We’ve all had booksignings where no one shows up. So it was a fabulous surprise last weekend as I approached www.bandlbooks.com in Altamonte Springs, FL to see a row of readers lined up to enter the store! My jaw nearly dropped off my face. When had I ever last seen such enthusiasm, and for the dying breed of dead tree books, no less?
The staff welcomed all the eleven or so authors participating in the signing with our tables all set up, books laid out in front of our spots, and even a little gift package for each of us. They had fruit punch and water bottles and cake with our book covers. You have to understand…it’s rare to get a reception like this so I appreciated it all the more. Independent bookstores should be cherished while they still exist. Nowhere else can you find such a variety of choices to peruse in person.
Readers crowded the store but I relished the crush. They snatched up armfuls of books to take to the cash register. People came up to me who didn’t know my work and asked me about my books. Usually our brief dialogue convinced them to try either one of my romances or my mysteries. For two hours, we smiled, chatted, signed books, and had a great time. Many thanks to the store proprietors for sponsoring this popular event and for keeping readers enthralled with print books in this digital age. Of course my hardcovers didn’t sell as well as my paperbacks but that’s always the case. I hope that, down the road, I’ll be able to offer Shear Murder in other formats to my readers. Meanwhile, if you’re in the area, drop by this indie bookstore, browse the shelves of new and used books, and give them your wholehearted support.
Later that evening, I relaxed at the Elephant Bar with my family. I had a Mai Tai and shrimp with noodles. It was a relaxing end to an exciting day.
I’m taking a well-deserved break from writing to play in Orlando, visit family, and participate later today in a multi-author booksigning at B&L Books in Altamonte Springs.
Meanwhile, we visited Disney’s Hollywood Studios. We took a stroll around, having been on most of the rides on previous stopovers, ate lunch (a really good pressed turkey and cheese and sweet red pepper sandwich on multi-grain bread), and rode on The Great Movie Ride. I wish they’d update this attraction. I know it’s supposed to show classic films but it could use some nods to modern times.
A surprise came with a daily parade. As this month is Star Wars Weekends (or is it Star Tours, as per the ride?), the parade consisted of characters from the films. I’m not a parade enthusiast, but these costumes were wonderfully like the movies.
How do you entertain for a crowd? It’s best to be well organized and to do as much ahead of time as you can. Here are a few tips to get you started:
· Determine your guest list
· Decide upon a party theme
· Send invitations
On Memorial Day weekend, we had some writer friends over. Counting our family members, we had about 16 people total. I wrote the menu after we sent out email invitations.
Recipes for the starred items can be found on my Website.
· Choose your menu
· Make a grocery list
· Shop for non-perishables
A few days before the event, · Take out your serving platters and utensils
· Label each serving dish with the intended item
· Set the table(s), including centerpieces, the day before
· Put out candles and do last minute cleaning
· Decide upon background music, if any
Labeling the serving dishes saves time so I can spoon out the food quickly into predetermined platters and bowls. You also won’t have to go hunting at the last minute for those extra serving plates.
· Prepare foods the day before the event when possible. Otherwise, get an early start the event day so you’ll have plenty of time to rest up, shower, and get dressed.
· When guests arrive, offer them a drink and point out where they can get food. Introduce guests to each other. Then relax and enjoy yourself!
Malice Domestic Conference: The New Nick and Noras: Mixing Romance and Murder
Sunday morning at Malice started out with the Sisters in Crime Breakfast. It was a lovely affair where I met new friends. The Board was introduced and volunteers were thanked for their efforts throughout the year.
Following this event, I attended the workshop titled above. Moderated by Stephanie Evans, the panel included Kathleen Ernst, Christina Freeburn, Barbara Graham, Elizabeth J. Duncan, and Kate Carlisle. Following are the questions posed by the moderator. Disclaimer: These interpretations are based on my notes and the paraphrasing is accurate to the best of my ability.
How does danger affect the relationship?
Kathleen: Her characters are a detective and a park curator. Danger reveals a new side to each character, i.e. protectiveness of the hero and a broken heart in the heroine’s past. Also it shows that the heroine doesn’t crumple in the face of danger. Chris says danger in her stories brings her couple back together. They have to work to restart their relationship. Barbara says her hero is the sheriff. “Danger finds you no matter where or who you are. Thing happen.” Hers is a loving couple. “Every day, if it’s the last one, it’s a good one.” Elizabeth’s hero is a police officer. He overrides his training and instincts to put the heroine ahead. In Kate’s story, the woman is a suspect but the hero grows to protect her. Danger heightens the sexual tension between them.
Does your couple need or seek out danger? If it wasn’t there, what else would they need?
Kate says her couple wasn’t brought together by murder but that murder found them. Her heroine is open, free, loving. Her hero is a James Bond, by-the-book type. He feels fear for her safety. Elizabeth’s hero is an inspector who wants a quiet, peaceful life away from work. He warns the heroine away from every case, but she’s curious and can’t leave it alone. He’s unable to keep his work separate from her. Barbara’s heroine listens to gossip and lets the hero do the detecting. They’d like to have a normal life. Chris: Finding people who need protection is their purpose. They each possess a strong protective instinct but in different ways. They are willing to take risks so that others can have a better chance at life. Kathleen’s hero doesn’t want the heroine involved but he needs the info she can provide, so she gets sucked into the situation. They each define danger differently. Solitude and wilderness don’t frighten her when she goes to a deserted island to restore a lighthouse, but he’s concerned about the isolation. So they define danger differently.
How do you work in the lightness and levity of romance with the darkness of murder?
Chris’s romances are more inspirational so they’re not graphic. The couple was married but the marriage ended over guilt from her sister’s death. Dark issues and pain are involved and they have to work out these problems. Elizabeth: Her heroine was a witness that the hero interviewed and subsequently liked, so their romance progresses slowly. In her stories, the romance offers comfort and security for people in their 50s, so it’s a different angle. Kate also writes romance for Harlequin. “A good romance has heavy conflict so I don’t consider that part to be light even though I don’t write dark, deep mysteries.” She adds humor in other ways like with secondary characters. Kathleen has an inner plot or personal conflict that affects the outer plot. Barbara has a married couple who are loyal and faithful to each other. Tender moments enter into the story on occasion.
For the cozy genre, what do you use to create the mood for sex?
In Kathleen’s stories, the relationship is progressing slowly. She says the power of suggestion can be incredibly sexy and better than spelling things out on the page. Chris’s couple needs to rebuild trust in their relationship. It’s more about caring and the “little things” the couple does for each other. Barbara’s characters long for each other when they’re apart. She agrees that it’s the little things, too. Elizabeth says intimacy can be pretty sexy, more so than overt sexuality. Her hero thinks about the heroine often. “It’s more about love than sex, but they’re inching toward it.” In Kate’s mysteries, nothing is overt. “Little moments are sweet but they can’t stop to consider them because they have to solve the crime.” You get the feeling that the relationship is growing.
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I took a break after this panel, skipping some of the events and going out to lunch with family until the Agatha Tea later that afternoon. If I’d known we would be served little sandwiches, scones, cheese and fruit, I wouldn’t have eaten so much earlier! This final event was well attended and then it was time to say goodbye.
Our drive home was uneventful except for a stop at a historic house in South Carolina and a couple of country stores where we bought Peach cider, pecan meal (ground pecans—great for coating tilapia before frying), cinnamon honey, and peach jam.
Saturday morning at the Malice Domestic conference in Bethesda began with a New Authors Breakfast wherein two dozen newly published authors spoke briefly about their works. It was a great way to get to know these newbies and to discover interesting reads.
Writers’ conferences are often more about networking than attending workshops, but I did manage to attend three sessions. One of them was for writers by “The Poison Lady” on how to kill people using alcohol. I won’t be repeating that information here, but I’ll tell you about the other two panels for fans.
Early in the day, I greeted Dana Cameron, Charlaine Harris, Ellen Byerrum, Joanna Campbell Slan, and Neil Plakcy, among other writer friends. Besides Neil, Joanna and myself, Elaine Viets and Deborah Sharp were present from Florida MWA. We discussed marketing ideas and met new readers. I was able to display my promo materials in the hospitality suite, peruse the silent auction items, and greet booksellers in the dealers’ room.
The first workshop I attended was on Southern Mysteries. Panelists were Sandra Parshall, moderator, whose mysteries are set in Virginia. Lisa Wysocky sets her series around horses. Erika Chase’s books are set in Alabama. Leann Sweeney’s cat mysteries take place in South Carolina. Christy Fifield’s haunted shop series is located in Florida. And Miranda James (aka Dean James) writes about a male librarian in Mississippi. Following are the questions posed by the moderator. Disclaimer: These interpretations are based on my notes and the paraphrasing is accurate to the best of my ability.
What is your personal connection to the South?
Miranda grew up in Mississippi in generations of farmers. He moved to Houston and went to grad school and became a librarian. Christy married a Southerner whose family comes from Alabama. Leann went to where her husband’s job took them to Texas and hopes to move to South Carolina someday. Erika loves horses and was captivated by Southern culture. Lisa moved to the South and also loves horses. “Characters in the South are wonderful fodder for mysteries.”
What is special about the South?
Leann: “What’s so wonderful about the South is there are all these secrets.” People are very polite and courteous, and they use indirect routes of speech as opposed to Northerners who say what they mean. Miranda: People in the South beat around the bush when speaking. “How many of you know the two meanings of ‘Bless your heart’?” It’s all in how you say it. Lisa: “History in the South is so much more fascinating than in the North.” Erika: “The word southern conjures the imagination, as in southern lady or southern gentleman.”
Tell us about your settings.
Lisa’s books are set in Tennessee where “many eccentric people live.” Christy’s stories are set in a small Florida town dependent on tourism. She loves the Florida Panhandle. Sandra’s mysteries take place in Virginia, while Miranda’s are set in Mississippi. Leann favors South Carolina, and Erika’s stories are centered in Alabama. Quite a variety!
How do you deal with darker issues?
Lisa approached the theme of child neglect with humor so that the humor balances the darkness. Erika doesn’t deal with any Gothic themes beyond murder. She says secrets from the past affect her characters, who help each other through them. Leann says her editor helps her balance the light and the dark. “Secrets are dangerous, and I want the reader to feel that tension throughout the book.” She often deals with dysfunctional family issues.
Christy has a main character who is a ghost. Another character is the ghost’s acquaintance, and their relationship goes back to a more turbulent time in history. She indicates how racial relationships in the South are still a fact of life there. It’s tough to balance those elements with the lightness of a cozy. Miranda likes to make the reader forget about their problems when reading his books. So he aims for a balance between real southern issues and a lighter mystery.
How do you include accents?
Miranda offers colloquial expressions and rhythm of speech instead of heavily accented speech which can be distracting to the reader. She says to be aware that certain words may be used differently. For example, do the people in a locale say cellar or basement? Erika says the flavor of interactions is more important than the words themselves.
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Later that afternoon, I was on a panel called Living with the Seven Deadly Sins: Mysteries as Modern Morality Plays. Moderated by Art Taylor, our panel included R. J. Hartlick, Carolyn Hart, Tracy Kiely, Margaret Maron, and myself. I discussed the value of relationships among the characters in a mystery and how that’s the focus of my stories. We joined other afternoon panelists at a booksigning later.
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Saturday night, we attended the Agatha Awards Banquet. I didn’t take pix here, too many people, and it was a long evening.
Coming Next: The New Nick and Noras: Mixing Romance and Murder