Characters Too Weird To Be True

Characters Too Weird To Be True by Nancy J. Cohen

“Florida is a giant bug light for crazy people.” ~Phyllis Smallman, Sleuthfest 2014

It’s no surprise to any author living in Florida that some of the craziest stories we can write are actually inspired by true events in our sunshine state. Join us in exploring a different side of Florida than the travel bureau promotes with our first Blog Hop sponsored by Florida Chapter of Mystery Writers of America. Read on, click the links below to read another member’s view of crazy Florida, comment, share your favorite stories, and enter the contest to win a Kindle Paperwhite.

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Florida has its share of wacky characters. Every Sunday, I buy a newspaper and read through it with a pair of scissors in hand. Inevitably, there’s some article about an interesting resident or an issue that intrigues me. I cut out these articles and file them. Whenever I’m searching for a secret to give a suspect, I’ll glance through these clippings. That’s how I found a cool character who was a funeral director by day and a Samoan fire knife dancer at night. I tracked down the guy, interviewed him at his funeral home and based a character on him in Hair Raiser.

There’s no lack of strange people living in Florida. Criminals move down for the good weather same as other citizens. But most of the interesting characters in the news appear less in the spotlight. It might be a housewife running a prostitution ring, a non-profit administrator embezzling money, or a local teacher found with child porn files on his computer. These are secrets worth considering, because they’ll make the characters in my books seems suspicious. And Florida does have its share of wackos where truth is stranger than fiction.

Another character I used in a book was inspired by a reader at a talk I gave. She’d owned a clothing boutique and mentioned a guy who came in and wanted to try on women’s clothes. This idea was perfect for Murder by Manicure who now has a transvestite in the story. So you never know where inspiration will strike.

For Hanging By A Hair, #11 in the Bad Hair Day mysteries, neighborhood communities played a role in story development. Who hasn’t had trouble with their homeowners’ association? Marla’s husband has a disagreement with their HOA president who is later found dead. Our state’s Native American heritage comes into play in this story with a suspect who is a tribal shaman.

Florida has a rich history, a diverse ecosystem, and a hotbed of issues. All we have to do is read the newspaper for ideas. Thus I’ve dealt with citrus canker, illegal immigrant labor, exotic bird smuggling, child drowning prevention, melanoma detection, and a host of other matters that affect Floridians. Although these issues can be serious, my stories contain humor, a satisfying ending, and a lesson learned. And what have I learned? We never lack for material in sunny South Florida.

Amazon Hardcover: http://www.amazon.com/Hanging-Hair-Nancy-J-Cohen/dp/1432828142
Amazon Kindle: http://www.amazon.com/Hanging-Hair-Bad-Day-Mysteries-ebook/dp/B00JJ2XVUQ/
Barnes and Noble: http://www.barnesandnoble.com/w/hanging-by-a-hair-nancy-j-cohen/1116603785

Nancy J. Cohen has written over twenty romance and mystery novels. She wishes she could style hair like her hairdresser sleuth, Marla Shore, but can usually be found reading instead.

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Blog Commenters can win an ebook copy of either Shear Murder or Writing the Cozy Mystery (your choice). Winner will be announced on April 23. Leave a comment, and your name will automatically be entered. And don’t miss our Grand Prize contest below!

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Visit our other FMWA Authors and win more prizes:

Victoria Allman, Gator Bites, http://www.victoriaallman.com/blog
Miriam Auerbach, Bonkers in Boca, http://www.miriamauerbach.com/bonkers-in-boca
Gregg E. Brickman, Crazy South Florida—How it got to be home, http://www.GreggEBrickman.com/blog.html
Diane Capri, Fishnado!, http://www.dianecapri.com/blog
Joan Cochran, The Million Dollar Squatter: Crazy in the Land of Coconuts and Bagels, http://www.joanlipinskycochran.com/blog.htm?post=952677
Nancy J. Cohen, Characters Too Weird to Be True, http://nancyjcohen.wordpress.com
JD Daniels, He Did What? http://www.live-from-jd.com
Joy Wallace Dickinson, In Florida, It’s Great to Be a Cracker, http://www.FindingJoyinFlorida.com
Linda Gordon Hengerer, Crazy Treasure on the Treasure Coast, http://footballfoodandfiction.blogspot.com/
Victoria Landis, Eavesdropping 101, http://www.victorialandis.com
Sandy Parks, Keep your eyes to the Florida skies, http://www.sandyparks.wordpress.com
Neil Plakcy, Moscow on the Intracoastal, http://www.mahubooks.blogspot.com/
Johnny Ray, Utilizing Google Plus Air to Facilitate Author Interviews, http://www.sirjohn.us
Joanna Campbell Slan, Honey, You’ll Never Guess What Rolled Up in the Surf, http://www.joannaslan.blogspot.com

Increase the Chaos. Engage the Reader.

Increase the Chaos. Engage the Reader. by Julie Anne Lindsey

Chaos is one of my favorite things about fiction. This is especially true in a cozy mystery. I truly enjoy the insane amount of juggling required by the heroine. As a woman, I can relate to the pressure and frustration of handling too much- minus the murder investigation, of course – and it’s fun to see the scenarios unfold on someone else for a change. I can relate. It’s no secret women handle unthinkable amounts of responsibilities while maintaining the peace and meeting unreasonable expectations of others. We hold down the household, punch a time clock, volunteer in the community, date, please our family, entertain our friends and so much more. (We really are the more miraculous portion of our species. In my humble opinion). Which is why we all deserve a good book and a break from time to time.

As writers, it’s our job to connect strangers with a character we dreamed up. Chaos is a common ground we can use to our advantage. When I fall into a great new cozy or amateur female sleuth series, I immediately connect with the heroine if she’s got her hands full. I nod along and smile, thinking, man-oh-man am I glad it’s not me this time. My heart goes out to her. It’s hard keeping things afloat, and honestly, the chaos can be pretty entertaining when I’m not on the business end of things.

As I write each mystery, I want my heroine overwhelmed, well-liked and spread paper-thin. I want readers to feel the pull of hands on her time and person. So, as I plot and scheme a fun new investigation, I ask myself “What do I do every day?” and then “What do my friends do?” What keeps us so busy? The snowball method takes over from there because the short answer is we do too much.

Piling up the trouble is a great writers’ tool. It’s a fun and easy way to increase the chaos and pacing of a story. It keeps the pages going and stops the story from stagnating. I spend extra time on my outlines peppering in all the commitments my heroine, Patience, has to maintain in addition to surviving the wrath of a provoked killer and exploring the leads in her investigation, not to mention all the people she wants to please.

Add responsibilities to connect readers to your heroine. Give her problems they can all relate to, like family and romance. Those things are complicated. Messy. Real.

In my newest release, Murder Comes Ashore, I’ve piled up the everyday things that make a woman bananas. As my heroine pursues her investigation, (the crux of the story), she’s drawn away repeatedly by phone calls from clients, impromptu visits from family and a frustrating love triangle she’d prefer not to think about. She’s running from a killer, volunteering at the grade school and questioning birders about anything unusual they might have seen since the murder. Local law enforcement is running a parallel investigation and they get in her way, too.

Adding reality to the fiction anchors readers to your story. Who can’t related to a boss that expects us to show up on time? Or a sister who takes it personally if you’re five minutes late for dinner? The predicaments don’t have to be fantastical because they’re fiction. Take the things that make you the craziest and share them with your heroine. It is fun to move the burden onto someone else and it bridges the gap between you and women readers everywhere. Hey, it’s no fun when I have to fold laundry, check homework assignments and explain to my mom why I haven’t called all week, but when those things fall to a character, I smile because we share common ground. And us XX chromosome types have to stick together.

If you’re looking for a fun new mystery to cozy up with, I hope you’ll consider my new release, Murder Comes Ashore. It’s packed with chaos and a heroine who understands. Besides, who couldn’t use an island escape right now?

Murder Comes Ashore

Patience Price is just settling into her new life as resident counselor on Chincoteague Island when things take a sudden turn for the worse. A collection of body parts have washed up on shore and suddenly nothing feels safe on the quaint island.

Patience instinctively turns to current crush and FBI special agent Sebastian for help, but former flame Adrian is also on the case, hoping that solving the grisly crime will land him a win in the upcoming mayoral election.

When the body count rises and Patience’s parents are brought in as suspects, Patience is spurred to begin her own investigation. It’s not long before she starts receiving terrifying threats from the killer, and though she’s determined to clear her family’s name, it seems the closer Patience gets to finding answers, the closer she comes to being the killer’s next victim.

Amazon Barnes&Noble

About Julie:

Julie Anne Lindsey is a multi-genre author who writes the stories that keep her up at night. She’s a self-proclaimed nerd with a penchant for words and proclivity for fun. Julie lives in rural Ohio with her husband and three small children. Today, she hopes to make someone smile. One day she plans to change the world.

Murder Comes Ashore is a sequel in her new mystery series, Patience Price, Counselor at Large, from Carina Press.

Learn About Julie at:

Julieannelindsey.com

When Your Characters Torment You

Characters can torment you, the writer, for a variety of reasons. Secondary characters may want to have their stories told. Main characters might whisper in your ear to tell their tale. And when you’re in the midst of spinning your web of deceit, the characters live within your head, unwilling to let you go.

Silver Serenade is an example of main characters who wanted their story to be heard. Rookie assassin Silver Malloy and desperate fugitive Jace Vernon are both after the same man, terrorist leader Tyrone Bluth. Silver’s assignment is to kill the man while Jace needs Bluth alive to prove his innocence. For Jace—a diplomat turned desperado and a crack pilot—bigger political issues are at stake that could lead to galactic war. For Silver, the issue is personal. Tyrone’s Marauders destroyed her family and her research. Revenge fills her heart, and she’s vowed nothing will stop her from her goal. Forced to team up in their pursuit, Silver and Jace realize that when they catch Bluth, one of them must yield.

These characters whispered in my ear to tell their tale until I couldn’t ignore them any longer. They’d been the subject of my option book after I wrote four scifi romances for Dorchester. As the market for futuristics took a dive, Dorchester turned down this fifth title. Years passed, and the cycle came around. Paranormals and its various subgenres made a resurgence. I finished Silver Serenade and sold it to The Wild Rose Press. Finally, their story was done.

Now I’m in the throes of torment again. I am fifty pages away from finishing Peril by Ponytail, my twelfth Bad Hair Day mystery. When I go to bed at night and when I wake up in the morning, the characters are swirling in my head. What’s going to happen in the next scene? Am I considering all the angles? Could I be forgetting to follow through on one of the suspects? Did I remember to have a funeral service for the first victim? What about his wife, who stands to gain a substantial inheritance from his death? Did we examine this motive in the course of the story? How will Marla and Dalton find their way through the maze of underground tunnels in the mine scene?

And always, there’s the underlying anxiety—Will I have enough to reach my word count?

I am driven to finish this story. The characters won’t let me have any peace until we’re done.

Does this happen to you?

Advice for the Floundering Writer

Are you procrastinating about your writing career because distractions take you away from your work? Do self-doubts inhibit you? Are you unsure how to get started? Do you take too much time rereading your work and never moving ahead?

Assuming you’ve created your characters and setting, follow these steps:

Write a complete synopsis of your story. This will be your roadmap, and you’ll see if you have any plot holes to fill in. Include your protagonist’s personal angst and character growth. Each scene should have a purpose, whether revealing character or advancing the story. Don’t worry about how to get from Point A to Point B in detail. This is where story magic comes into play.
Now set yourself a writing schedule, whatever works for you, even if it’s one page a day.
Sit down in your chair and write, sticking to your quota, until you finish the first draft.
Give yourself permission to write crap. You can fix what’s on the page, but first, you must write it.
Focus on one book at a time. Don’t get distracted by other projects. If you get fresh ideas, jot them down for later. Concentrate on completing this particular work. If you’re unsure which project to develop, do the one that sings to you and ignites your fire.
Keep moving forward. Don’t second guess yourself. If your synopsis is detailed enough, it will show you where to go. How your characters get there is up to them, and they may provide detours. That’s a good thing, and you can revise your synopsis accordingly, either along the way or when you finish the story. Why do you need a synopsis at all? It’s a sales tool. You may have to present it to your editor with the submission or later to the art department to help in creating your book cover.
Make a firm career decision. You’re either going to become a professional writer, or it’s a hobby for you. If your decision is serious, treat novel writing like you would any career. Get some training, i.e. attend workshops and conferences, join a critique group, and participate in professional writing organizations.
Learn the business aspects because it’s not all about writing the book, it’s also about marketing.
Follow the 4 P’s: Practice, Professionalism, Pursuit, and Perseverance. Keep writing every day or several times a week to fulfill your quota. Always be professional and courteous to others in the industry. Pursue writing as a serious career choice. And never give up your dream. Persistence pays, and eventually you will call yourself a published author. Remember the BIC-HOK motto: Butt in Chair, Hands on Keyboard.

Arizona Research Trip

The importance of visiting a story location as a writer really made its mark with my recent trip to Arizona. The scenery was different than anything I’d expected. I traveled there to research my next Bad Hair Day Mystery, currently titled Peril by Ponytail. The first impressions that hit me driving from the airport were the colorful southwestern designs on the bridges and highway borders. Next was the landscaping. Instead of green grass and palm trees, a variety of cacti and small shrubs dotted the reddish-brown earth.

Most remarkable were the saguaro cactus, with the “gu” pronounced like a “w.” My cousin Janice, our hostess, explained how it takes up to 75 years before a saguaro branches out. The plant lives several hundred years and can weigh up to 10 tons from the water inside. In the distance, mountains rose as mysterious peaks tempted exploration.

We headed outside Phoenix, past Scottsdale, and into Fountain Hills. This lovely community features expansive homes in mixed Mediterranean and Adobe styles amidst rolling hills. A lake boasts its own fountain that jets upward on the hour. Interesting restaurants, shops, and picturesque views invite a leisurely lifestyle. You can see the four peaks on the McDowell Mountains where the only amethyst is mined in the U.S.

Our first free day, we visited the weekend flea market in Mesa. We drove past a casino and through the Salt River Indian Reservation into the desert to get there. Everywhere you go, you see large expanses of uninhabited land, but they aren’t bare. Either they’re cotton fields grown by the Pima Indian Nation, or they’re full of desert plant life.

The flea market has great prices on jewelry and gift items if you get the chance to go. So does Old Scottsdale, which we visited that same afternoon. Here’s where you can buy western wear, cowboy hats, souvenirs, hot sauce, or that turquoise and silver pendant you’ve always wanted. Stop for ice cream at the infamous Sugar Bowl and take a peek at the modern Performing Arts Center. And give yourself time to adjust to the time chance and dryness if you’re from a humid climate like Florida. We were lucky to come in October with ideal temperatures. Drinking lots of water in either location is essential.

You do know I like to show pictures of food, yes?

Coming Next: The Desert Botanical Gardens

Creating a Timeline

How do you map your protagonist’s family tree? Who are your characters’ relatives? What are their birthdays? And how much should they age from book to book if you’re writing a series?

Creating a Timeline is crucial to a series. Keeping records of your recurrent characters in this regard is essential. Currently I’m beginning work on my next Bad Hair Day mystery, tentatively titled Peril by Ponytail. Marla and Dalton take a delayed honeymoon to an Arizona dude ranch owned by his cousin, Wayne Campbell.

Well, guess what? Other than Dalton’s parents and teenage daughter, we haven’t mentioned his family members before. Suddenly I’m at a loss as to his family tree.

Not so with Marla. I created her family tree for Dead Roots, when Marla and Dalton spent Thanksgiving weekend with her extended family at a haunted Florida resort. Where can I find this record? With a sense of urgency, I searched my computer files. Nope, not there. So I pulled out my notebook for that particular title. I breathed a sigh of relief when I discoverd a handwritten diagram of Marla’s family tree. With newer technology at hand, I scanned this paper into a file so it doesn’t get lost.

Thank goodness I have extensive notebooks for each title. What I keep in them is subject for another blog, but suffice it to say that I have lots of rich material on character backgrounds, research notes and articles, and more.

Now I have to create Dalton’s family tree. I know his age and birthday and how it’s progressed from book to book because I write it down for each volume. Ditto for his daughter and what grade she’s in. When his parents came into the picture, they got added, too. But who else is there? How is cousin Wayne related to him?

I’ll need to work on this by drawing out his family tree. I don’t know how to do it on the computer without accessing complicated programs, and they’ll take too much time to learn. But considering my experience, here are some items you might want to add to your notes for each book you write and/or for your overall series bible. The timeline can include:

Birthdays
Time of Year each book takes place, i.e. Season and Month
Day to Day Progression of Plot per story title
Family Trees
Proper Names. This might be a separate file or you can put them here. This means the name of your person’s housing development, favorite restaurants, type of cars people drive, pet’s names, etc.
Maps of the town or neighborhood where your character lives and works
Diagrams of a particular locale. Here is Sugar Crest Resort from Dead Roots.

Your needs may differ with each book as to what your timeline requires. Peril by Ponytail is the twelfth book in my series, and yet I’ve not had to create Dalton’s family tree before. So what you need for one volume might not apply to another. Whatever you do, make sure you record the material in print and on your computer files. Back it up so you don’t lose it. If I hadn’t found Marla’s family tree in that notebook, I would have been at a loss should I need it again.

So stay attuned to your timelines when plotting your story and lay down the necessary groundwork. And now, tell the rest of us what else we might include in our Timeline folder.

Creating Realistic Characters

When Characters Stop Being Literal and Become Real
J.H. Bogran

On the dedication page of Harry Potter and the Half Blood Prince, author J.K. Rowling dedicates the book to her daughter, proclaiming Harry is her ink-and-paper twin. In just one sentence, Mrs. Rowling demonstrates how real the characters are for her.

Every writer worth his salt knows that only when we believe and treat our character as real people, they will become so to the readers. Why? I could bet it is because our perception of the character seeps into them while we type them.

I don’t pretend to preach to the converted, what I’d like to share today is the way I develop my characters, not that I think it is the one and only way to go about it.

After I decide the story I want to tell, I spend time developing a list of characters that I think are required to tell the story. The list includes the lead, lead’s love interest if any, the antagonist, and the secondary characters. I don’t waste time on the character with bit parts; I trust they will show up when I need them for a particular scene. Yeah, it’s kind of “if I build it, they will come.”

Two books that have helped me with characters and how to write them are Angela Ackerman/Becca Puglisi’s The Emotion Thesaurus, and the other one is Dynamic Characters by Nancy Kress.

The main characters get special attention, of course. I prepare a worksheet where I list name, description, personality, profession and extras. The first four are pretty self-explanatory. Extras can be tiny little things like if he/she smokes, or notes the appalling story of how they became the person they are at the start of my book.

For the physical description I cheat a little bit, if it can be called like that. I use people I’ve met, sometimes movie or TV actors, but someone to anchor me to what they look like and keep me from changing hair or eye colors between chapters. Their personality starts relatively empty as I’d like to leave room for the characters to grow. Of course, that character worksheet keeps getting revised while I’m writing the story.

The secondary characters are not as developed, but I keep a close watch on them as sometimes they come back with surprises, or they make appearances in other stories. For example, the doctor who treated my lead female character suffering from Multiple Personality Disorder in the story Love Me Two Times, turns out to have a younger brother. In the opening chapter of my new novel Firefall, Doctor James Martin is performing an intervention on his younger brother Sebastian, who is the lead character in that novel.

One tip I learned during a ThrillerFest class on craft imparted by Robert Dugoni was to give each character a unique trait. It can be anything from always chewing gum to a limp. The idea is that the trait would be big enough to make them appear better than two-dimensional.

The making of my character is far from a refined technique, but it works for me, so I’m sticking with it. They become real to me because I can picture them in my head.

I’m curious to know how others do it, so please leave a comment if you can. Thanks.

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About J. H. Bográn

J. H. Bográn, born and raised in Honduras, is the son of a journalist. He ironically prefers to write fiction rather than fact. José’s genre of choice is thrillers, but he likes to throw a twist of romance into the mix. His works include novels and short stories in both English and Spanish. He’s a member of the Short Fiction Writers Guild and the International Thriller Writers, where he also serves as the Thriller Roundtable Coordinator and contributor editor their official e-zine The Big Thrill.

Website at: http://www.jhbogran.com
Facebook: http://www.facebook.com/jhbogran
Twitter: @JHBogran
Goodreads: http://www.goodreads.com/author/show/4307673.J_H_Bogran
Amazon author page: https://www.amazon.com/author/jhbogran

About Firefall:

After losing his wife and son in an air crash, former NYC firefighter Sebastian Martin is spiraling downward into alcoholic oblivion. Then his brother sets him up with a last-chance job investigating insurance fraud, but his first case takes a deadly turn as he crosses path with an international ring of car thieves. Sebastian ends up strapped to a chair facing torture at the hands of a former KGB trainee who enjoys playing with fire on his victims to get answers.

Firefall Buy Links:

Rebel E Publishers: http://rebelepublishers.com/about/our-books/firefall/
Amazon: http://www.amazon.com/Firefall-ebook/dp/B00F6VYDE2
Smashwords: https://www.smashwords.com/books/view/355941

Creating Mood

Word choices are important when creating mood. Next time you read a scary story, look at the particular descriptive words the author uses. It takes work to get these right. Now let’s see how I put this to work for me. Here is my original paragraph:

Outside, I locked up and then turned toward the street. My shoes clicked on the pavement as I strolled down the sidewalk toward the parking lot. Overhanging branches shadowed the walls like skeletal limbs, blocking the light from street lamps. Crickets chirped their nightly chorus, nearly drowning the muted traffic sounds from Lake Avenue. Even that thoroughfare had quieted for the weekend.

What’s wrong with this? “Crickets chirped” brightens the mood when I want this to description to raise tension. So here is version number two:

Outside, I locked up and then turned toward the street. My shoes clicked on the pavement as I strolled down the sidewalk toward the parking lot. Overhanging branches shadowed the walls like skeletal limbs, blocking the light from street lamps. The low, steady thrum of crickets nearly drowned the muted traffic sounds from Lake Avenue. Even that thoroughfare had quieted for the weekend.

Oops. Lake Avenue is a bustling town center with restaurants that would be lively on a weekend evening, so it wouldn’t be quiet on a Sunday. Better delete that line. I don’t quite like the muted traffic sounds, either. This line should add to the suspense. Here is my final version along with the next couple of lines. Tell me what you think:

Outside, I locked up and then turned toward the street. My shoes clicked on the pavement as I strolled down the sidewalk toward the parking lot. Overhanging branches shadowed the walls like skeletal limbs and blocked the light from street lamps. The low, steady thrum of crickets pulsed in the autumn air like a single-minded creature hidden in the shrubs.

A car engine idled nearby. I glanced over my shoulder, my nape prickling.

None of the cars parked along the curb had any lights on. I didn’t see anyone sitting in them, but somebody had started a motor within hearing distance.

The sensation grew that I was being watched, and goose bumps rose on my arms. My breath came short as my pulse rate rocketed.

I picked up speed, eager to reach my car. My foot banged against an uneven edge of pavement. I stumbled but regained my balance and hurried on. I’d just passed Elhambra’s Mystical Emporium when a roar sounded in my ears.

I whipped around. A pair of headlights lunged at me.

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This is a work in progress, so your suggestions are welcome. My advice is to write the story as it comes out and worry about nitpicking the word choices later. It’s easier to fix what’s already on the page. If you get too hung up with your pages being perfect, you’ll never progress. Write that first draft and then go back to polish.

What are Copyedits?

What’s the difference between line editing and copy editing? After your work gets accepted by a publishing house, your story editor will comb through it line by line looking for problems in structure, pacing, continuity, and logic. She’ll ask questions in the margins, make deletions, add lines where appropriate, and suggest improvements to some scenes.

So what does a copyeditor do that is different? This skilled editor focuses on grammar, punctuation, and spelling, as well as providing another set of eyes to detect omissions and errors. A word of advice—don’t use colons or semicolons as they may translate into peculiar characters during digital conversion. Consider an emdash instead. The same warning applies for the ampersand sign. Type out the word “and”.

After you polish your work umpteen times, you’ll have to suffer through three more reads for your story editor, copyeditor, and page proofs. And believe me, you will need each pass-through. I always find things to correct, no matter how many times I polish my stories.

Having just finished the latest set of copyedits for Hanging by a Hair, #11 in the Bad Hair Day Mysteries, I’d like to share what I learned. This time, I wrote the changes in a file I’m calling Style Sheet for this particular publisher. Keep in mind that each publishing house will differ in how they like things done. I’m not talking about fonts and line spacing. You can find that info in their submission guidelines. So what do I mean? Let’s take a look at my notes.

Remember when you used to please your teacher back in your school days? Each editor has his or her pet peeves. Learn them.

Here are some preferences for my story editor:

Use he said/she said instead of too many action character tags. [Note: my other publisher prefers just the reverse.]

Don’t use “her eyes rounded/bulged/widened” unless your character is looking at someone else. Or say, she felt her eyes widen. [I don’t particularly agree with this, but hey, I aim to please.]

Be wary of making the amateur sleuth appear too nosy.

Avoid phrases like sounds “infiltrated her ears.” Use “she heard.”

Watch “his eyes glittered, blazed, darkened,” and let the dialogue speak for itself instead.

Don’t use Publix or Home Depot. Use supermarket or hardware store.

Now along comes the copyeditor. What sorts of things does she point out?

Capitalize wine types, i.e. Chardonnay [Again, another publisher might not do this.]
It’s a to-do list, not a To-Do list.
Sink into her bed, not onto her bed.
Seasons are not capitalized, i.e. fresh scent of spring, not Spring.
It’s caller I.D., not Caller I.D.
Uh-oh, not Uh, oh. [Again, my other publisher would do it the second way.]

These should be one word rather than two words or hyphenated:
Babysit, Checkout time, Coffeemaker, Doorbell, Doorknob, Fairyland, Hairbrush, Kindhearted, Lampposts, Midair, Peephole, Semisweet, Signposts, Timepiece, Townhouse, Windowsill, Workhorse, Wristwatch.

This should be hyphenated:
Bang-up job, Blow-dried her customer’s hair, Blow-out (as in, cut and blow-out), Boarded-up opening, Bottled-up rage, Cobalt-blue, Community-minded, Cross-referencing, Crime-solving skills, Class-action lawsuit, Crowd-buster, Deep-set eyes, First-timer, Freeze-dried foods, Going-away party, Good-quality wood, Hang-ups, Hard-boiled eggs, Heavy-duty belt, Heavy-set guy, High-rise, Higher-paying, Hurricane-force life, Hurricane-impact windows, Kettle-shaped clock, King-size bed, Last-minute problems, Late-afternoon air, Less-traveled, Lesser-known, Loose-fitting, Miles-long trail, Much-needed break, Next-door neighbor, Non-profit, Older-era movie star, Open-air entertainment, Orange-colored sport coat, Pet-grooming service, Plus-size lady, Put-down (as in, giving a put-down), Ranch-style house, Red-painted fingernails, Second-degree misdemeanor, Second-floor balcony, Short-staffed, Shoulder-length, Somber-faced, Stick-straight hair, Strike-out (as in, another strike-out), Thank-you notes, Three-tiered confection, Wheat-colored hair, Work-related, Wood-planked dance floor.

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I’ve printed these out so I can keep them by my side during subsequent drafts or revisions. It helps to know how your publishing house likes things done. You can disagree with suggested changes if they would alter your voice. Plus sometimes copy editors make mistakes. When this happens, point out that the original way stands and perhaps include evidence. For example, one copy editor once changed I-95 to Interstate Ninety-Five. I pointed out that no one here refers to it that way. I-95 stood its ground. In another case, the editor misspelled the name of a car model. I sent back a copy of an ad with the correct spelling. For the most part, though, by making many of these desired word or phrase choices early on, you’ll both be happier.

Determining Theme in Novel Writing

Do you know your story’s theme before you begin writing? Many writing coaches will advise you to figure this out ahead of time and work symbolism into your story as you write. But what if you don’t have a clue as to what your theme should be? Sometimes the theme only becomes evident later, after you’ve completed the book. At that stage, a wise observer might point out that you’ve naturally incorporated symbolism into your story.

The point is not to worry about this analytical part of writing if you’d rather write your book in the heat of the moment.

I’ve never set out to craft a story knowing my theme ahead of time. I’ll write a synopsis in my initial stage and do some character development, but heavy analysis would stop me dead. I need to let the story unravel, even though I know where it’s going. Thematic elements are there. I might not have recognized them yet.

Ask yourself this question after you’ve penned a few novels: What are your stories about? What is the core message that comes across? I’ve realized many of my works are about redemption. My heroine sleuth, Marla Shore, seeks to redeem herself for a past mistake. The first Bad Hair Day mystery, Permed to Death, reveals her sense of guilt and what she’s done to assuage it. Guilt is a great motivator. The theme of redemption is also evident in some of my romances where characters seek to redeem their self-respect or reputations.

But is that my only theme? Recently I’ve begun using the self-editing software mentioned below in a previous blog. I have been eliminating repetitive words within my manuscripts. One of my favored words is “just.” This word can also be found in “adjusted” and “justice.” Whoa. Justice?

In Died Blonde, Marla goes to Cassadaga, FL and gets a reading from a certified medium. This spiritualist tells Marla the following:

The medium’s eyelids fluttered. “Right now, you’re obsessed with completing your task. You feel the need to pursue justice. Learning the truth will bring you peace.”

A chill captured Marla all the way to her toes. She’d pronounced similar words as part of her Bat Mitzvah speech: Justice, Justice, Shall You Pursue. How could they form on Hazel’s lips?

“Treat yourself fairly as you would treat others,” the medium explained. “Accept who you are, and you’ll find the power within you to move forward. Above all, don’t give up. The truth is just around the horizon.”

These words become Marla’s mantra throughout the series. She seeks truth and justice.

Warrior Lord, book 3 in my paranormal Drift Lords series, also deals with this theme. Lord Magnor has been unjustly accused of a crime. Ditto the hero, a wanted fugitive, in Silver Serenade. Is the pursuit of justice another one of my themes? I believe so, and it’s one I’ve only now realized.

One of my favorite book series is Terry Goodkind’s Sword of Truth fantasy series. Why? Because Richard Rahl, the protagonist, is the Seeker of Truth. Richard seeks the truth in all matters, as does his love Kahlan, the Mother Confessor. Once under her spell, no one can lie. If you’re not into the books, check out the TV series Legend of the Seeker for swashbuckling adventure, fantasy, and romance.

I didn’t set out to write about this theme, but there it is. So, too, might your theme reveal itself in your body of work.

Do you determine your theme ahead of time? What is your core message?

Tag: writing craft

Characters Too Weird To Be True

Increase the Chaos. Engage the Reader.

When Your Characters Torment You

Advice for the Floundering Writer

Arizona Research Trip

Creating a Timeline

Creating Realistic Characters

Creating Mood

What are Copyedits?

Determining Theme in Novel Writing

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