Editors at Sleuthfest

Four editors discussed the publishing biz at Sleuthfest. These included Chris Knopf from The Permanent Press, Erin George from Henery Press, Anne Speyer from Ballantine Books, and Neil Nyren from G.P. Putnam’s Sons.

The first question addressed was if any of the editors would accept a mid-series submission or backlist titles. This would depend upon the rights available. An author has a better chance with a new series or with the relaunch of an ongoing series.

The editors all emphasized the importance of social media for authors. Writers should also have a newsletter, schedule in-person events, speak at libraries and conferences, nurture a relationship with bloggers and reviewers. An author’s website and Facebook page should be “really, really good; new and fresh; welcoming.” With your social media, you should do ten percent book promo and ninety percent interesting content.

What does a publisher have to offer? You get an editorial team, a guiding hand, resources that might not be available otherwise, support, reviews, sales of subsidiary rights. Plus you’ll qualify to speak on conference panels and to enter contests. Print is still a larger proportion of sales compared to ebooks.

Pet Peeves?

· Exclamation Points
· Backstory
· Too much description
· Clichés
· Unrealistic dialogue

Disclaimer: These notes are my interpretation and are subject to errors which are mine alone.

View photos from Sleuthfest on my Facebook page. Look for the Sleuthfest 2016 album. Please Like the page while you are there.

Contest Alert!
Enter to win a $25 Amazon/BN gift card from Booklover’s Bench, where readers are winners. http://bookloversbench.com/contest/

Agents at SleuthFest

Four literary agents gave advice at Sleuthfest on submissions for writers. The agents included Danielle Burby, Kirsten Carleton, Mark Gottlieb, and Steve Kasdin. Look them up on the Sleuthfest conference website.

Danielle likes cozy mysteries, historical mysteries, domestic suspense, medieval fantasy, contemporary YA, and upmarket women’s fiction. She does not do romance or erotica. She prefers stories without overt violence. She’d like to find a cozy set in Scotland. Send her an email query with the first five pages in the body of your message. The author’s credentials should be mentioned along with the genre and word count. If you tell the plot, make it sound like back cover copy. Don’t bother to mention themes. “If you have an axe to grind, go somewhere else. I want a story.” Respect the conventions of word count to meet reader expectations and publisher’s production costs (i.e. Don’t offer a 600 page book).

Kirsten would like to find a thriller with series potential. She is looking for amateur sleuth stories, historical, crime, and suspense; anything with a speculative element; or a story that presents a twist on the genre. She doesn’t do romance. She does accept YA and adult fiction.

Steve will look at contemporary and historical thrillers, capers and crime stories, and contemporary, historical, cozy, and paranormal mysteries. No romance and no scifi/fantasy. He’d like to find a thriller with series potential but with a female protagonist.

Mark also doesn’t do romance or erotica. He is interested in finding authors who write thrillers, noir, and hard-boiled crime fiction.

You can verify their submission requirements on their agency websites.

On average, the agents receive 150-200 queries per week. They won’t take a book that has been self-published since it’s already in the marketplace. However, they’ll look at an indie author who has been successful and who has something new to offer to get to the next level.

If you’ve submitted your work to an agent, let them know if you get an offer from someone else.

An agent helps to build an author’s career. They have access to publishers and editors and can act as the author’s advocate. They’ll also handle subsidiary rights.

When you do a verbal pitch, make it brief and get to the character.

An audience member asked about New Adult fiction. The panelists agreed this category was a “failed experiment” because booksellers and librarians didn’t know where to shelve these books. There wasn’t any consensus on how to define the genre. YA with sex? Chick lit renamed?

The agents mingled with conference goers during the weekend and at the cocktail party. Sleuthfest also offers manuscript critiques and presents the Freddie Awards. This writing contest is judged by editors and agents at the final round. So you have numerous opportunities to meet these industry professionals.

Disclaimer: These notes are my interpretation and are subject to errors which are mine alone.

View photos from Sleuthfest on my Facebook page. Look for the Sleuthfest 2016 album. Please Like the page while you are there.

Contest Alert!
Enter to win a $25 Amazon/BN gift card from Booklover’s Bench, where readers are winners. http://bookloversbench.com/contest/

Bouchercon: Day 3

Saturday at Bouchercon 2015 began with the New Author Breakfast. Anyone could attend, but each table ideally held one or two debut authors with a centerpiece of books. The authors were introduced one at a time, and each had a few minutes to tell us about his book. A list was provided on each table with the authors’ names and their debut titles. I checked off the ones which interested me, and I hope to add those titles to my TBR list.

That afternoon, I attended a panel on Danger and Death in Suburbia. Speakers included Greg Herren, Mary Sutton, Meredith Anthony, and Lori Roy, with Katrina Nildas Holm moderating.

These stories involve a dichotomy, with beautiful settings where nothing bad should happen but crimes do occur there. We have expectations of people who live in suburbia. You’ll often hear, “He was the nicest man,” about a neighbor who commits a crime. Suburbs are not as peaceful as they appear.

People believe marriage is forever. Then you live together and experience the pressure cooker of constantly being with someone else. This togetherness can inspire crimes.

These types of mysteries often involve ordinary people in extraordinary circumstances. The highest stakes come from your loved ones. Romantic suspense involves things that frighten women. These are more internal stories.

Why do people keep secrets? Shame is often the motivator. People will kill to hide their secrets, so others will not think badly of them. There is also the pressure to succeed. If we all work hard, why aren’t we at the top? So we cast blame on others. We say, “She slept her way up the ladder”, or “He must be corrupt.” We’d like to believe successful people are not as perfect as they seem.

The Anthony Awards Ceremony capped the evening.

As for the rest of the time, I hung out and schmoozed. Here are photos of my writer pals.

From left to right, starting at the top: Rebecca Swope, Olive Pollak, Suzanne Baginskie; Rebecca Swope; Carla Norton; Cheryl Hollon, Nancy J. Cohen; Con Lehane, Sandra Balzo, Nancy J. Cohen; Dirk Wyle; Don Bruns; Don Bruns, Con Lehane, Sandra Balzo; James W. Hall, James O. Born, J. Kingston Pierce; Nancy J. Cohen, Heather Graham; Toni L.P. Kelner; Rick Wymer, Mary Lou Benvenuto; Neil Plakcy, Nancy J. Cohen

Tag: writer conferences

Editors at Sleuthfest

Agents at SleuthFest

Bouchercon: Day 3

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