Nancy's Notes From Florida

Ghost Hunters

October 18, 2012

Paranormal research isn’t an exact science, but investigators use certain tools to help determine if an anomaly is present. In my Bad Hair Day mystery, Dead Roots, hairstylist Marla Shore attends a family reunion at a haunted Florida resort. Along with her fiancé, Detective Dalton Vail, she unearths dead bodies along with fond memories in the midst of Thanksgiving dinner. Also present that weekend are a group of ghost hunters. As the lead researcher explains to Marla, spirits can be active at any time. More readings are taken at night because there are fewer distractions. It’s also better for video to have a dark background. Here are some of the instruments at hand:

Electronic Voice Phenomena Recorder

EVP recorders capture voices and sounds that are not heard by human ears at the time. Researchers will enter an empty room with a recorder on, invite anyone present to speak, and then maintain silence while the recorder is running. Later, voices may be evident on the recording. It is important to attempt duplication from other sounds in the vicinity in order to eliminate natural causes. Pipes and duct work, for example, may conduct sound.

Electromagnetic Field Meter

This device measures electromagnetic energy in the area. Spirits produce a disruption of energy, but so do many of our common household appliances. Therefore, it’s essential to get a reading during different times of the day to detect household electricity. This gives you a base reading on normal EMF fluctuations. As with the EVP recorders, you have to locate normal sources before you can detect unusual spikes.

Thermometer

There may be a colder reading when a spirit is present because it sucks up energy from things around it. Again, check for drafts or other common sources, and correlate the temperature change with EMF variations and video recordings.

Cameras and Camcorders

Supposedly, entities emit near infrared radiation, or NIR. The most common type of anomalies caught on film are orbs. You might also see vortices, energy rods, or other unusual sources of light. Rarely does one capture an apparition. What’s the difference between an orb, apparition, energy rod, and vortex? Not much; they’re just different forms of spiritual energy.

How do you know you’re photographing an orb rather than a speck of dust on the lens? Orbs have a spherical shape. Sometimes you’ll catch them where you have EMF fluctuations. Researchers have caught videos where anomalies have gone through walls, hit ceiling fans, veered around people. You need to see if the anomaly can be recreated from any known sources. Go through the process of elimination before you consider anything to be actual evidence.

If there’s a ghost, how can you tell who it is? Often by the history of a place. Residual hauntings, for example, are like recordings. They reflect events that occurred at a particular location. Think in terms of an energy residue that keeps repeating itself. Footsteps going up and down stairs, soldiers fighting on battlefields, people walking down hallways; these are experienced in the same place over time like the apparition in St. Augustine, FL who’s always seen doing her laundry. By repeating the same action, she’s left an impression on the place. It’s a replay of the scene, like a traumatic event that has stamped its imprint on the locale. This type of haunting is simply a recording of an event in time. Anniversary ghosts are similar. They only appear on the anniversary of a significant event, so their appearance is a type of residual haunting.

Then we have intelligent ghosts who will try to get your attention by rattling doorknobs, creating odors, moving furniture, making noises. They’re the ones who create mischief. Poltergeists, for example, don’t intend to hurt people, but their high energy level can make them dangerous. They want people to know they’re around.

Marla and her family are staying at Sugar Crest Plantation Resort in Dead Roots. Besides her late Grandfather Andrew whose ghost affectionately pinches her in the tower elevator, there is Alyssa, the love-struck daughter of the original plantation owner, who met her demise during a fire in the sugar mill where she waited for her lover. There’s the Union solder shot to death outside the old homestead, now converted into concierge suites. And finally, Marla puzzles over the two strangers wearing Cossack hats who confronted her grandfather before they mysteriously disappeared. It’s said their spirits haunt the condemned wing of the hotel. Which ones of these ghostly tales are real and which ones may be stories meant to frighten visitors away?

DEAD ROOTS

Marla’s family reunion at a haunted Florida resort turns up dead bodies instead of fond memories. She and her fiancé, Detective Dalton Vail, launch another murder investigation in the midst of Thanksgiving dinner.

“Ghost stories, nifty secret passages, tales of gemstones and family secrets enliven this tale.” Oline Cogdill, Sun-Sentinel

“If you like ghosts and ghoulies and things that go blink in the night, you’ll love this book.” Mysterious Women

“Condemned wings of the hotel, secret passages, and a gaggle of paranormal experts investigating the resident ghosts, all add up to a frenetic mixture of mirth and mayhem.” I Love A Mystery

“The setting, a Florida resort complete with ghosts, ruins and secret passages, makes a terrific site for a mystery.” RT BookReviews



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Epcot Food & Wine Festival

October 6, 2012

We ate our way around World Showcase at this year’s Epcot International Food & Wine Festival. This event runs from Sept. 28 – Nov. 12 so you have plenty of time to get there. You need a regular ticket to get into the theme park and then you buy the sample foods and drinks as you circle the lake and browse the marketplaces.

Food Festival2012 (800x600)

We turned left and hit the Terra stand first, sampling the Chicken Curry with Basmati Rice. While I like curry dishes, this one was a bit spicy. I wanted to try the Jerk Chicken Drumstick with Mango Chutney at the Caribbean booth, but the line was too long, so we moved on to Argentina. Here I had the Grilled Beef Skewer with Chimichurri Sauce and Boniato Puree (tastes like mashed potatoes with pesto sauce). This item cost $5.00. I believe prices went up this year because I don’t remember many dishes costing that much before.

Chicken Curry (800x618)     Beef Skewer (800x556)

Caribbean (800x600)     Florida (800x600)

I might have liked the Shrimp on the Barbie or the Grilled Lamb Chop at Australia but saved them for another visit. One of our kids got the Shrimp Taco at Mexico and I had a taste. Good!

Shrimp Taco (800x544)

On to Scandinavia, another favorite. Their Swedish Meatballs with Lingonberries is the best—even better than Ikea’s meatballs. This cost $3.50 each and was well worth the price. My husband had the Taste of Scandinavia for $4.00. This was a plate with cured salmon and herring and shrimp salad.

Swedish Meatballs (800x553)   Scandinavia (800x600)

China came next. I’ve had their Potstickers and Chicken Satay before so passed on it this time. Also walked past South Korea even though the Mung Bean Pancake with Shrimp looked interesting. South Africa is another favorite with Filet of Beef and Smashed Sweet Potatoes. It’s one of the most tender cuts of beef around and done just right for $5.00.

Beef Filet (800x590)   South Africa (800x600)

We moved on past vendors with plates of cheeses, a Brewer’s Collection for beer drinkers, and skipped the Apple Strudel at Germany. One dish sounded really interesting at Poland—Toasted Mushrooms, Carmelized Onions and Cheese Bread—but I’ll have to save it for next time. We breezed past Italy to the American pavilion where I zeroed in on my favorite dessert, the Pumpkin Mousse at the “Hops and Barley” counter. For $1.50, this is a bargain. It comes in a mini-dessert cup like you get in some restaurants these days. It’s so good, I had to buy the Festival cookbook for the recipe ($16.95 plus tax).

Beer (800x600)  Pumpkin Mousse (763x800)

I wanted to get the Coq au Vin with Mac and Cheese at the France pavilion because it was so good last year, but I was too full already. I passed up the whole other side of World Showcase, unable even to taste the Mushroom Beef Filet Mignon at Canada or the Griddled Greek Cheese with Pistachios and Honey or the Chocolate Lava Cake at Ireland. I did go for the Mai Tai at Hawaii for the hefty price of $7.50. Save your money on this one. While I tasted some rum, it was a pleasant fruit drink in a plastic cup.

France (800x600)    Funnel Cake (800x600)

Japan (800x600)   Japan Drummers (800x600)

Now I’ve made myself hungry again. I need to go back to try all things I missed on this trip. Next time, we’ll start from the opposite direction.

China (800x600)  Italy (800x600)

China Pavilion                                                  New Wine Cellar Lounge at Italy



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Writing Effective Dialogue

October 1, 2012

You’ve finished writing your book and are ready to start self-edits. What should you be examining in each conversation? Here are 14 tips to help you write more effective dialogue.

All conversations should have a purpose.
Dialogue is a great way to start a story and provide an opening hook. You’ll want to keep the pace moving forward. Besides backstory and flashbacks, there’s nothing that kills pacing more than meandering dialogue. Conversations should reveal information, advance the plot, deepen characterization, create conflict, offer comic relief, or present new insights. Long passages of dialogue where nothing happens will make your reader wonder when the story will move ahead.

Vary your techniques.
Information exchanges don’t have to be straightforward. Revelations can be tricked, teased, or threatened out of a character. Have your heroine blurt out something in the heat of the moment. Or have two characters discuss a situation and reach a new conclusion together. What you want to avoid is an info dump. Even at the end of a thriller or mystery where you have to reveal the How-Done-It about the crime, don’t just have the killer stand there pointing a gun at your hero while rattling off his confession. Save some of this info for the final wrap scene, where your hero reflects on events with another character and comes to an insight that brings growth and change.

Cut the fillers that people use in real conversations.
“Excuse me, um, did you—I mean, did I—tell you, like, what this topic, you know, will be about?” In this instance, we don’t want to write realistic dialogue. Our fictional sentences must be more concise and to the point. Some mannerisms are allowed for character development, like the person who says “you know” all the time, but leave out the rest of the fluff.

Watch those cuss words.
You may have a gutter mouth, or think your character should talk that way, but be wary of alienating your readers. Who’s your target audience? Do you want a wider readership? If so, sprinkle in the use of bad language judiciously or substitute a word like “frak” in Battlestar Galactica.

Don’t be too clinical.
When writing sex scenes, certain language is permissible if your genre is erotica but not if you want to appeal to a more general audience. Again, consider your readership. You may want to look at the emotional ramifications of a love scene rather than focusing on the sex act itself.
Avoiding certain terminology also applies to your character’s point of view. Occasionally, I will slip in some medical terms into my story. This comes from my own background as a nurse, not my hairdresser sleuth’s. My critique group always catches me on this error. So be careful of using jargon your character might not know but that you do.

Use dialect sparingly.
It can be enough to say your character has a heavy southern accent rather than changing every word, as in “Ah have to git me a new dress for the party Ah am hankerin’ to attend.” This is okay in small doses but can get annoying throughout an entire book. Ditto for foreign languages. Sprinkle in a few select phrases to give the reader the flavor of the character’s speech without making us stumble over sentences that are hard to pronounce, let alone comprehend.

Favorite phrases can enhance character.
What does your protagonist say when surprised? When he’s annoyed? Make up some favorite phrases for him to use as a speech tag, keeping his background in mind. For example, a hairstylist might say, “Holy highlights!”, or a space pilot: “By the stars!”

Avoid unnecessary speech tags and adverbs.
Leave off the “she cackled merrily,” “he ranted angrily,” or “she snickered devilishly.” You don’t need descriptive adverbs. Let the dialogue speak for itself. Use “he said” or “she said.” Better yet, show through action who is speaking.

Consider the technique of oblique dialogue.
This is where one speaker asks a question. The respondent either counters with another question or answers with an unrelated comment. Nonverbal cues can supply the subtext or clues as to what’s really going on in this conversation.

Don’t repeat info the characters already know.
This kind of info exchange, where two people talk about something they both already know, serves merely to fill the reader in on background info. Find another less obvious way to slide this knowledge into the conversation. Dialogue is a great way to add backstory but only if done in an unobtrusive manner and if it’s related to the current situation.

Separate single lines of dialogue from expository passages.
If you have a single line in quotes and the rest of the paragraph is introspection or action from the same character, put the line of dialogue in its own paragraph.

Reveal character through conversation.
Does your character always end a sentence in a question? Talk in a confrontational manner? Show his wishy-washy attitude in phrases like “I think,” “I guess,” “Well, maybe…,” or “I suppose?” These are ways to reveal personality through dialogue. Also, have your protagonist use metaphors, similes, and slang within his unique frame of reference.

Avoid talking heads.
Intersperse your lines of dialogue with action and emotional reactions. Conversation that’s not meaningful to your character isn’t going to grip the reader. We want to feel his gut responses. Even when the conversation itself sparkles with emotion, it helps to have the viewpoint character throw in a thought or two about it or perform some action that shows his emotional state. Then we as readers will empathize more strongly with him.

Review your work.
Reread your conversations looking for stilted dialogue, formal speech, out of character responses, and repetitions. This should be part of your editing process.

Dialogue is an important tool in our writer’s toolbox. Use it wisely and your readers will keep coming back for more.



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How to Foil a Trollek

September 21, 2012

WHAT TO DO IF YOU MEET A TROLLEK by Nira Larsen, grad student in comparative mythology

  • Trolleks move so fast, you’ll see them as a blur of speed. Go back-to-back with a friend so an ugly brute won’t surprise you from behind. Any weapon will do but watch out for their disruptor fire.
  • Don’t let a Trollek touch an exposed area of skin, or you’re a goner. You’ll be confounded, i.e. under their spell and compelled to do their bidding. Believe me, you’d rather be dead than be made a mind slave.
  • Be aware of the distinction between Trollek males and females. The males are ugly human-like creatures with large ears and noses. On the other hand, the females are beautiful and entice men with their hot looks and irresistible pheromones. Unlike their menfolk, Trollek females have no fondness for human women. If one of them mentions experiments and science lab in the same breath, run and hide.
  • Trollek females have some issues with their men. If a Trollek lady aims her sights on you, engage her in a feminist dialogue. It might distract her long enough for help to arrive.
  • Watch out for their allies: shapeshifter fire giants, elf kings, and vengeful Norse gods. You can’t trust anyone, especially if they can morph into a lizard or a wolf.
  • If a Trollek says, “The Devil made me do it,” believe him.
  • Trolleks have a fondness for mirrors. If confronted by a beastie, pull a mirrored compact from your purse and toss it at him while you run away.
  • Scream as though your lungs will burst and a Drift Lord might come to your aid. Hope he hasn’t applied his personal protection system if you want to thank him properly for your rescue.
  • Ring a bell if you encounter a Trollek. They don’t like loud noises and that might provide enough of a distraction for you to run away.
  • Legend says a weapon exists that can defeat these beasts. Follow the clues and you might find it. But hurry; the apocalypse is nearly upon us!

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The Trolleks in my Drift Lords series are based on trolls from Norwegian legends. Some people say that certain rock formations may be trolls who have been turned into stone. What is your favorite fairy tale, myth, or legend?

Warrior Prince: The Drift Lords Series by Nancy J. Cohen

When mythologist and Florida resident Nira Larsen accepts a job as tour guide for a mysterious stranger, she’s drawn into a nightmare reality where ancient myths come alive and legendary evils seek to destroy her. To survive, she must awaken her dormant powers, but the only person who can help is the man whose touch inflames her passion.

After a dimensional rift in the Bermuda Triangle cracks open and an ancient enemy invades Earth, Zohar—leader of the galactic warriors known as the Drift Lords—summons his troops. He doesn’t count on a redheaded spitfire getting in his way and capturing his heart. Nira has the power to defeat the enemy and to enslave Zohar’s soul. Can he trust her enough to accomplish his mission, or will she lure him to his doom?

Watch the Trailer: http://youtu.be/aVm2FIumw0o

Buy Now!



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Movies as Inspiration

September 21, 2012

MOVIES THAT INSPIRED THE DRIFT LORDS SERIES

TROLL (1986)

http://www.imdb.com/title/tt0092115/
Michael Moriarty, Shelley Hack, and Noah Hathaway

A troll king searches for an emerald ring that will transform him back to human. His search is centered in a San Francisco apartment building where a boy lives whose name is Harry Potter. This boy discovers he is special and only his wizardly powers can save the world. Hmm…Does this scenario and character name sound familiar?

THOR (2011)

http://www.imdb.com/title/tt0800369/
Chris Hemsworth, Anthony Hopkins, and Natalie Portman

Thor disobeys his father and garners the wrath of the frost giants. As punishment, he’s cast from the celestial home of the gods in Asgard and sent to Earth minus his superpowers. Here he meets scientist Jane Forster and learns compassion for the mortals on Earth. Their lives are threatened when Thor’s estranged brother Loki decides to conquer the world for himself. Wondrous world building, special effects, and superheroes make this an entertaining film, but the father-son relationships at the heart of the story are what makes it memorable.

THE LORD OF THE RINGS TRILOGY (2001-2003)

http://www.imdb.com/title/tt0120737/
Elijah Wood, Ian McKellen, and Orlando Bloom

Hobbit Frodo Baggins and friends go on a quest to throw an evil ring into the pit of fire where it was forged in order to destroy it. Various nasty creatures try to stop them. Excellent world building and a classic example of epic fantasy.

PRINCE OF PERSIA: The Sands of Time (2010)
http://www.imdb.com/title/tt0473075/
Jake Gyllenhaal, Gemma Arterton, and Ben Kingsley

A young prince invades an enemy city and steals a dagger containing the sands of time.Too late, he realizes the mistake he’s committed. Forced to flee after being accused of murdering the king, he wonders if he can use the magic sands to reverse time, correct the wrongs, and prevent an evil plot to change the world. Helping him is the princess whose land he had invaded. This film is pure escapist fun.

CITY OF EMBER (2008)

http://www.imdb.com/title/tt0970411/
Saoirse Ronan, Toby Jones, and Bill Murray

The people of Ember rely on their electrical generator for power, without which their mysterious world would go black. Lighting fluctuations cause alarm to the citizens but none more than two children who suspect there may be an escape route leading out of the city. But the rules forbid anyone from venturing beyond the borders, and the corrupt Mayor is quick to punish transgressors. Clues left by a previous official may lead our heroes to the answers, if the Mayor doesn’t capture them first. This fascinating YA science fiction adventure sticks in your mind.

HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011)

http://www.imdb.com/title/tt1201607/
Daniel Radcliffe, Emma Watson, and Rupert Grint

Wizard Harry Potter and his friends face a final battle against evil Lord Voldemort and his allies at the Hogwarts School of Wizardry and Witchcraft. I kept these scenes in mind when crafting the final battle between my heroes and their foes.

ALMIGHTY THOR (2011)

http://www.imdb.com/title/tt1792794/
Cody Deal, Patricia Velasquez, Richard Grieco, Kevin Nash

[SPOILER ALERT!]

This cheesy, low-budget film starts out with Loki arising from the fires of the Underworld. He seeks the Hammer of Invincibility so he can destroy the Tree of Life that supports the nine realms. From Hell, he opens a gateway to Asgard where he attacks Odin, the ruler of the gods, and his sons, Thor and Baldir. Loki, a black-cloaked figure who speaks like a New Yorker, wields his magic through a bone wand with a globe on its end. He summons the Garmr, three monsters to aid him.

“This portends to be an evil day,” says Odin before he consults the 3 Norns. His dreams of stars turning black means destruction, the goddesses tell him. The magic hammer is the only weapon that can destroy the Tree of Life, and Odin must give it to Loki. Ragnarok, the end of the world, is upon them.

Through trickery, Loki kills Baldir and slays Odin. The dying Odin begs Thor to retrieve the hammer. “You’re our chance to change the fate of gods.”

Jarnsaxa, a servant of Odin, rescues Thor from Loki’s grasp. “Find them. Kill the girl anyway you like but Thor lives for now,” Loki orders his minions.

The girl leads Thor to the gateway for Midgard. She had been second in command under Odin’s father of the Valkyries and teaches him warrior skills.

Loki’s beast finds them and they escape through the portal to Los Angeles. J. lives there and takes him home. “This does not seem like the dwelling of a demi-goddess,” Thor says upon surveying her modest apartment. She claims she has to live like a human while in Midgard and shows him a gun. They don long coats as disguises and set off to find the Tree of Life. “Humans don’t believe in it anymore,” the girl claims with a hint of sadness. They pass through another portal. Thor feels the essence of life inside the great tree beating like a heart. Before he can near the center, a guardian knight challenges him. Thor wins the battle and retrieves the magic hammer. He and the girl return to Midgard.

Loki arrives in L.A. in his spiky black armor and cape and tries to trick Thor into betraying the girl. Thor fights him and wins his wand, tipped with the bone of Urrl. Loki claims it can release Odin and Baldin from Hel, but Thor doesn’t believe him and kills Loki.

The girl says Thor must get rid of the wand because it’s the devil’s tool. Then Loki materializes in front of them. “I killed you,” Thor says in astonishment. “Killed me? I never was alive.”

Loki summons a monster to keep Thor from going with the girl to Vahalla to train for battle.

Thor harnesses the power of the hammer to fight them. The girl kills the beast.

Thor is wounded but the girl saves him. They attempt to escape but Loki holds them baack. Thor heals himself with a magic potion. The girl is hurt when he finds her. As she dies and Thor sobs over her body, she turns into Loki. Having deceived Thor, Loki snatches the hammer from him.

Loki unleashes monsters who tear apart L.A. causing fires and destruction. He keeps Thor and the girl bound and forces them to watch. “It is the end of life, the end of time, the end of you…Soon the nine realms will no longer exist.” He hurtles the girl into the fiery depths of Hel and Thor is next. Loki passes through the gateway to the Tree of Life and demolishes it.

Thor realizes he is unable to stop Fate. Ragnarok comes. While in Hel, he forges a new hammer and returns to Midgard. With renewed vigor, Thor battles Loki. “Nothing is over. We control our own fate.” Thor defeats Loki, heals the Tree, and life blossoms again.

If you’re looking for purely escapist entertainment, this film will provide that much. But there are barely any actors involved except for the three principles mentioned. The dialogue is as over the top as the acting. See Thor with Chris Hemsworth for a movie worth its weight.

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Do you watch a movie and get inspired to read the book, or do you read the book first and then watch the movie?

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Warrior Prince: The Drift Lords Series by Nancy J. Cohen

When mythologist and Florida resident Nira Larsen accepts a job as tour guide for a mysterious stranger, she’s drawn into a nightmare reality where ancient myths come alive and legendary evils seek to destroy her. To survive, she must awaken her dormant powers, but the only person who can help is the man whose touch inflames her passion.

After a dimensional rift in the Bermuda Triangle cracks open and an ancient enemy invades Earth, Zohar—leader of the galactic warriors known as the Drift Lords—summons his troops. He doesn’t count on a redheaded spitfire getting in his way and capturing his heart. Nira has the power to defeat the enemy and to enslave Zohar’s soul. Can he trust her enough to accomplish his mission, or will she lure him to his doom?

Watch the Trailer: http://youtu.be/aVm2FIumw0o

Buy Now!



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