Creating a hook at the end of a chapter encourages readers to turn the page to find out what happens next in your story. What works well are unexpected revelations, wherein an important plot point is offered or a secret exposed; cliffhanger situations in which your character is in physical danger; or a decision your character makes that affects story momentum. Also useful are promises of a sexual tryst, emotional aftermath of a love scene, arrival of an important secondary character, or a puzzling observation that leaves your reader wondering what it means.

It’s important to stay in viewpoint. Otherwise, you’ll lose immediacy and this will throw your reader out of the story. For example, your heroine is shown in first person viewpoint placing a perfume atomizer into her purse while thinking to herself: “Before the day was done, I’d wish it had been a can of pepper spray instead.” What happens later on? This character is looking back from future events rather than experiencing the present. As a reader, you’ve lost the sense of timing that holds you to her viewpoint. You’re supposed to see what she sees and hear what she hears, so how can you observe what hasn’t yet come to pass? Thus you are tossed out of viewpoint while being forewarned things are going to get nasty.

Foreshadowing is desirable because it heightens tension, but it can be done using more subtle techniques. Here’s another out-of-body experience: “If I knew what was going to happen, I’d never have walked through that door.” Who is telling us this? The Author, that’s who. Certainly not your character, or she’d heed her own advice. Who else but the author is hovering up in the air observing your heroine and pulling her strings? Same goes for these examples:

“I never dreamed that just around the corner, death waited in the wings.” Who can see around this corner if not your viewpoint character? YOU, the author!

“Watching our favorite TV program instead of the news, we missed the story about a vandalized restaurant.” If the characters missed the story, who saw it?

“I felt badly about the unknown victim, but it had nothing to do with me. Or so I thought.” He’s speaking again from the future looking back.

“I couldn’t possibly have been more wrong.” Ditto to above.

“I was so intent on watching the doorway, I didn’t see the tall figure slink around the corner.” Then who did spot the tall figure? You got it–the author.

Although these examples are given in first person, the same principles apply to third person limited viewpoint. Your reader is inside that character’s skin. She shouldn’t be able to see/hear/feel beyond your heroine’s sensory perceptions. By dropping hints about future events, you’re losing the reader’s rapt attention. Avoid author intrusion by sticking to the present. End your chapter with a hook that stays in viewpoint.

Here are some examples from Permed to Death, #1 in the Bad Hair Day Mysteries:

“This was her chance to finally bury the mistake she’d made years ago. Gritting her teeth, she pulled onto the main road and headed east.” (Important Decision)

“There’s something you should know. He had every reason to want my mother dead.” (Revelation)

“Her heart pounding against her ribs, she grabbed her purse and dashed out of her townhouse. Time was of the essence. If she was right, Bertha was destined to have company in her grave.” (Character in Jeopardy)

“Her heart heavy, she crawled into her car. Until this case was solved, she couldn’t call anyone her friend.” (Aftermath of emotional scene)

[Heroine has been poisoned] “She allowed oblivion to sweep her into its comforting depths.” (Physical Danger)

“Todd Kravitz, the old lady’s son. Don’t you remember? He was the male model who posed with you for those sexy shots.” (Secret Exposed)

The same techniques apply to romance novels as well as mysteries. Ending a chapter with a confrontation between the hero and heroine will make the reader turn the page, especially if you’ve presented only one character’s reaction. Anticipation rises for the other person’s response. How will this event change their relationship? In addition to emotional turning points, escalating sexual tension will keep your reader eagerly flipping pages.

Decisions that have risky consequences can also be effective. For example, your heroine decides to visit her boyfriend’s aunt against his wishes. She risks losing his affection but believes what she’s doing is right. Suspense heightens as the reader waits to see if the hero misinterprets her action. Or have the hero in a thriller make a dangerous choice that puts someone he cares about in jeopardy no matter what he does. What are the consequences? End of chapter. Readers must keep going to find out what happens next.

To summarize, here’s a list of chapter endings that will spur your reader to keep the night light burning:

1. Decision
2. Danger
3. Revelation
4. Secondary character’s unexpected arrival
5. Emotional turning point
6. Sexual tension
7. Puzzle

Sprinkle the lucky seven judiciously into your story and hopefully one day you’ll be the happy recipient of a fan letter that says: “I stayed up all night to finish your book. I couldn’t put it down.” That’s music to a writer’s ears.

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