When you’re writing a series, how do you know what comes next? Book One lays the groundwork, introducing the setting, characters, and premise for the entire series. How can the second book build on this beginning?
That depends on if your stories are more episodic or serial in nature. For whodunits, we’re more episodic with a different murder mystery to solve in each book. The crime is the focus of the plot, like exploring a new planet on each episode of Star Trek.
But this is only your main character’s external conflict. What about their internal angst? Here’s where you can introduce a serial element. By this, I mean an overarching thread that isn’t solved in book one. This thread deals with the protagonist’s struggle to overcome obstacles to achieve her ultimate personal goal. Each book should evolve from this core inner conflict.
In my Bad Hair Day series, hairstylist sleuth Marla Vail progresses in her dating life and matures to overcome past traumas and to embrace a happy future. But once your character fulfills her destiny, you’ll have to throw in another wrench to clog the wheels. This means that when one thread is tied up, you’ll need to introduce another source. Each story should evolve from the personal issues introduced in the previous story as well as any external problems that remain.
A romance series is more likely to feature spinoffs, or a new set of protagonists per book. These stories might take place in the same town or share a theme, thus adding a commonality. i.e. A missing object must be found or something bad will happen. Each book would then focus on the protagonists revealing a new facet to this mystery, perhaps leading to another clue. It would reflect on their inner journeys as well. This is in addition to whatever external conflict is affecting their relationship.
Or in a science fiction series, perhaps the evil galactic warlord must be stopped. The heroes have many adventures along the way, making friends and enemies as they seek to end the tyranny or to prevent a worse threat from emerging.
Think of Harry Potter. Readers know he’ll have to face Lord Voldemort someday. Meanwhile, he has other villains to defeat. Along the way, he has to find the courage and power to defeat his mortal enemy.
Your cast of secondary characters can provide plenty of opportunities for sequels based on their goals and conflicts and interaction with the protagonist. Give one a prominent role in the next story and focus on this person’s problems. Your hero gets involved because she cares about this character. She’s also grappling with some aspect of her own personal struggle to overcome.
It all goes back to the writing advice that your main characters must grow and change. What would normally happen next in this person’s life?
Figuring out what to write next hasn’t been a problem for me. The biggest obstacles have been time and marketing decisions. What about you?
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