Nancy's Notes From Florida

Librarians and Authors
March 12, 2014

Contests

Enter to win 1 of 4 signed ARCs of Hanging By A Hair in my Goodreads Giveaway: https://www.goodreads.com/giveaway/enter_choose_address/81598

Win a $25 gift card or 1 of 6 books, including an ARC for Hanging By A Hair, at Booklover’s Bench: http://bookloversbench.com/

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We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Like my page, then click on Photos, Albums, and SleuthFest 2014.

Librarian/Author Mash-Up

Authors Nancy J. Cohen and Elaine Viets, Librarians Judy Buckland and Jo-Ann Glendinning; Moderated by Julie Compton

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Nancy J. Cohen, Judy Buckland, Elaine Viets

Note: We will be appearing at the Lake County BookFest this week. Go here for the schedule and more information: http://www.mylakelibrary.org/festival_of_reading/default.aspx

Who do we contact at a library if authors want to set up an event? Contact the program coordinator or director of library systems. Make your desire known as an author that you want to participate.

What works well for the librarians? Connecting writers with readers. Librarians can find out what circulates where, and then match authors to those audiences. They can make sure to have a visiting author’s book in circulation. For new acquisitions, they’ll read reviews and research Baker and Taylor and Booklist.

The Lake County library system has a local authors’ day twice a year for their local and self-published authors. This may include multiple authors plus one special guest.

In schools, look for the curriculum research or media specialist. It’s tough to get in the school libraries. Or check the school volunteer programs and offer to speak.

If you want to sign at the American Library Association event, a requirement is that your publisher donates one hundred copies of your book. You can have bookmarks with your backlist titles.

What draws people in? Writing workshops. Libraries can target groups, not only aspiring writers but also historians, for example, and invite Downton Abbey fans for tea. Targeting niche audiences works well this way. The Red Hat Ladies is another group they’ve approached for an author event.

What types of promotion work for the library? Having a website, putting a magnet on their courier van, newsletters, listserves among librarians. E-books are bought from Overdrive. Problems they encounter may be publishers who limit circulation or publishers who won’t license e-books to the library.

Audio books have grown. People check them out for trips, including truck drivers. Vision-impaired patrons like them. They are downloadable through Overdrive. Large print books are a good business, too.

What do the librarians require from an author? A website, media page, short and long biography, high resolution photo with permission from the photographer, and a bibliography of their books. Authors should show up on time for programs and have a contact number to call.

If you’re an author, how do you approach a library to do an event? Has this been successful for you?

 


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What is the Best Publishing Path?
March 10, 2014

“What is the Best Publishing Path?” with Marty Ambrose, Doug Giacobbe, Julie Compton and moderator Joanna Campbell Slan at SleuthFest 2014.

We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Like my page, then click on Photos, Albums, and SleuthFest 2014.

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Julie said, “What you think you want before you get published is different from what you realize you want after you get published.” What she really wants now is for readers to read her book whichever way she can get it out there.

Regarding self-publishing, Doug said that you have to get involved. “Get out there and push it. It takes a commitment to make things work. You’ve got to take the time to work it.”

Marty suggested you get an agent at the conference if you want to go the traditional route.

Regarding agents, Julie said to find someone who is forward-thinking and who will support you if you decide to self-publish.

“The whole game has changed in regard to agents,” Joanna advised. “This is your career and your book, and you need to be in the driver’s seat. Be wary of giving away your rights to gain a publisher, or it might come back and hit you in the face.”

Ask yourself why you want to publish your own work. Is it because your manuscript has been rejected? If so, you need to hire an editor.

Joanna mentioned that you might need three types of editors. First there is the concept or story editor, followed by a copy editor, and then a galley proofreader.

Doug cautioned that if you have a book, don’t just slap it up on Amazon. If you’re going to do it right, it takes time and commitment, and it will cost you.

Marty suggested you examine what it is about writing that you absolutely love. You can get caught up in the marketing, so go back to basics and rediscover what you love about storytelling. Regarding marketing, she takes the grassroots approach into colleges, the community, and women’s clubs where she collects names for her mailing list. She also does online marketing.

“It’s a business,” Julie said. “You are not just writing now. You need to take the time to learn the craft and business of writing. One of the advantages of self-publishing is that your book is available quicker.”

No matter which route you go, you’re going to have to learn marketing because you’ll do it either way.

Suggested blogs to follow: The Passive Guy, Jane Friedman, Hugh Howey, and Joe Konrath.


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What I Wish Someone Had Told Me
March 9, 2014

We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Go there, Like my page, then click on Photos. Next click on Albums and then SleuthFest 2014.

“What I Wish Someone Had Told Me” with Spotlight Speaker Hank Phillippi Ryan at SleuthFest 2014

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Approach your writing one page at a time. Just do it and follow your dreams. Be ready for the 40,000 word slump. Somewhere in the middle, we all have a slump. “I’m just not sure if I can finish it.” You will if you want to. So how do you get rid of this panicky self-doubt? You don’t, but know that you are not alone. Power your way through your first draft. Just tell the story. You can fix it later. Go word-by-word. Everyone has doubts. But it is never that bad, and it might even be good. So before you crash and burn your manuscript, make a copy. Also remember when you first had the idea for the book and fall in love with your story again. You’ll have renewed vigor and enthusiasm.

Don’t waste time seeking the Holy Grail. There is nothing. There is only your way. If it works for you, that is the right way. If you stall, there is another way. There is always another way.

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Get yourself into the real world and put yourself in a community where you can talk to people about the same things. You are not alone. You write alone, but we are all here with each other, and we all have the same goals.

Don’t underestimate how hard it is to take criticism. Listen with an open mind. You don’t have to do it the way they suggest.

What would you attempt to do if you knew you would not fail? There is no writer’s block. Open your mind to see what’s wrong. Don’t panic. Listen to your inner voice.

Don’t rush. Wait until your book is ready before submitting. Then get ready to be rejected. Every “no” means you are one step closer to a “yes”. Nothing in the world takes the place of persistence.

Be careful of the Internet. Write first. Ask yourself, What is the most important thing for you to do today? Don’t forget to celebrate at every turn. Be happy. We all want more, but be happy with the journey as it’s full of wonders.

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“Why Write a Series?” at SleuthFest
March 8, 2014

We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Go there, Like my page, then click on Photos. Next click on Albums and then SleuthFest 2014.

“Seriously Series” with Joanna Campbell Slan at SleuthFest 2014

In choosing what to read, knowing a book is part of a series might convince you to buy it since there’s a certain degree of success involved. If you really love a book, you’re also happy to know there are more to come in a series. So readers gravitate to series for many reasons. “The richer the world you create, the richer the experience for your readers.”

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What returns readers to a series? It feels like you’re revisiting an old friend. This offers a sense of comfort. Plus you know what you’re getting. Familiarity is at the heart of a series. Characters, setting, and occupation may be recurrent.

“You create a universe and populate it.” Do a street chart and a floor plan. Sensory details make the story rich for readers. Have a timeline for your characters. Determine the timing between stories, character ages, grades, and birthdays. “The best part of being an author is when readers believe your characters are real.”

Keep track of places as you write. If you have a fake town, get a map of a real town and change the names. Use it as a model for your town. In your story bible, put a snippet of background on each character, locations, stores in the town, along with stylistic notes such as the chapter heading. Include a style sheet for grammar and special items, such as how to put in craft instructions or recipes. This story bible may also include social issues, time of year, and more.

“Novels are about people. You don’t have a novel about scrapbooking. You have a novel about a character who does scrapbooking.”

If you have a scene that doesn’t go anywhere in a long novel, consider writing a short story. Short stories are also good for side issues, like pre-wedding details or for exploring secondary characters.

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Poll your readers and ask what character they would like to see more prominent in your next story.

“Every strength overused is a weakness” in your character. Try to give each person a personal problem to overcome. What are they trying to work out? What are they worrying about? Make the characters different ages because then they’ll have different issues. Everybody has angst. Every now and then, your character’s mask should slip so the reader gets a glimpse of what’s there.

End every book with a cliffhanger. Solve the mystery in this story but start a new one. Ask yourself, what seed can I plant now that will bear fruit in a future book?

“The first line sells that particular title; the last line sells the next book.”

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Joanna is the author of the Kiki Lowenstein mystery series and the Jane Eyre Chronicles.


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E-Book ABC’s at SleuthFest
March 6, 2014

SleuthFest 2014, Orlando

Third Degree Thursday opened the SleuthFest 2014 festivities at the beautiful Wyndham Grand Orlando Resort. I gave a presentation on “Writing is Revising” first thing in the morning, and then I listened to Neil S. Plakcy’s workshop on e-books. Workshops and panels follow. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Go there, Like my page if you haven’t already done so, then click on Photos. Next click on Albums and then SleuthFest 2014.

Revising Panel

E-book ABC’s with Neil S. Plakcy

Neil said to learn your Word basics in terms of styles, formatting and headers. Understand the difference between a hard return and a soft return (shift-enter). In e-books, don’t use tabs or headings. “Write the best book you can if you intend to self-publish.” Take classes and workshops; join a critique group; get a manuscript critique; employ beta readers; do multiple revisions; join the Sinc Guppies; hire a professional editor.

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To prepare your manuscript, proofread thoroughly. Check for page breaks and section breaks. A print version will need page numbers and headers. Don’t forget your copyright, acknowledgments, and dedication. The cover should be professional and eye-catching. Use royalty-free photos, and make sure the cover is readable at a small size. Hire an artist if you can’t do it yourself.

The jacket copy is the sales copy for online retailers. It is similar to the back cover copy on paperbacks. Marketing copy is to attract buyers. This may include endorsements. What is the hook for this book to get someone to want to buy it?

Metadata are keywords that readers use to search for your book. It may include terms relevant to the subgenre, location, subject matter, or theme. Go to Amazon and start typing in a keyword to see what pops up. This will tell you the most popular keywords.

Regarding file conversion, you could use the free Calibre software to save a Word doc as HTML. You want to use an Epub validator online to test before posting. Again, if you can’t do it for yourself, hire someone. Once your book is set, you upload it to the various sites. You may have to provide direct deposit information for your bank account. Often your book will be on sale within 24 hours. There is no cost to upload.

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Amazon has several programs available, such as their KDP Select, Matchbook, Createspace, ACX, and Countdown. Royalties are often paid monthly after a 90 day delay. You can check your dashboard for up-to-date sales figures. Neil discussed royalties for the various e-book distributors. To determine the price for your book, see how much other books like yours are selling for. Determine your purpose. Is it to make money, to promote your work, or to provide information? What are the prevalent rates on the market today?

Promotion is important. You want to get reviews from other bloggers, Amazon customers, and Goodreads members. “Bloggers are the new reviewers these days.” Keep up with social media like Twitter, Facebook, LinkedIn, and Google Plus. Utilize photo sites like Pinterest and Tumblr. Promote your work at conferences, festivals, bookstores, and libraries when possible.

If you’re with an e-book publisher, they will likely have a list of reviewers, and this gives them an edge over self-published authors.

If you can, promote your work on sites like Book Bub and The Fussy Librarian. You need a minimum number of Amazon reviews for these sites.

Why give away free books? It helps gain readers. Use the sites above or run contests.

Neil uses Untreed Reads for distribution to various sites like Overdrive. You can opt out of the sites you don’t want them to do. They also sell through overseas vendors.

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Neil is the author of several mystery series including his latest title, Genie for Hire–a fun, magical mystery with a genie detective.

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Tomorrow, check out my post on “Writing the Cozy Mystery” at the How To Write Shop. Then stay tuned for a recap of Joanna Campbell Slan’s talk on “Seriously Series.”


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