40+ free cozy mysteries in a limited time giveaway, including a copy of my book, HAIR RAISER.
Enter to Win a $20 Amazon gift card by Following me on BookBub
It’s important when editing your work to detect inconsistencies in word use. As I am revising my backlist titles, I am coming across several of these instances. One way that you can help avoid them in the future is to create a style sheet. Sometimes your publisher does this for you. Or you can note down observations yourself to make sure you follow through during the editing phase.
Here are some examples of items to note:
Two words or single word – town house or townhouse; coffeemaker or coffee maker, nightstand or night stand?
If you have different publishers, each one will have their own preferences. But if the editing is up to you, choose one way to list your word(s) and stick to it. Don’t know which one is correct? Look it up in your favorite grammar text. And if both are commonly used, choose the one that suits you and use that one on a consistent basis.
Wine types – Chardonnay or chardonnay? I’ve seen this done both ways. Whichever you do, be consistent for all wine varietals.
Character names – Chris or Christine? Jan or Janice?
In my recent book that I’m editing, I noticed that sometimes I referred to a character by her full first name and at other times by her nickname. This can be confusing for the reader. We’re reading about Jan through several chapters, and then there’s a Janice who shows up. Who’s that? Best to stick with one rendition, unless you happen to be giving the person’s full first and last name together, like in an introduction.
Terms of endearment – hon, sweetheart, or babe, as used by a particular character
If your guy is always calling the ladies “babe” then don’t have him switch suddenly to another word. It’s part of his characterization to use that one term.
Foreign words – chutzpah or chutzpah?
Decide if you are going to italicize the foreign word or not, and then be consistent throughout the story.
Hyphenated words – hard-boiled eggs or hard boiled eggs; fund-raiser or fundraiser?
Again, this can be a publisher choice. If not, look it up to see what’s correct or make your own decision about the hyphen.
Whatever your word choices, be consistent as you edit your work. Keeping a style sheet will help you remember which word to use.
Enter Now to win a Samsung Galaxy Tablet in Booklovers Bench anniversary giveaway.
When editing your fiction manuscript, one thing you must watch out for are word repetitions. This might be a favorite word you overuse, or it might be a specific word or phrase that you use twice in one paragraph. You want to clean these up so they don’t pull your reader out of the story.
Here are a couple of examples:
Perish by Pedicure
The sergeant smirked, as though he knew all her secrets. “And then?”
“Then she called to tell me about the job opening. I offered to put her up at my house, so we could visit while she was here.”
“So she arrived on…?”
“Friday. I drove directly to the convention hotel so we could check in. That’s when I met Christine Parks for the first time. She brought down the rest of the staff for a preliminary meeting so we could go over the schedule.”
“How was her demeanor on this occasion?”
“Very much in charge.” Chris wore flashy clothes to attract attention, Marla wanted to add, but she bit her lower lip instead.
“Did her behavior seem off-kilter in any manner?”
“Not really, and she appeared to be perfectly healthy,” Marla said, anticipating his next question.
In this passage, note how many times I use the word SO. It is a favorite word of mine in conversation, too. Currently, I’m revising my backlist titles. This book had already been through several rounds of edits at my former publishing house and through my own multiple read-throughs at the time. How come I picked up on this now? Maybe because I’m more aware of this word’s overuse. Whatever the reason, it popped out at me this time.
Easter Hair Hunt (Work in Progress)
“This Fabergé egg belongs in that spot.” Lacey pointed a shaky finger at the case. “Someone must have stolen it and substituted a plastic pink Easter egg in its place.”
Marla saw what she meant. Her stomach sank as she realized the significance.
Somebody had taken the valuable Fabergé egg and substituted a fake one in its place.
A software program that will help you pick up on word repetitions is Smart-Edit. Otherwise, you can do a search and find if you’re aware of your foibles in this regard. If not, a close edit of your manuscript may turn them up.
Enter Now to win a Samsung Galaxy Tablet in Booklovers Bench anniversary giveaway.
As your series grows in the number of books, it becomes critically important to keep track of your timelines. This came home to me recently when writing my latest work, tentatively titled Easter Hair Hunt. Hairstylist Marla Vail’s stepdaughter Brianna will be leaving for college soon. I wrote that she was a senior in high school but then realized I’d better check to make sure. The story takes place in March. The last one, Trimmed to Death, took place in October. Brianna was only in the eleventh grade in that story. She wouldn’t have graduated yet. Whoops. I went back and made her a junior for the current WIP.
So what sorts of things do you need to keep track of from book to book? Here’s a handy list:
Grades for any school-age children
Notes on secondary characters regarding their current status
Dates for Holidays
For Easter Hair Hunt, I determined the holiday would take place in late March. I set Passover a week later. But was this plausible? I looked up dates on the Internet and found this:
Easter Sunday can fall between March 22 and April 25.
Easter is March 23 in 2008 but then Passover is April 20
Easter is March 27 in 2016 but then Passover is April 23
Easter is March 31 in 2024 but then Passover is April 23
I picked one of these dates for Easter in my story and had to remove Passover since it didn’t come until a month later.
Marla attends the egg hunt on a Saturday. She celebrates Easter with her interfaith family on Sunday. Monday is her day off, and that’s when she begins her snooping into the latest murder mystery. So for each individual book, you also need to know these factors:
Month your story takes place
Days of the week for each chapter or scene. Using one of those free calendars you get in the mail might be helpful.
Special events you mention in the story that will be coming up, such as a bridal shower for one of Marla’s friends.
Here’s an example of my timeline notes for Trimmed to Death:
Marla is 38 (BD Feb.). Royal Oaks, her housing development in southwest Palm Haven, is four years old.
Dalton is 46 (BD Nov.)
Brianna is 16, is in 11th grade as of Sept., and has her driver’s license (BD March). She takes acting classes to help with public speaking, belongs to the drama club and debate team at school. She’s aiming for college in Boston. Mentions a boy named Jason in Trimmed. Jason has an older brother who plays in a band.
Tally’s baby Luke is 14 months. (BD Aug. 3). Tally is 38 (BD Aug. 28)
Arnie, deli owner and Marla’s friend, is 42. Married to Jill.
Robyn, Marla’s neighbor and salon receptionist, is 36 (BD is August)
Nicole, a hairstylist at Marla’s salon, spends weekends at her boyfriend Kevin’s place. His parents and siblings live in Miami. Nicole meets them in Trimmed and then Kevin takes her to the Bahamas before Thanksgiving (Nov).
What you want to do with each installment is add to this list and then copy and paste it to your next book’s files. It’s easy to get lost unless you keep detailed notes regarding these timelines. You could say the same for family trees. Figuring out who is related to whom gets even more confusing if you don’t draw a diagram or make notes.
For the writers out there, what else do you include on these timeline lists?
CLICK TO TWEET