Cracking Discoverability

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We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Like my page, then click on Photos, Albums, and SleuthFest 2014.

“Cracking Discoverability” with Terry Odell, Neil Plakcy, Eileen Robertson, Peggy Hanson, and Sandra Balzo as moderator.

Find your public and reach out to them. Look for mystery listserves like Dorothy L and 4 Mystery Addicts, and join their discussions to establish a presence. Check out groups on Goodreads and LinkedIn for mystery readers. Look for book blogs. Check out Novel Spot for readers.

Terry said, “The key to social networks is being social.” Don’t push your book. You want people to like your post and then they will look up your books.

Peggy gets a lot of hits posting about her cats so she agrees with Terry. “PR stuff is very hard, but if you present yourself as a person, people may become interested in you as a writer.”

Eileen belongs to a group of women mystery writers, and they tour together for events. “The reader is far more important than the writer.” And even if they get your book at the library, then they’ll want to read the rest of your works.

According to Terry, “The best thing you can do on Facebook is to share.” She mentions Rafflecopter for contests and then discussed how to get your Facebook friends to migrate to your Facebook page. Ask them periodically to Like your page.

Neil discussed what makes a good newsletter. You can pepper in short chunks of research, fun and interesting facts, sneak peeks at your next work, giveaways, contests with prizes including other authors’ books. Get readers onto your blog with recipes, pets, or other interesting tidbits.

Friday Lunch Keynote Speaker Ace Atkins

Ace discussed his road to publication and how he kept persisting. You get knocked down, you get back up and listen how to improve your work. Get out to meet people, real people related to your work. If you’re not passionate about the material and love it, think about why you’re in this business. Leave out the stuff people skip over and get to the story. Listen to people talk to learn to write dialogue. Don’t watch television to learn.

Examine who you’re targeting when you submit to an editor. What are their tastes and interests?

Don’t ever stop writing. If it’s not working, start something else. Keep going. If an agent or editor aren’t working out, move on. Always keep the book going. You’ll only get better.

Coming Next: Editors Roundtable

Increase the Chaos. Engage the Reader.

Increase the Chaos. Engage the Reader. by Julie Anne Lindsey

Chaos is one of my favorite things about fiction. This is especially true in a cozy mystery. I truly enjoy the insane amount of juggling required by the heroine. As a woman, I can relate to the pressure and frustration of handling too much- minus the murder investigation, of course – and it’s fun to see the scenarios unfold on someone else for a change. I can relate. It’s no secret women handle unthinkable amounts of responsibilities while maintaining the peace and meeting unreasonable expectations of others. We hold down the household, punch a time clock, volunteer in the community, date, please our family, entertain our friends and so much more. (We really are the more miraculous portion of our species. In my humble opinion). Which is why we all deserve a good book and a break from time to time.

As writers, it’s our job to connect strangers with a character we dreamed up. Chaos is a common ground we can use to our advantage. When I fall into a great new cozy or amateur female sleuth series, I immediately connect with the heroine if she’s got her hands full. I nod along and smile, thinking, man-oh-man am I glad it’s not me this time. My heart goes out to her. It’s hard keeping things afloat, and honestly, the chaos can be pretty entertaining when I’m not on the business end of things.

As I write each mystery, I want my heroine overwhelmed, well-liked and spread paper-thin. I want readers to feel the pull of hands on her time and person. So, as I plot and scheme a fun new investigation, I ask myself “What do I do every day?” and then “What do my friends do?” What keeps us so busy? The snowball method takes over from there because the short answer is we do too much.

Piling up the trouble is a great writers’ tool. It’s a fun and easy way to increase the chaos and pacing of a story. It keeps the pages going and stops the story from stagnating. I spend extra time on my outlines peppering in all the commitments my heroine, Patience, has to maintain in addition to surviving the wrath of a provoked killer and exploring the leads in her investigation, not to mention all the people she wants to please.

Add responsibilities to connect readers to your heroine. Give her problems they can all relate to, like family and romance. Those things are complicated. Messy. Real.

In my newest release, Murder Comes Ashore, I’ve piled up the everyday things that make a woman bananas. As my heroine pursues her investigation, (the crux of the story), she’s drawn away repeatedly by phone calls from clients, impromptu visits from family and a frustrating love triangle she’d prefer not to think about. She’s running from a killer, volunteering at the grade school and questioning birders about anything unusual they might have seen since the murder. Local law enforcement is running a parallel investigation and they get in her way, too.

Adding reality to the fiction anchors readers to your story. Who can’t related to a boss that expects us to show up on time? Or a sister who takes it personally if you’re five minutes late for dinner? The predicaments don’t have to be fantastical because they’re fiction. Take the things that make you the craziest and share them with your heroine. It is fun to move the burden onto someone else and it bridges the gap between you and women readers everywhere. Hey, it’s no fun when I have to fold laundry, check homework assignments and explain to my mom why I haven’t called all week, but when those things fall to a character, I smile because we share common ground. And us XX chromosome types have to stick together.

If you’re looking for a fun new mystery to cozy up with, I hope you’ll consider my new release, Murder Comes Ashore. It’s packed with chaos and a heroine who understands. Besides, who couldn’t use an island escape right now?

Murder Comes Ashore

Patience Price is just settling into her new life as resident counselor on Chincoteague Island when things take a sudden turn for the worse. A collection of body parts have washed up on shore and suddenly nothing feels safe on the quaint island.

Patience instinctively turns to current crush and FBI special agent Sebastian for help, but former flame Adrian is also on the case, hoping that solving the grisly crime will land him a win in the upcoming mayoral election.

When the body count rises and Patience’s parents are brought in as suspects, Patience is spurred to begin her own investigation. It’s not long before she starts receiving terrifying threats from the killer, and though she’s determined to clear her family’s name, it seems the closer Patience gets to finding answers, the closer she comes to being the killer’s next victim.

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About Julie:

Julie Anne Lindsey is a multi-genre author who writes the stories that keep her up at night. She’s a self-proclaimed nerd with a penchant for words and proclivity for fun. Julie lives in rural Ohio with her husband and three small children. Today, she hopes to make someone smile. One day she plans to change the world.

Murder Comes Ashore is a sequel in her new mystery series, Patience Price, Counselor at Large, from Carina Press.

Learn About Julie at:

Julieannelindsey.com

Is the Missing Airplane in the Dragon’s Triangle?

Also called the Devil’s Sea, the Dragon’s Triangle is an area in the Pacific basin southeast of Japan between Iwo Jima and Marcus Island that is the site of anomalies where ships and planes have disappeared, electronics stop working, time accelerates, and strange mists occur. Most people don’t realize this area has more anomalies than the more famous Bermuda Triangle.

Japan has declared these coordinates a danger zone for shipping. A myth blames the disappearances on an undersea dragon, hence the nickname. But since this is a known site for undersea seismic activity, perhaps the mythical fire-breathing dragon was actually an undocumented volcanic eruption.

Whatever the cause, strange things have happened in this region. Could it be a door to another dimension?

Paz Hadar, a Drift Lord in Warrior Rogue, would say so. This title is book number two in my paranormal Drift Lords series. He’d also advise you that the Trolleks stole the missing Malaysian airplane.

Here’s an excerpt:

Paz wondered if the Dragon’s Triangle hid another dimensional rift like its infamous cousin off the coast of Florida. That could account for his arrival here. Spontaneous tears in the space-time continuum were happening more often. They’d started when the Trolleks learned how to force open the barrier between dimensions.

Now the evil creatures invaded Earth through these rifts. The Drift Lords, trained to fight them, sought to seal the breach before the dimensional drift widened enough to cause a catastrophic energy blast.

Paz’s mouth tightened into a grim line. He didn’t like being near another possible rift. He liked it even less when he sniffed the ominous portent of burning filaments.

His muscles tensed. Cors particles.

Not only was the material produced at a rift horizon, but also when the Trolleks spatial shifted from one place to another. His ability to detect these particles is what made him a Drift Lord.

Smelling it here could mean only one thing. He shot to his feet as a crash sounded from the airplane galley.

These rifts play a significant part in my Drift Lords series. The Dragon’s Triangle, like the Bermuda Triangle, allegedly sits on one of the Vile Vortices. What are these anomalies? Here’s another excerpt where Paz is speaking to Jennifer Dyhr, a fashion designer with whom he has crash landed on a Pacific island:

“Imagine a cosmic energy grid underlying the tectonic plates. The grid lines are called ley lines. The points where they intersect are known as Vile Vortices. Twelve such locations exist around the world. The rifts occur at the sites of these Vile Vortices.”

“Huh? I don’t get it.” A breeze rustled the tree branches, and a flurry of leaves dropped onto their heads. Jen combed her fingers through her hair while he watched, mesmerized.

Shaking his head to dispel his wayward thoughts, he continued. “When the dimensional plates grind against each other, the resultant pressure forces open a door between dimensions. Normally, the event horizon at this natural rift produces a substance called cors particles. When their mass reaches a certain level, the resultant pressure forces the rifts to close. This time, however, the Trolleks have devised a means to force open the rifts and keep them from shutting down.”

“That’s not good,” she said in a dry tone.

“You’re catching on. With the portals remaining open, the accumulation of cors particles will breach the point of no return. The dimensional drift will widen, causing a massive shock wave that alters reality in all dimensions. It will destroy everything in existence.”

So has the missing Malaysian aircraft flown through a rift in the Dragon’s Triangle? Or is it lost due to human error, malicious intent, mechanical failure, or natural disaster?

Resources

http://beforeitsnews.com/alternative/2014/03/malaysian-flight-mh370-another-victim-of-the-pacific-oceans-bermuda-triangle-dragons-triangle-videos-2916974.html
http://www.paranormal-encyclopedia.com/d/dragons-triangle/
http://www.wisegeek.org/what-is-the-dragons-triangle.htm
http://www.cnn.com/2011/TRAVEL/05/31/sea.legends.bermuda.triangle/
http://en.wikipedia.org/wiki/Vile_Vortices
http://www.paranormal-encyclopedia.com/v/vile-vortices/

Warrior Rogue
When space ops warrior Paz Hadar falls through a spatial rift onto Jen’s film set, he soon realizes she is essential to his mission. Not only must he protect her, his success depends upon her special powers. But as they struggle to stay one step ahead of the enemy, he discovers that fighting his attraction to the lovely Jen is as much a challenge as keeping them both alive.

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Wild Rose Press

Librarians and Authors

Contests

Enter to win 1 of 4 signed ARCs of Hanging By A Hair in my Goodreads Giveaway: https://www.goodreads.com/giveaway/enter_choose_address/81598

Win a $25 gift card or 1 of 6 books, including an ARC for Hanging By A Hair, at Booklover’s Bench: http://bookloversbench.com/

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Librarian/Author Mash-Up

Authors Nancy J. Cohen and Elaine Viets, Librarians Judy Buckland and Jo-Ann Glendinning; Moderated by Julie Compton

Nancy J. Cohen, Judy Buckland, Elaine Viets

Note: We will be appearing at the Lake County BookFest this week. Go here for the schedule and more information: http://www.mylakelibrary.org/festival_of_reading/default.aspx

Who do we contact at a library if authors want to set up an event? Contact the program coordinator or director of library systems. Make your desire known as an author that you want to participate.

What works well for the librarians? Connecting writers with readers. Librarians can find out what circulates where, and then match authors to those audiences. They can make sure to have a visiting author’s book in circulation. For new acquisitions, they’ll read reviews and research Baker and Taylor and Booklist.

The Lake County library system has a local authors’ day twice a year for their local and self-published authors. This may include multiple authors plus one special guest.

In schools, look for the curriculum research or media specialist. It’s tough to get in the school libraries. Or check the school volunteer programs and offer to speak.

If you want to sign at the American Library Association event, a requirement is that your publisher donates one hundred copies of your book. You can have bookmarks with your backlist titles.

What draws people in? Writing workshops. Libraries can target groups, not only aspiring writers but also historians, for example, and invite Downton Abbey fans for tea. Targeting niche audiences works well this way. The Red Hat Ladies is another group they’ve approached for an author event.

What types of promotion work for the library? Having a website, putting a magnet on their courier van, newsletters, listserves among librarians. E-books are bought from Overdrive. Problems they encounter may be publishers who limit circulation or publishers who won’t license e-books to the library.

Audio books have grown. People check them out for trips, including truck drivers. Vision-impaired patrons like them. They are downloadable through Overdrive. Large print books are a good business, too.

What do the librarians require from an author? A website, media page, short and long biography, high resolution photo with permission from the photographer, and a bibliography of their books. Authors should show up on time for programs and have a contact number to call.

If you’re an author, how do you approach a library to do an event? Has this been successful for you?

What I Wish Someone Had Told Me

We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Go there, Like my page, then click on Photos. Next click on Albums and then SleuthFest 2014.

“What I Wish Someone Had Told Me” with Spotlight Speaker Hank Phillippi Ryan at SleuthFest 2014

Approach your writing one page at a time. Just do it and follow your dreams. Be ready for the 40,000 word slump. Somewhere in the middle, we all have a slump. “I’m just not sure if I can finish it.” You will if you want to. So how do you get rid of this panicky self-doubt? You don’t, but know that you are not alone. Power your way through your first draft. Just tell the story. You can fix it later. Go word-by-word. Everyone has doubts. But it is never that bad, and it might even be good. So before you crash and burn your manuscript, make a copy. Also remember when you first had the idea for the book and fall in love with your story again. You’ll have renewed vigor and enthusiasm.

Don’t waste time seeking the Holy Grail. There is nothing. There is only your way. If it works for you, that is the right way. If you stall, there is another way. There is always another way.

Get yourself into the real world and put yourself in a community where you can talk to people about the same things. You are not alone. You write alone, but we are all here with each other, and we all have the same goals.

Don’t underestimate how hard it is to take criticism. Listen with an open mind. You don’t have to do it the way they suggest.

What would you attempt to do if you knew you would not fail? There is no writer’s block. Open your mind to see what’s wrong. Don’t panic. Listen to your inner voice.

Don’t rush. Wait until your book is ready before submitting. Then get ready to be rejected. Every “no” means you are one step closer to a “yes”. Nothing in the world takes the place of persistence.

Be careful of the Internet. Write first. Ask yourself, What is the most important thing for you to do today? Don’t forget to celebrate at every turn. Be happy. We all want more, but be happy with the journey as it’s full of wonders.

“Why Write a Series?” at SleuthFest

We continue with my recap of panels and workshops at SleuthFest. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Go there, Like my page, then click on Photos. Next click on Albums and then SleuthFest 2014.

“Seriously Series” with Joanna Campbell Slan at SleuthFest 2014

In choosing what to read, knowing a book is part of a series might convince you to buy it since there’s a certain degree of success involved. If you really love a book, you’re also happy to know there are more to come in a series. So readers gravitate to series for many reasons. “The richer the world you create, the richer the experience for your readers.”

What returns readers to a series? It feels like you’re revisiting an old friend. This offers a sense of comfort. Plus you know what you’re getting. Familiarity is at the heart of a series. Characters, setting, and occupation may be recurrent.

“You create a universe and populate it.” Do a street chart and a floor plan. Sensory details make the story rich for readers. Have a timeline for your characters. Determine the timing between stories, character ages, grades, and birthdays. “The best part of being an author is when readers believe your characters are real.”

Keep track of places as you write. If you have a fake town, get a map of a real town and change the names. Use it as a model for your town. In your story bible, put a snippet of background on each character, locations, stores in the town, along with stylistic notes such as the chapter heading. Include a style sheet for grammar and special items, such as how to put in craft instructions or recipes. This story bible may also include social issues, time of year, and more.

“Novels are about people. You don’t have a novel about scrapbooking. You have a novel about a character who does scrapbooking.”

If you have a scene that doesn’t go anywhere in a long novel, consider writing a short story. Short stories are also good for side issues, like pre-wedding details or for exploring secondary characters.

Poll your readers and ask what character they would like to see more prominent in your next story.

“Every strength overused is a weakness” in your character. Try to give each person a personal problem to overcome. What are they trying to work out? What are they worrying about? Make the characters different ages because then they’ll have different issues. Everybody has angst. Every now and then, your character’s mask should slip so the reader gets a glimpse of what’s there.

End every book with a cliffhanger. Solve the mystery in this story but start a new one. Ask yourself, what seed can I plant now that will bear fruit in a future book?

“The first line sells that particular title; the last line sells the next book.”

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Joanna is the author of the Kiki Lowenstein mystery series and the Jane Eyre Chronicles.

E-Book ABC’s at SleuthFest

SleuthFest 2014, Orlando

Third Degree Thursday opened the SleuthFest 2014 festivities at the beautiful Wyndham Grand Orlando Resort. I gave a presentation on “Writing is Revising” first thing in the morning, and then I listened to Neil S. Plakcy’s workshop on e-books. Workshops and panels follow. These are my interpretations and notes, and any misstatement is my error. Photos are viewable from my Facebook Page. Go there, Like my page if you haven’t already done so, then click on Photos. Next click on Albums and then SleuthFest 2014.

E-book ABC’s with Neil S. Plakcy

Neil said to learn your Word basics in terms of styles, formatting and headers. Understand the difference between a hard return and a soft return (shift-enter). In e-books, don’t use tabs or headings. “Write the best book you can if you intend to self-publish.” Take classes and workshops; join a critique group; get a manuscript critique; employ beta readers; do multiple revisions; join the Sinc Guppies; hire a professional editor.

To prepare your manuscript, proofread thoroughly. Check for page breaks and section breaks. A print version will need page numbers and headers. Don’t forget your copyright, acknowledgments, and dedication. The cover should be professional and eye-catching. Use royalty-free photos, and make sure the cover is readable at a small size. Hire an artist if you can’t do it yourself.

The jacket copy is the sales copy for online retailers. It is similar to the back cover copy on paperbacks. Marketing copy is to attract buyers. This may include endorsements. What is the hook for this book to get someone to want to buy it?

Metadata are keywords that readers use to search for your book. It may include terms relevant to the subgenre, location, subject matter, or theme. Go to Amazon and start typing in a keyword to see what pops up. This will tell you the most popular keywords.

Regarding file conversion, you could use the free Calibre software to save a Word doc as HTML. You want to use an Epub validator online to test before posting. Again, if you can’t do it for yourself, hire someone. Once your book is set, you upload it to the various sites. You may have to provide direct deposit information for your bank account. Often your book will be on sale within 24 hours. There is no cost to upload.

Amazon has several programs available, such as their KDP Select, Matchbook, Createspace, ACX, and Countdown. Royalties are often paid monthly after a 90 day delay. You can check your dashboard for up-to-date sales figures. Neil discussed royalties for the various e-book distributors. To determine the price for your book, see how much other books like yours are selling for. Determine your purpose. Is it to make money, to promote your work, or to provide information? What are the prevalent rates on the market today?

Promotion is important. You want to get reviews from other bloggers, Amazon customers, and Goodreads members. “Bloggers are the new reviewers these days.” Keep up with social media like Twitter, Facebook, LinkedIn, and Google Plus. Utilize photo sites like Pinterest and Tumblr. Promote your work at conferences, festivals, bookstores, and libraries when possible.

If you’re with an e-book publisher, they will likely have a list of reviewers, and this gives them an edge over self-published authors.

If you can, promote your work on sites like Book Bub and The Fussy Librarian. You need a minimum number of Amazon reviews for these sites.

Why give away free books? It helps gain readers. Use the sites above or run contests.

Neil uses Untreed Reads for distribution to various sites like Overdrive. You can opt out of the sites you don’t want them to do. They also sell through overseas vendors.

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Neil is the author of several mystery series including his latest title, Genie for Hire–a fun, magical mystery with a genie detective.

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Tomorrow, check out my post on “Writing the Cozy Mystery” at the How To Write Shop. Then stay tuned for a recap of Joanna Campbell Slan’s talk on “Seriously Series.”

Plotting Murder Among Friends

Join our imaginary conversation in a restaurant between two mystery writer friends:

Writer A: “I need to kill somebody while they’re getting a facial.”

Writer B: “How are you gonna do it?”

Writer A: “I’d like to use poison.”

Writer B: “You can’t involve the beautician. That would be too obvious.”

Writer A: “I know. What if my victim has one of those mud masks applied, and she has to lie there with a towel on her face for ten minutes or so? The beautician might leave for a few moments, at which time somebody can come in and smother the woman?”

Writer B: “Smothering works, but it doesn’t use poison. What if the killer taints the mud instead?”

Writer A: “Then the beautician would have to wear gloves when applying it so she wouldn’t be affected.”

Writer B: “How long do you want the victim to take to die? You’ll need the poison to be fast acting if she’s dead when the aesthetician returns.”

Writer A: “Yes, it should be quick. I have a book on poisons at home. And I don’t want it to be immediately evident to the cops that the woman died from unnatural causes.”

Strange Male Voice: “Are you talking about us, ma’am?”

Writer A and B glance up. Two policemen are standing by their table.

Cop A: “You’ll need to come to the station, miss. The customer in the next booth says you’re planning a murder.”

Writer A glances at their nosy neighbor. “We’re mystery writers. I’m talking about my next book, Fatality by Facial. Here, have a bookmark.”

Cop B: “No kidding? You know, I’ve always wanted to write a mystery. How do you get published? Do I need an agent?”

Writer A and B abruptly get up, pay their tab, and leave after exchanging bemused glances.

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So if you were the plotting partner, how would you suggest doing the deed?

Preparing for a Conference

How long does it take to prepare for a conference? Soon I’ll be heading to SleuthFest in February, Lake County BookFest in March, Malice Domestic in April, the Florida Library Association Convention in May, and Mystery Writers Key West Fest in June.

It can take me several weeks to get ready for each event and another couple of weeks to decompress and get caught up upon my return home. That’s a lot of time lost, not to mention money for gas, lodgings, registration fees, promo materials, etc. However, it’s time and money well spent from the benefits you receive by meeting other authors, booksellers, fans, and industry personnel.

Conferences necessitate a lot of preparation, especially if you’re going as a speaker. Aside from determining your particular goals for this event—i.e. attending specialized craft sessions, learning about new publishing options, meeting editors, making new author friends, greeting fans—there’s the physical prep. Here’s a checklist of things to consider.

Prepare for your talks. If you’re a panelist, it can be easier because you might not have to do much prep other than jotting down some notes about the points you want to get across. Moderator-run panels in general mean more work for the moderator but less work for the panel guests, unless you are each expected to present your material for xx minutes.
If you are conducting a workshop on your own, you’ll need to compose or update your material and get copies made of handouts.
If you’re speaking on different topics, assemble each handout in a separate manila envelope to keep them organized.
Order business cards unless you have them already. Consider updating them with QR codes or with your social network URLs.
Design, order, and pack brochures, bookmarks, and/or postcards about your books. Bring along display containers so they don’t get strewn across the tables.
Design, order, and pack swag for the promo tables or goody room. These are items such as magnets, pens, door hangers, candy, and other giveaways.
If you are driving, toss a box of extra books into your trunk in case the on-site bookseller doesn’t get your books in time or is unable to obtain copies of a particular title.
Bring a checkbook in case the bookseller offers to sell you leftover stock at a discounted price.
Pack a book or two to display at your presentations and panels.
Consider giving a couple of books away at the Q&A sessions for your talks.
If you’re donating a raffle basket, either get your materials to the coordinator ahead of time or bring the basket prepared and ready to go.
Bring a signup sheet for your newsletter to put out at signings.
Print out the conference workshop schedule and highlight your appearances. List these on your website and other online sites and include these papers in your suitcase.
Bring a highlighter along so you can go through the conference schedule and mark sessions you want to attend.
Print out contact info for friends you want to meet at the conference.
Decide which outfits to wear to the different events. Business attire for daytime, dressier clothes for evening? Don’t forget matching shoes, handbags, and jewelry.
Determine what gadgets to bring along: iPad or Laptop? Kindle or Nook? Camera to take photos for your blog? Charging devices?
Pack a notebook to take notes. Later, write blogs about the sessions you attended to share your knowledge.
Include Sharpie pens for signing books and ballpoint pens for note taking.
If you belong to a professional writing organization, bring along chapter brochures to hand out to potential members.

And the countdown begins. What else would you add to this list?

When Your Characters Torment You

Characters can torment you, the writer, for a variety of reasons. Secondary characters may want to have their stories told. Main characters might whisper in your ear to tell their tale. And when you’re in the midst of spinning your web of deceit, the characters live within your head, unwilling to let you go.

Silver Serenade is an example of main characters who wanted their story to be heard. Rookie assassin Silver Malloy and desperate fugitive Jace Vernon are both after the same man, terrorist leader Tyrone Bluth. Silver’s assignment is to kill the man while Jace needs Bluth alive to prove his innocence. For Jace—a diplomat turned desperado and a crack pilot—bigger political issues are at stake that could lead to galactic war. For Silver, the issue is personal. Tyrone’s Marauders destroyed her family and her research. Revenge fills her heart, and she’s vowed nothing will stop her from her goal. Forced to team up in their pursuit, Silver and Jace realize that when they catch Bluth, one of them must yield.

These characters whispered in my ear to tell their tale until I couldn’t ignore them any longer. They’d been the subject of my option book after I wrote four scifi romances for Dorchester. As the market for futuristics took a dive, Dorchester turned down this fifth title. Years passed, and the cycle came around. Paranormals and its various subgenres made a resurgence. I finished Silver Serenade and sold it to The Wild Rose Press. Finally, their story was done.

Now I’m in the throes of torment again. I am fifty pages away from finishing Peril by Ponytail, my twelfth Bad Hair Day mystery. When I go to bed at night and when I wake up in the morning, the characters are swirling in my head. What’s going to happen in the next scene? Am I considering all the angles? Could I be forgetting to follow through on one of the suspects? Did I remember to have a funeral service for the first victim? What about his wife, who stands to gain a substantial inheritance from his death? Did we examine this motive in the course of the story? How will Marla and Dalton find their way through the maze of underground tunnels in the mine scene?

And always, there’s the underlying anxiety—Will I have enough to reach my word count?

I am driven to finish this story. The characters won’t let me have any peace until we’re done.

Does this happen to you?

Tag: The Writing Life

Cracking Discoverability

Increase the Chaos. Engage the Reader.

Is the Missing Airplane in the Dragon’s Triangle?

Librarians and Authors

What I Wish Someone Had Told Me

“Why Write a Series?” at SleuthFest

E-Book ABC’s at SleuthFest

Plotting Murder Among Friends

Preparing for a Conference

When Your Characters Torment You

Contests:

Where To Find My Books: