Your main goal in writing a mystery, or any kind of fictional work, is to create story questions in the reader’s mind. This creates suspense that you need to propel the story forward. Even as you are plotting the book, assuming you’re a plotter like me and not a pantser (figuring it out as you … Read more
Writer’s Block is often interpreted to mean that a writer stumbles over what to write next. Or he comes to a complete halt due to outside distractions or loss of confidence. But what about when he has so many ideas, that he can’t complete a single one? This can be conceived as another type of … Read more
Bait and Switch Tactics are a means to keep your reader on the edge of her seat when using multiple viewpoints. What you’ll want to do is isolate your characters, then write scenes in each person’s viewpoint with a cliffhanger at the end of every sequence. Make sure in each scene that you are in … Read more
I always thought I wasn’t clever enough to come up with good plot twists. Short story writers have the market on this writing technique. Especially in the mystery genre, short fiction often relies on an unexpected twist for its punchline at the end. So how can cozy writers come up with enough surprises to keep … Read more
While writing a novel, you are plodding along during the first half of your book, and all of a sudden you come to a halt. Now what? Are you stuck in the middle of your story? It’s too soon to start the revelations leading to the killer or to the romantic resolution. You need more … Read more
Michael Hauge’s Six Stage Plot Structure, Part 2 – The Inner Journey The second part of Michael Hauge’s talk on Six Stage Plot Structure at the Florida Romance Writers Cruise Conference deals with inner conflict. If you missed Part One, read it Here. For the sake of expediency, I use the term “heroine” but these … Read more
Michael Hauge’s Six Stage Plot Structure, Part 1- The Outer Journey Michael Hauge teaches a terrific class on Six Stage Plot Structure. Michael has coached screenwriters, producers, stars and directors on projects for every major studio and network, as well as top public speakers and corporate leaders. He’s the author of Writing Screenplays That Sell … Read more
In the previous post, we discussed character development. As you figure out each person’s goals and secrets, you need to determine how that character relates to the others. Think of a spider web. The victim is in the center, and all of the other threads are the suspects. Or visualize it as a character wheel … Read more
I’m in that void in between books. Having finished my Author’s Edition of Body Wave (Bad Hair Day Mystery #4) and scheduled it for launch on June 16, I can start thinking about my next project. And so far that’s all I’ve done—think about it. This would be Bad Hair Day #14. It’s a direct … Read more
Somewhere in the middle of my current WIP, I froze with hesitation. It seemed as though I could finish the book within the next fifty pages, and I had one hundred pages to go. Where would I find enough material? I staved off a full-blown panic attack by realizing this same fear struck me with … Read more