Revisions are Murder

Revisions on your novel can get as intense as writing the book. You still need to get into the zone, live inside your character’s head, and breathe in the scene. But you also need to step back to view the pacing and structure objectively.

Revisions are Murder

I’m involved in this process now for Styled for Murder, book #17 in the Bad Hair Day Mysteries. All I want to do is sit here glued to my chair to work on my book, but life keeps intruding. It’s hard to remember what I wrote from one chapter to the next with so many disruptions.

Nonetheless, my critique partners were right when they said my sleuth repeats information. She tells various people about the murder case. It’s okay to have a periodic review of suspects with a sidekick or friend, but I’ve been repeating too much material. I’ve hit the delete key many times by now, and I’m only on Chapter Eight. There’s also the issue of suspects who reveal too much information. They should either question Marla’s interest or clam up on her. She has to work more to get answers.

It took me a whole week to get past Chapter Seven. Why was this? Marla, my hairstylist sleuth, can get brusque when interviewing potential suspects. My critique partners pointed this out to me. So in my first revision, I am smoothing out these scenes to make her more sympathetic. She must coax or cajole or flatter people into talking, not fire questions at them like the cops. This means nearly rewriting entire scenes. That’s okay. I expect my first draft to be rough. I’m writing down my stream of consciousness and telling the story as it comes.

I’m also cutting out the unnecessary repetitions. Instead of telling each person she knows all about the case, I’ll insert a line like this: Marla updated her friend on recent events.

Another problem is that I’ve forgotten certain aspects of Marla’s personal life. When she’s at home, she cares for her baby and has discussions with her husband. Oops. What happened to her teenage stepdaughter who lives with them and their two dogs? Each scene at home, I have to go back and make sure I’ve included these elements.

It’s a juggling act inside my head. By the time I get to the last chapter, I’ll forget again what I wrote. That’s when the revision process will start in for the second round. This goes on until I am satisfied that I caught everything and polished every sentence. The work will never be perfect, but it’s time for me to step away at this point and hand it off to someone else with a critical eye.

Editorial and beta reader comments lead to a new round of revisions. Each change can lead to other changes. And so on, until I’m nearly cross-eyed from looking at the pages. Then I call a halt and get set for publication. Thereafter, the book stands up to your scrutiny.

Without a doubt, there’s always something a fan will find that needs fixing. I am grateful for these tips, especially when the mistake is significant. Things do get past my multiple readings, the editor, and the beta readers. We’re only human.

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Here is a sample from the first page of Chapter Eight (Spoiler Alert):

Old Chapter Eight

“We’re thinking of renovating our bathroom, and that’s how we met Lenny,” Marla explained, thinking she’d offer the same excuse to the granite guy that she’d given to the tile man. “We had considered Amaze Design Center, but I don’t want to deal with them if jobs are being delayed due to the foreman’s death.”

“That’s a wise decision.”

“What kind of problems did you have with him, if you don’t mind my asking? I’d like to know what to watch out for in the future. I heard customers got annoyed when he scheduled appointments and nobody showed up.”

George lifted a hand to shade his face from the sun, making Marla wonder why he didn’t wear a hat if he was outdoors so often.

“My problems stem from the fact that the louse hadn’t paid me for the last two loads. I refused to extend them any further credit. Jack was upset and chewed me out in front of another contractor. He hollered that a customer blamed him for the delay in obtaining the granite to complete his job. This client wrote a nasty note to Brad.”

He snorted. “A lot of good that did. Brad would never fire Jack. They knew too much about each other.”

Oh yeah? Like what?

“You couldn’t have been happy about Jack taking out his frustration on you,” Marla said in a sympathetic tone.

“I could have punched him in the face. It wasn’t my fault that his company was behind in their payments.” George curled his fist for emphasis as his lips thinned and his eyes squinted.

New Chapter Eight

“I understand Jack riled lots of people,” Marla told the granite guy. “I’m not sure I want to do business with his company.”

George glowered at her. “What does it matter now that Jack is dead?”

“His death has shut things down, meaning projects will be delayed more than usual. If you don’t mind my asking, did your problems with Jack relate to his job?”

George lifted a hand to shade his face from the sun. “Their firm hadn’t paid me for the last two orders. I refused to extend them anymore credit. Jack burst in here one day and chewed me out in public. Apparently, a customer had blamed him for the delay in installing their granite countertops. This client wrote a nasty note to the company president.”

“I’ve met Brad. How did he respond?”

The granite dealer snorted. “Jack didn’t say, but I knew Brad wouldn’t care. He could never fire Jack. They knew too much about each other.”

“Is that right? Like what?”

“Things from the past,” George said, hunching his shoulders.

His stance indicated an unwillingness to elaborate, so Marla tried a more sympathetic approach. “It must have been upsetting when Jack came here and railed into you. He shouldn’t have blamed you for his aggravation. It’s understandable that you wouldn’t fill another order until the company’s debts were paid.”

“You said it. I could have punched him in the face for yelling at me in front of customers.” George curled his fists for emphasis.

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Revisions are a never-ending process. But eventually the book is done, and it’s time to begin another work of creation. Personally, I’d rather fix what’s written than face the blank page. How about you? If you’re a reader, do you notify writers about typos or mistakes you discover?

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The Plotting Brain

You’ve put aside the first draft you have just finished so you can gain some distance on the work before tackling revisions. It’s a great time to clean your office, sort your files, and write a few blogs. But your mind starts seguing into the next story.

Here’s what floated into my mind, even when I’m trying to take a break:

My next hero is a Tsuran swordsman who has been disgraced on his home world and shunned by his people. What dastardly deed did he commit? He protected a family member by taking the blame for a murder that she’d committed under duress. Thus close family ties mean a lot to him. Now bring in a heroine who is trying to escape from her family obligations. Conflict!

Add another element. Say our hero, Lord Magnor, is protecting his sister who killed her abusive husband. After he was incarcerated, he learned that she’d been cheating on the man. Betrayal!

Now he’s a sullen, mysterious loner forced to join a team of warriors because they’re the only ones who will accept him. How will the heroine differ? She has to be a people person, outgoing, gregarious, generously reaching out to others. Maybe she gives of herself too much and has overextended her limits. Perhaps her last boyfriend left when she put her dedication to various causes before their relationship. She doesn’t want another man who’ll be so selfish and who lacks compassion. So why does this fierce warrior appeal to her?

Before I delve further into their GMC, what is the hero’s main mission for this story? He has to find the secret weapon that will destroy the evil Trolleks who’ve invaded Earth (it’s a paranormal romance). How will he proceed? Even though I have a list of plot threads from previous installments that have to be tied up in this volume, I’m stumped.

I give up and start cleaning out my files. Oh cool, here’s an article on archetypes. You know what I mean: marriage of convenience, rags to riches, twins, secret baby, prince in disguise, etc. Hey, what if I mix one of these into my story? Imagine the sparks if these two characters had to wed. What if (yes, we plotters use What If? a lot) the heroine enlists Magnor as her fake fiancé? Nah, that’s been done to death already. So how to put a modern twist on the old marriage of convenience tale in a way that would suit my story?

Genius strikes. My bad guys are using theme parks to recruit humans as their mind slaves. Magnor goes to Las Vegas to follow a lead.  What else is Vegas if not one huge theme park for adults?

I’m getting excited.  I can envision my hero striding down the Strip in his cloak and sword. He encounters a woman who drunkenly boasts to her friends that she can snag any man who walks through the door. Guess who it is?  Yep, our hapless hero.  But he doesn’t fall for her allure right away. Nope, he recognizes the watch she wears as being significant to his mission. And when they end up in a wedding chapel, our warrior from outer space has no idea what it means. They wake up the next morning together in a hotel room, and…you get the picture. Cool set up, huh?

Now I have to figure out why the Norse goddess Hel releases her “Dead Walkers” so the hero has to brave the underworld to stop her. It could be another ploy for dominance by the evil demon, Loki. He’s manipulating the Trolleks, and… well, I don’t want to give too many spoilers. In case you haven’t guessed, this series is based on Norse mythology.

As each idea comes to me, I jot it down. It’s all jumbled right now. Next I’ll sit down and do my Character Development and Romantic Conflict charts, figure out the plot progression, and write the synopsis. It just has to brew upstairs a while longer.

What do you think of my story idea so far?  Any suggestions?  When you finish a book, how long of a break do you take and how do you approach the next story to get started?