Freddie Award for Mystery Writers

Freddie Award for Writing Excellence

The Florida Chapter of Mystery Writers of America (FMWA) is proud to announce the Freddie Award for Writing Excellence competition.

FMWA

Designed to recognize outstanding unpublished mystery writers and novels, Freddies will be awarded to winning contestants in two categories, HARDBOILED and TRADITONAL. Hardboiled entries may include Suspense, Thriller, Espionage, Police Procedural, and Private Eye mysteries. The Traditional category is for Whodunit, Cozy, Amateur Sleuth, Legal/Medical, and Historical novels.

Submissions will consist of the first 20 pages of an unpublished mystery manuscript. All will be scored by published authors, and the top five entries in each category will be read by an acquiring editor or agent. Freddie winners will be announced at Sleuthfest 2016, February 25-28, in Deerfield Beach, FL.

Entries may be submitted electronically beginning August 15, 2015. Deadline for entry is October 15, 2015. The entry fee is $20 for FMWA members, $25 for Mystery Writers of America (MWA) members, and $30 for non-members.

For complete rules and category descriptions, and/or to enter the Freddie competition, visit the FMWA contest web page: http://mwaflorida.org/contest/ . To learn more about how to join MWA or to register for Sleuthfest, visit the FMWA main site at http://mwaflorida.org/.

 

Mystery Writers Key West Part 1

Mystery Writers Key West Fest
Friday, August 14, 2015

Mystery Writers Key West Fest started on Friday with a presentation by a crime scene investigator and a detective. “We witness what other people shouldn’t have to witness.” Regarding crime scene shows, the detective said they have most of the technology right but not the timing for things like DNA results.

[Disclaimer: These statements are my interpretations of what I heard or scribbled down and may not be totally accurate.]

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Who shows up first at a crime scene? The lead investigator, civilian techs, detectives, and responding officers. The latter’s job is to secure the scene, identify and control any dangerous individuals, and assess the environment. Approach/Survey/Notify. They’ll call for emergency care of injured persons without contaminating the scene. Crime scene work “is almost like an art when you do it for a long period of time.” The team must secure and control people at the scene and document everyone who is present in a crime scene log. They must gather physical evidence to aid in prosecution.

Processing the Scene

The team’s composition is decided. This may include a dive team, SWAT, K-9, M.E., State Attorney, other officers or affiliated agencies. A command post is set up. “We document every single step in a crime scene.” Documentation includes photos, video, sketches, notes, and measurements. The purpose is to collect, preserve, inventory, package, transport and submit evidence.

Different types of sketches are done. A Perspective sketch depicts a view of the scene along with positioning of evidence. “It’s like pieces of a puzzle that you put together for your best guess at what happened.” A Projection sketch is a viewpoint from above. A sketch or photo of blood spatter on a gun can be revealing as to whose blood it is, the angle, etc. Another sketch may be taken using two fixed objects and measuring the distances to various pieces of evidence and/or the body.

When searching an area, methods deployed include the Lane or Strip Search, Grid Search, Zone Search, and Spiral Search.

Biological evidence will be collected after photos are done. The investigator has to keep changing gloves so as to not cross-contaminate the scene.

Investigators following up on a burglary will look for the same types of evidence. Unattended deaths are treated as a homicide until signed off by a personal physician or the M.E.

The M.E., and not a coroner, determines cause of death. [I think this is what was said, but you’d better verify my statements before using them in a novel. And different states might have different laws.]

The Sheriff’s office supersedes the local police, but they work together. Everyone in CSI is cross-trained to engage and work in different situations.

Physical evidence can include body fluids, blood, ignitable liquids, bombs, stains detected by forensic light sources, sexual assault kit results, ammo, tool marks when there’s been a break-in, tools found in the trunk of a car. Footprints, shoe and tire impressions. Electronic and digital items. Documents that can be checked for sweat, blood, and prints. And of course, fingerprints.

Plastic degrades DNA. Use paper bags to hold evidence. Shelf life of DNA is 500 years. There are only three types—black, white, and Asian.

“Love, hate, and greed are the three reasons for murder.”

Social Media with Irish Author Laurence O’Bryan

Laurence said he’d acquired blog and Twitter followers before he got published. When he sold a book, his publisher put the number of followers on his sell sheet. So get started tweeting and blogging before you’re published. “Authors must be online and accessible.” Extend your novel via maps, pictures of locations in your novel, research posts, and other online extras. Tweet items of value. Re blogging: Show pictures with your posts, use short paragraphs and a bigger font. “Engagement with other people is the Holy Grail.”

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I didn’t stay for the talk on Audio Books as I had to catch the shuttle downtown to make the opening ceremonies at the Smokin’ Tuna Saloon. This was a pleasingly informal setting to chat with friends and meet new ones. So many people to greet! Florida chapter MWA members present included myself (chapter president), Gregg Brickman (chapter treasurer), Heather Graham, Don Bruns, Britin Haller, Sharon Potts, Sandra Balzo, Michael Haskins, Vicki Hendricks, Carolina Garcia-Aguilera, Becky Swope, and more.

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As we got rained out, I passed on the subsequent bar stroll. It was getting near my bedtime anyway. More in the next post.

See the photo album on my Facebook Page. Please Like the page while there.

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Revising Your Manuscript

I’m in the midst of edits for Facials Can Be Fatal, #13 in the Bad Hair Day Mysteries. A couple of the problems I’m fixing are things you should be looking for in your work, also. These include too many mentions of previous stories, info dumps, and extraneous material that doesn’t add to a scene. My own read-through has revealed inconsistencies that I didn’t catch during my prior rounds. Here are some examples.

editing

Excerpt One—Original Scene

“Was the other ship ever found?” Dalton’s rapt expression showed his fascination.

As a history buff, he must be soaking this in, Marla thought with fond affection.

Sam’s face folded into a frown. “The problem with that wreck site, unlike the deeper water where the Atocha sank, is that undercurrents cause shifting sand dunes. The Santa Margarita broke apart in a wide debris field. Through the years, people discovered a trail of artifacts, from gold chalices to silver coins, jewelry, and swords. Then in 1980, Mel Fisher’s company located a section of the ship’s wooden hull, along with items valued at forty million dollars. However, other portions of the ship remained elusive. Records showed eight hundred ounces of registered gold, one hundred and forty-five silver bars, more than eighty thousand silver coins, and millions of dollars in smuggled contraband still missing.” He ticked off each listing on his fingers.

“So that treasure remains unfound?” Dalton scratched his head as though the magnitude of value astounded him.

Sam got up to pace the room. “Another salvage firm from Key West discovered more relics. They contacted Mel Fisher’s company, since his group had the federal permit to explore those waters, and the two companies formed a partnership. Since then, they’ve recovered many more items. I like this one: sixteen thousand natural pearls in an oval leaden box. The largest weighs in at over fifty-two carats, one of the biggest known natural pearls in the world.”

“That’s amazing,” Marla said. “Those ships must have been heavy with all those coins and ingots aboard. No wonder they sank.” Gold jewelry and pearls, emeralds from Columbia, silver from Mexico . . . who wouldn’t kill to obtain such bounty? “How many more ships like those two remain undiscovered?”

“Quite a few.” Sam went on, his words rushing together in his enthusiasm. “In 1733, the Nuestra Espana fleet left Havana for home with three armed galleons and eighteen merchant ships. They encountered a hurricane off Marathon. The San Jose alone was carrying almost seven million pesos in gold when it sank. Many of these wreck sites are charted on maps and have been studied by archaeologists as part of the state’s historical preserves.”

“And yet, not all of the ships that sank have been found?” Marla imagined there must be records of missing cargo dating back in history.

He nodded. “As I said, some thirty to forty known ships have sunk in our coastal waters. There could be hundreds more.”

“What are the laws pertaining to these wrecks? Who owns them if found?”

“According to the Abandoned Shipwreck Act of 1988, any historic find becomes the property of its respective state.”

Excerpt One–Revised Scene

“Was the other ship ever found?” Dalton’s rapt expression showed his fascination.

Sam’s face folded into a frown. “The problem with that wreck site, unlike the deeper water where the Atocha sank, is that undercurrents cause shifting sand dunes. The Santa Margarita broke apart in a wide debris field. Through the years, people have discovered many of its relics, including a lead box filled with sixteen thousand pearls.”

“That’s amazing,” Marla said. “Those ships must have been heavy with all the gold coins, silver bars and jewels aboard. No wonder they sank. How many more ships like those two remain undiscovered?”

“Quite a few.” Sam got up to pace the room. “Most of the known wreck sites are charted on maps. They’re part of the state’s historical preserves.”

“Who owns the salvage rights to a sunken ship?” Marla asked, wondering about laws regarding lost treasure.

“According to the Abandoned Shipwreck Act of 1988, any historic find becomes the property of its respective state.”

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Excerpt Two—Original Scene

They’d requested a table outside at the rear but under the covered portion, not the lounge part that was just for drinks. Their table, covered with a white cloth, was already set with wine glasses, bread plates, and a glass-enclosed candle when they took their seats. Further out on the wooden deck, the drinkers had bare wood tables open to the sea breeze with some shade provided by green umbrellas. The tables and chairs had been bleached by the sun and looked more ashen in color.

They faced east and the Atlantic Ocean. A tree grew from under the deck, dropping the occasional debris when the wind blew. The view to the side enchanted her with its sandy beach and graceful coconut palms, but she couldn’t see the water stretching out to sea. The sky had darkened and there wasn’t enough illumination from the moon.

After the waitress uncorked their bottle of Chardonnay and they had sampled their first glass, Marla ordered the Boston lettuce salad with watercress, blue cheese, apples, and spiced pecans, while Dalton couldn’t pass up the conch chowder. They both had fish for their entrées; he got the soy glazed grilled tuna steak and she ordered pan-roasted salmon. Dalton, sitting next to a potted red croton plant, reached for a slice of crusty bread.

Excerpt Two– Revised Scene

They’d requested a table in the outside dining area at the rear of the house. Their white-clothed table held wine glasses, bread plates, and a glass-enclosed candle. They faced east and the Atlantic Ocean. The view to the side enchanted Marla with its sandy beach and graceful coconut palms, but she couldn’t see the water stretching out to sea. The sky had darkened, and the moon didn’t provide enough illumination.

After they had sampled their first glass of Chardonnay, they placed their orders. Dalton chose the soy-glazed grilled tuna steak and Marla ordered pan-roasted salmon. Dalton, sitting next to a potted red croton plant, reached for a slice of crusty bread.

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Excerpt Three—Original Scene

Howard lived in Mangrove Isles, a community of pricey homes bordered by canals in east Fort Lauderdale. Since they were already on A1A, it didn’t take them long to get there. His two-story house was well-maintained with iron grillwork on a second-story balcony, ceiling fans on a covered porch, and white outdoor wicker furniture. Majestic palms and other tropical greenery graced the front lawn. The driveway’s red pavers led to a detached three-car garage.

As Dalton parked along the curb, Marla looked up the house via a real estate site on her cell phone. “It’s worth over two million,” she said with a sense of awe, wondering if Howard had a yacht docked out back like many of his neighbors. “Would you believe he has five full bathrooms? The place is listed at nearly forty-three hundred square feet.”

“It must cost a lot of money to maintain.”

“Does he live alone, or is he married?” She didn’t recall his family status.

“He got divorced eight years ago. His kids live with the ex-wife.”

Excerpt Three–Revised Scene

Howard Cohn lived in Mangrove Isles, a community of pricey homes bordered by canals in east Fort Lauderdale. His Mediterranean-style villa had iron grillwork on a second-story balcony, ceiling fans on a covered porch, and hurricane impact windows facing the front lawn. Tropical greenery bordered a paved walkway to the door.

“Does Howard have a family?” Marla asked, unable to recall his marital status.

“He got divorced eight years ago. His kids live with the ex-wife.”

So what do you think? Are these revised versions better? What are your main weaknesses that you look for in revisions?

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Visit my discussion at Booklover’s Bench to see why I started out in a nursing career but I don’t write about a nurse sleuth. Leave a comment for a chance to win a copy of Body Wave. http://bookloversbench.com/lets-talk-with-nancy-j-cohen-2/

Character Development: Lifespace

Do you lie awake at night worrying about future events or reviewing your to-do list? The other night, I couldn’t fall asleep. Too many thoughts and concerns flickered through my mind. When this happens, one technique I use is to grab a handy notepad and pen and scribble down every thought in my head. This might include a list of things I have to get done the next day or a list of my worries, whether realized or not. Writing them down seems to allay some of the anxiety.

Assigning these concerns to a set of worry dolls is another method I might employ. These are miniature Caribbean dolls that you lay out on your nightstand or put under your pillow. Then you assign each doll one of your worries. They fret all night while you can go to sleep, safe in the knowledge that someone else is doing the worrying for you.

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I’d suggest a good book, but if it’s too good, you might want to keep reading. So choose a happy story that isn’t so engrossing that you can’t put it down. And if all else fails, there’s always a glass of wine to lull you into a state of tranquility.

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What does this have to do with writing? When developing your main characters, you want to do the same thing. Imagine your character’s lifespace. Determine what is in her head at any given moment in time. Here is an early version for Marla Shore, my hairdresser sleuth. Never mind my minimal drawing skills.

Lifespace

What is YOUR main character thinking about right now? Why are these things on her mind? Which ones are the most important to her? How do they influence what she’s going to do next?

Giveaway! Anyone who comments or reblogs this article will be entered into a drawing for a free set of miniature Caribbean worry dolls. Winner will be picked by random.org on Monday morning and posted here. U.S. residents only due to postage constraints.

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Facing the Void

I’m in that void in between books. Having finished my Author’s Edition of Body Wave (Bad Hair Day Mystery #4) and scheduled it for launch on June 16, I can start thinking about my next project. And so far that’s all I’ve done—think about it. This would be Bad Hair Day #14. It’s a direct sequel to Facials Can Be Fatal that follows Peril by Ponytail, my September release. I’ve set this summer for plotting with writing beginning in the Fall.

All I have at this point is the victim. I also have a possible motive, but whether this ends up a red herring or the actual reason for the crime is yet to be determined. My suspect pool is limited to work colleagues. Who else can I bring in? Did the victim have any interests or extracurricular activities that might have gotten him in trouble?

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I won’t know the answers until I do my character development charts. But first, I have to figure out the timelines, because this guy’s background indirectly intersects with my sleuth’s life. So where was she when they first met? What does she know about him?

Another person is involved who has a closer relationship to our intrepid hairstylist. How is this person related to the crime? Is it random, or does this character have secrets of her own that could provide a motive?

And what about the so-called crime? Is it plausible? What could be the course of events that led to the victim’s death? Who else might be involved? This necessitates research. I have to ask an expert in the field.

As you see, all I have are a series of questions. But these are things I must ask myself to start the plot formulating in my head.

idea

And then there’s the Wow factor for me. What can I learn that’s new and interesting? This is what really grabs my interest and gets me excited about a story. The idea can come from a newspaper or magazine article, news broadcast, personal experience, or tidbit of information that crosses my path. Maybe as I’m delving into the characters, it’ll come to me. Meanwhile, my story antennae are alert.

If all else fails, I can explore my Dirt File, where I keep clippings of interesting articles about people’s crimes. Or I could explore my General Research files where I stick items that might inspire me. I’m hoping these actions won’t be necessary. Maybe I’ll get an unexpected visit from the muse who will bring me the right idea. Then the pieces will start to fall into place, and a story will form. I call this the Discovery phase because you are discovering what the story is about.

Plotting a new book is a daunting task, but one every writer faces when he finishes one book and contemplates the next. I can’t wing it like some authors. I need the story plotted out in advance. I’ll write a synopsis before beginning page one. This entire Discovery process can take me from one to three months. Then the hard work of writing begins.

How about you? When does your story brain put the pieces together?

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Enter to win one of two signed paperback copies of Hanging by a Hair (Bad Hair Day Mystery #11)
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Private Investigator in Training

ONE MAN’S SHORT, SKETCHY CAREER AS A PRIVATE INVESTIGATOR IN TRAINING by Tom Turner

I thought Contop Investigations was kind of an odd name for a private investigation firm when I went there for an interview thirty years ago. Turned out the head of the West Palm Beach P.I. firm had a romanticized idea of what he did for a living. What he did– Contop’s bread and butter, that is– was cheating spouse investigations. That entailed putting a GPS device on a suspect’s car and following him/ her– usually him– to a No-tell Motel, then getting out his hire-powered Nikon and snapping off a few rolls of incriminating photos. (To his credit, he never actually went so far as to shoot a couple in compromising positions.) How do I know? Because I worked there for four months. When you’re twenty-five and broke, well, your standards maybe aren’t as lofty as they might be.

Anyway, so back to the name. The head of Contop– let’s call him Art– was a prodigious reader, particularly of detective novels, and confided in me once, after about nineteen Budweiser’s, that he named his company after the Continental Operative, Dashiell Hammett’s cunning master of deceit. He told me it was between Contop or Black Dahlia Investigations, which he’d lifted from a James Elroy noir novel. My tenure at Contop was mercifully short because Art had an explosive temper and a seriously sleazy side. The latter became readily apparent in a phone call I overheard  between Art and a prospective client: “Yeah,” Art said, “it’s just me and my wingman, Tom, here at Contop. He’s specializes in background checks and technical surveillance and put in sixteen years with the FBI.” Oh, really? So that meant I was nine when I joined up and…. “technical surveillance?” What’s that all about?  But the actual reason I quit was when he told me to “put a tail” on a cheating spouse– who turned out to be the father of a girl I had, coincidentally, dated the year before. I mustered up all my courage and told Art I wasn’t going to do it. He stormed around and told me I wasn’t cut out for PI work. He was right… thank God.

Palm Beach Nasty

PalmBeachNasty

New York homicide cop, Charlie Crawford, burns out, goes south and ends up in glitzy, glamorous Palm Beach. Problem is no one ever gets killed there…until one day Crawford is first on scene and finds a young guy swinging from a stately banyan tree. With that gruesome discovery, Palm Beach Nasty is off and running, with crisscrossing plots involving a billionaire with a thing for young girls, a far-reaching art scam with Crawford’s ex-girlfriend playing a starring role, and a ruthless hustler passing himself off as the long lost son of one of the richest men in town. Add to the mix a sultry real estate broker who knows where all the bodies are buried, a gorgeous forensic cop who’s got her eye on Charlie, a Mutt n’ Jeff combo of stone cold killers and you’ve got Palm Beach Nasty. Fast-paced, funny and a ton of fun… plus everything you ever wanted to know about the most scandalous town in America.

 

 

 

 

 

About the Author:

TomTurner

A native New Englander, Tom Turner ran a bar in Vermont after college, then moved to New York and spent time as an award-winning copywriter at several Manhattan advertising agencies. A few years later he made a radical change and ended up in Palm Beach, buying, renovating and selling houses. On the side, he wrote Palm Beach Nasty, its sequel, Palm Beach Poison, and a screenplay, Underwater, now in development with a Hollywood production company. While at a wedding, he fell for the charm of Charleston, South Carolina, and moved there. He recently completed his third novel, Killing it in Charleston.

Website: http://tomturnerwrites.com/
Blog: http://tomturnerwrites.com/blog/
Facebook: https://www.facebook.com/tomturner.author?fref=ts
Twitter: https://twitter.com/TomTurner1221
Buy the Book: http://amzn.com/1579623840

Starting a New Novel

Starting a new novel can either be an exhilarating prospect or a daunting one. No matter how many books you’ve written, this reaction still holds true. If you’re a pantser regarding plot, you might begin with a concept, a character, or a setting. You wing it from there with a general idea of where you want to go. But if you are a plotter like me, you need a roadmap. So how to begin?

Characters Come First

Get to know your main characters. Who are they? What do they want in life? Why do they want it? What stands in their path? Give them internal and external goals. Have them deal with an inner emotional struggle that inhibits them from moving forward. What caused this conflict? How does it relate to the main plot? Let’s say your heroine meets a firefighter that she really likes. But she has an insane fear of fires because her parents died in one when she was little. How can she have a relationship with a guy who’s life is always at risk? Meanwhile, the external plot involves an arsonist. For some reason, he’s targeted her. She has to rely on the hunky firefighter to keep her safe. And so on. But don’t leave the hero out, either. He should have his own reasons for not pursuing a commitment. As for the villain, give him a plausible motivation so the reader can understand his actions if not approve of them.

Determine the path of character growth so you know how things will end. How will your characters change by the end of the story? In this example, the heroine might have to overcome her fear of fires to rescue someone in a blaze—perhaps herself, or the hero who’s been disabled by the villain. She realizes her own inner strength will get her through any adversity. She’s a survivor. And so she can let down her barriers and give her heart to the man she has come to love.

It’s no different when you’re writing a series. In each book, your protagonist must change in some way or realize a truth about herself. Yet her emotional growth can involve a bigger arc that encompasses a number of books. Always solve the external conflict first in a story, and then wrap up the resolution with the insights your character has learned.

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Build Your Setting

You’ve done your character development. Now where does your story take place? What is unique about this setting? How can you bring it to life for readers? This is where your world building takes place. Where does your character live? Why did she choose this place? What are its architectural and design elements? How is the setting a character in itself? Describe the sensory impressions you might note if you visited this area. How can you get its flavor across to readers? Why is this setting important to your plot?

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Do Your Research

Make sure you get your facts straight about the locale and any issues involved in your story. This can be preliminary research until you begin your story. Then you’ll know what details to pursue. Is there an interesting news article that caught your fancy? Look up more information on the subject and figure out how it relates to your plot. Or perhaps your story is based on something you read or saw on television. You’ll know what avenues to explore. Just be sure you’re as authentic as possible. That goes for your protagonist’s career as well. Use metaphors and similes from her viewpoint. Get familiar with her work lingo and research her occupation.

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Plot Your Story

If you like to use the storyboard method, grab a big poster and divide it into squares that represent your chapters. Brainstorm plot points and put them on sticky notes. Plaster these sticky notes around the poster approximate to their timing in the story. Or you can do a chapter by chapter outline instead. Either way, keep track of emotional as well as external plot points. Don’t worry if gaps show in your planning; they’ll fill in later if you lay the groundwork properly.

Keep in mind that each scene must have a purpose and hold tension. Each action is followed by a reaction and a decision. Start with a crisis or “call to action” for your character. Build the complications, layer in the secrets and suspense, determine the plot twists, and aim for an exciting resolution.

Many writers utilize the three act structure in their story plotting:
I. Inciting Incident and Introduction of Characters, Conflicts build to First Turning Point
II. Secrets, Subplots, and Complications, Rising Stakes, Second Turning Point
III: Black Moment for Sleuth, Villain Exposed, Resolution, Character Growth

Hook the Reader

How can you grab the reader at the start? Begin with action or dialogue and move the story swiftly forward. This is not the place for flashbacks or background information. Make sure your protagonist is likable to gain reader sympathy. Make the stakes personal. Consider that you only have the first few pages to make an impression. And just as importantly, end each chapter with a hook. You want to create a page-turner, so keep that tension ramped up.

Tomorrow, visit my piece on Internal Conflict at The Kill Zone.

Your Character’s Secret Dreams

Your Character’s Secret Dreams

Character development in fiction writing always mentions goals. These can be long term or short term and are usually practical in nature. But what about your protagonist’s youthful dreams? An article in a news magazine got me started on this topic. It randomly interviewed a bunch of women about their dreams in life. This inspired me to make a listing of my own to aid in character development

  • Start a political career
  • Have a big family
  • Travel throughout Europe
  • Enter a baking competition
  • Become an Olympic athlete
  • Study to be a ballerina
  • Perform on Broadway
  • Turn party planning into a career
  • Visit the Egyptian pyramids
  • Apply to be an astronaut
  • Run a marathon
  • Ride on the Orient Express
  • Learn computer programming
  • Adopt some rescue dogs
  • Join the Peace Corps
  • Sing in public
  • Live in Paris for a year
  • Hike the Appalachian Trail
  • Be on a reality show
  • Get hired as a personal chef
  • Work on a cruise ship
  • Learn to fly an airplane
  • Become a volunteer firefighter
  • Write a novel

Marla Shore, my heroine sleuth, carries around travel brochures of Tahiti in her purse. She may never get there, but at least she has been on a Caribbean cruise.

BoraBora   Tahiti Hut

What hidden dreams does your main character have?

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Secret Woods

On Saturday, we heard bestselling author Joanna Campbell Slan give a talk at the monthly meeting of Florida MWA. Joanna gave pointers on how to be a good speaker but the best example was her own talk that kept us fascinated for an entire hour. I hope I can utilize her tips during my forthcoming speaking engagements.

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Sunday found my husband and I at Secret Woods Nature Center for our afternoon walk. We’d been here years ago, and it hasn’t much changed. We walked down various trails, enjoying the natural vegetation, the mangrove swamp, and the view of the New River. From here, we went for ice cream. After all, it was ninety degrees out and we were pretty steamed after that walk.

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Today I finished Facials Can Be Fatal and sent it off to my agent. Yay! Another book in the bag. This one will be Bad Hair Day Mystery #13. It’s always such a relief to send a book on its way. I still have to work on things like back cover copy, promo blurbs, blog topics, and more, but the creative work is done. Those will come under the auspices of marketing.

Here’s a reminder to sign up for my newsletter to hear all my book news, contests, and more: https://nancyjcohen.com/contact-nancy/newsletter/

And speaking of marketing, tomorrow I’m launching the reissue of Murder by Manicure. So reserve the date for my online launch party: March 24, from 2-4pm EDT https://www.facebook.com/NewReleaseParty Guest Authors & Giveaways!

So what’s your favorite nature park to visit?

 

How to Write Short Fiction

How to Write Short Fiction—and Why Your Readers Think You Should!
Joanna Campbell Slan

JSlanAuthorMore and more authors are discovering the power of short fiction to market and promote their work. I’m certainly one of them. Several years ago, I promised my readers that I would write a short story a month in the run-up of the release of my next Kiki Lowenstein mystery book. Folks loved the pieces, my sales benefited, and I learned a lot in the process.

Guidelines for Writing Short Fiction

1. Concentrate on “one.” In my short stories, I typically write about one main character, one big problem, one setting, and one span of time.

2. Set it up fast. When they’re reading a short story, readers want to settle in quickly. Therefore, I try to work the “who, what, when, where and why” into my first paragraph. That gets my readers engaged as we explore the remaining question, “Whodunit?”

3. Craft your opening images so that they both paint a picture and set a mood for the reader. Promise your reader action and conflict from the get-go. Here’s an example: “The snow was busy blanketing our spirea bushes with a gentle white coverlet, while my mother slammed around a pot on the stove. At thirteen, I’m too old for hot chocolate, but my younger sisters, Eve and Edith, love it. Mom’s usually even-tempered when she cooks, but on this particular day, Mitt Romney had decided he wouldn’t make his third run for President. That made Mom mad. Hopping mad.”

4. Grab the reader fast. Your opening sentence should be a real show-stopper. Think of it as a baited hook that you’ll toss out into the ocean. Here’s an example, “If Mitt Romney had done his patriotic duty to our country, my mother wouldn’t be in jail today.”

5. Tell your reader the story, AFTER you tell it to yourself. It’s easy to get locked into a chronological narrative when we’re telling ourselves a story as we write it. As a result, we don’t always tell the most entertaining tale we could. Before you start writing, make a list of the things that must happen in the story and put them in chronological order. Order your information so that it makes the most impact.

6. Use this formula to help you get started: “First (inciting incident) happened to (character) and then that’s how (action started), and so (fill in the blank/more action) until (a conclusion is reached).” Example: “First Mom heard on the news that Romney wasn’t running, and that’s how she discovered that Dad wasn’t really volunteering down at Romney headquarters like he said he was, and so she followed him, and discovered he was having an affair with…a registered Democrat!” Once you encapsulate your entire short story in a sentence, you can charge ahead with confidence.

7. End with a bang! Whenever possible, I like to end my short fiction with a pithy observation or an ironic comment. The reader should feel a sense of (twisted) satisfaction. For example, “If she hadn’t dropped her ‘Mitt Romney for President’ button at the scene of the crime, Mom would have gotten away with murder. As they slapped the handcuffs on her and walked her toward the waiting police car, she yelled back at us, “See? None of this would have happened if we’d elected a good Republican into the White House!”

Do I break these rules? All the time. But I’ve developed my list as a useful template for pointing me in the right direction, even if I do wander off the suggested path.

Is it worth the time and effort? My short stories have proven to be extremely useful for keeping readers engaged between my books. I like to use the short format to expand on my characters, or to write about a situation that doesn’t warrant being explored in a full length book. You can see how this works in my Kiki Lowenstein Short Story Anthology #2. It’s only 99 cents. In particular, you might want look at the reader reviews about that particular anthology. Their comments have encouraged me to keep offering fiction in this short format.

Now it’s your turn. I’d love to hear what you’ve learned about writing short fiction or any questions you might have.
Joanna

P.S. In case the link doesn’t work, here’s the link to the anthology: http://www.amazon.com/Lowenstein-Anthology-Volume-Scrap-N-Craft-Mystery-ebook/dp/B00BQ2ITVI/ref=pd_sim_kstore_3?ie=UTF8&refRID=1MT1PG8YM2VPBP7MHCEA

About the Author
Joanna Campbell Slan is a national-bestselling and award-winning author of twenty-eight books, including three mystery series. Her newest book—Shotgun, Wedding, Bells—is now available for pre-order on Amazon. When you buy Shotgun, Wedding, Bells (Release date Feb. 14, 2015), you automatically get Tear Down and Die (Book #1 in the Cara Mia Delgatto Mystery Series/86 five-star reviews) absolutely FREE. Here’s that link: http://www.amazon.com/Shotgun-Wedding-Lowenstein-Scrap-N-Craft-Mystery-ebook/dp/B00SURBH7A/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1423518318&sr=1-1&keywords=Kiki+Lowenstein

Book Blurb for Shotgun, Wedding, Bells   Shotgun Wedding Bells cover
A very pregnant Kiki Lowenstein and her fiancé Detective Chad Detweiler are trying to race the stork to the altar. But their vows are interrupted by a shoot-out. With the help of her nanny, Bronwyn Macavity, Kiki vows to track down the man who ruined her wedding and put her family at risk. Even a big belly bump won’t stop this intrepid amateur sleuth! http://www.amazon.com/Shotgun-Wedding-Lowenstein-Scrap-N-Craft-Mystery-ebook/dp/B00SURBH7A/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1423518318&sr=1-1&keywords=Kiki+Lowenstein

Where to find Joanna
Joanna shares excerpts, tips and craft tutorials on her Blog: http://www.joannaslan.blogspot.com
Pinterest: http://www.pinterest.com/joannaslan
Facebook: http://www.Facebook.com/JoannaSlan
Website: http://www.joannaslan.com

Get a FREE e-book from Joanna
For a free sample of Joanna’s work, send an email to her assistant, Sally Lippert at [email protected] and request your copy of Ink, Red, Dead (Book #3 in the Kiki Lowenstein Mystery Series).