Looking for a Good Book

Recently I read through a bunch of novels to judge for the RITA contest sponsored by Romance Writers of America. Out of the 7 books sent me, I truly liked only one. That’s not to say I didn’t attempt to be fair and to objectively evaluate the others according to the supplied criteria. But only one out of the seven books appealed to my taste as a reader.

This exercise made me realize what I like about my favorite genres, and also what factors I don’t like that will make me put aside a book.

DISLIKES

No plot: In many of these romances, the romance portion was beautifully done but not much else happened. Reading page after page of angst and relationship problems quickly lost my interest. Now keep in mind that my cup of tea may be your cup of coffee. You may be an avid fan of contemporary romance and love these types of stories. I am not.

I like adventure, danger, and intrigue along with my romance. Or at the very least, I like something to be happening other than the emotional rollercoaster of the main couple. My taste runs to historicals, scifi/fantasy, and paranormals. That’s why romance can delight everyone. Different subgenres broaden the appeal.

Of course, the opposite problem can also be a deterrent: too much plot and not enough emotion. Haven’t you read stories where you don’t get a feel for the people? The action keeps moving along but you want more reaction? Balance is the key.

Graphic Language: Erotica may be a hot selling genre, but I don’t get off on the f-word or other graphically depicted details. You don’t even need a plot when these people are in bed for most of story. Or they’re thinking of doing it. Where’s the falling in love when two people are hot to trot right from the start? I’d be happier with a Jane Austen novel.

Contemporary Settings: I like to escape reality when I read, hence I prefer historical romance or futuristic/scifi/fantasy settings, or a contemporary setting with a paranormal element. My reading pleasure is focused on escape and entertainment, not enlightenment on heavy issues or a rehash of societal woes. All stories reflect on society in some manner. I prefer my tales Star Trek style, i.e. in disguised parallels to humanity’s foibles. As for location, Texas doesn’t draw me in although it seems to be a favorite among readers.

Unlikeable Characters: If the people are too far out from what’s normal for me, too eclectic or weird or damaged or tortured, I am apt to not be engaged. I want people I can admire and aspire to be like, not whom are unpleasant so that I can’t wait for the story to end.

So if these were the main things I disliked, what do I look for in a story? You may ask yourself the same thing. What draws you to a certain type of writing? A certain genre or a time period?

LIKES

Out of Time/Place/Experience: As I said above, I like to escape the toils of daily living, and so historical settings or futuristic/fantasy stories appeal to me. Ditto these elements or a paranormal angle in a modern setting.

Humor: I’m a sucker for humor. In any kind of story, if you make me smile, I’m more likely to keep reading.

Strong Plot: I want something to matter other than the relationship. Let the main couple race to find an artifact, missing sister, stolen chalice, spear of Atlantis, or anything that adds suspense. Throw them into situations that make me turn the page.

Archetypes: While I’m not fond of reunion stories, I do like hidden identity, royalty, rags to riches, and certain other archetypes. Some of these turn me off, like cowboys. What about you?

Mystery: A smidgen of mystery, even about a character’s background, adds tension. If you know everything up front and the characters like each other right away, where’s the story going?

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Now that I’ve finished the books I had to read, I can’t wait to dive into my TBR pile. Adventure, romance, fantasy, mystery, scifi—here I come.

So what kind of stories do you gravitate toward and which types do you generally avoid? How much will you read before you put a book down?

How to Foil a Trollek

WHAT TO DO IF YOU MEET A TROLLEK by Nira Larsen, grad student in comparative mythology

Trolleks move so fast, you’ll see them as a blur of speed. Go back-to-back with a friend so an ugly brute won’t surprise you from behind. Any weapon will do but watch out for their disruptor fire.
Don’t let a Trollek touch an exposed area of skin, or you’re a goner. You’ll be confounded, i.e. under their spell and compelled to do their bidding. Believe me, you’d rather be dead than be made a mind slave.
Be aware of the distinction between Trollek males and females. The males are ugly human-like creatures with large ears and noses. On the other hand, the females are beautiful and entice men with their hot looks and irresistible pheromones. Unlike their menfolk, Trollek females have no fondness for human women. If one of them mentions experiments and science lab in the same breath, run and hide.
Trollek females have some issues with their men. If a Trollek lady aims her sights on you, engage her in a feminist dialogue. It might distract her long enough for help to arrive.
Watch out for their allies: shapeshifter fire giants, elf kings, and vengeful Norse gods. You can’t trust anyone, especially if they can morph into a lizard or a wolf.
If a Trollek says, “The Devil made me do it,” believe him.
Trolleks have a fondness for mirrors. If confronted by a beastie, pull a mirrored compact from your purse and toss it at him while you run away.
Scream as though your lungs will burst and a Drift Lord might come to your aid. Hope he hasn’t applied his personal protection system if you want to thank him properly for your rescue.
Ring a bell if you encounter a Trollek. They don’t like loud noises and that might provide enough of a distraction for you to run away.
Legend says a weapon exists that can defeat these beasts. Follow the clues and you might find it. But hurry; the apocalypse is nearly upon us!

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The Trolleks in my Drift Lords series are based on trolls from Norwegian legends. Some people say that certain rock formations may be trolls who have been turned into stone. What is your favorite fairy tale, myth, or legend?

Warrior Prince: The Drift Lords Series by Nancy J. Cohen

When mythologist and Florida resident Nira Larsen accepts a job as tour guide for a mysterious stranger, she’s drawn into a nightmare reality where ancient myths come alive and legendary evils seek to destroy her. To survive, she must awaken her dormant powers, but the only person who can help is the man whose touch inflames her passion.

After a dimensional rift in the Bermuda Triangle cracks open and an ancient enemy invades Earth, Zohar—leader of the galactic warriors known as the Drift Lords—summons his troops. He doesn’t count on a redheaded spitfire getting in his way and capturing his heart. Nira has the power to defeat the enemy and to enslave Zohar’s soul. Can he trust her enough to accomplish his mission, or will she lure him to his doom?

Watch the Trailer: http://youtu.be/aVm2FIumw0o

Buy Now!

Troll Trivia

Trolls have been around in mythology from the early days. Let’s see how much you know about them. Why the interest? Since my series is based on Norse mythology, my bad guys are evil trolls called Trolleks. Remember the adage: Know your enemy.

TROLL TRIVIA by Nancy J. Cohen

1. A troll comes from which mythology:
a. Norse
b. Greek
c. Roman
d. Native American

2. Trolls have abnormally large:
a. Skulls
b. Noses
c. Knees
d. Stomachs

3. Trolls prefer to live:
a. Around lakes
b. In fertile valleys
c. Underground
d. In the woods

4. Trolls are often portrayed as:
a. Hunched
b. Large
c. Short
e. Fat

5. You can tell a Trollek female by her:
a. Beauty
b. Golden hair
c. Tail
d. Cunning eyes

6. Trolls have the power to:
a. Become invisible
b. Turn metal into gold
c. Fly
d. Breathe underwater

7. Trolls can be killed by:
a. Loud noises
b. Sunlight
c. Electricity
d. Water

8. Trolls will often:
a. Fight
b. Eat
c. Steal
e. Lie

ANSWERS: 1.A 2. B 3. C 4. B 5. C 6. A 7. B 8. C

I’ll be talking in more detail about trolls on Monday over at Coffee Time Romance.

Leave a comment for a chance to win a prize!

Warrior Prince: The Drift Lords Series by Nancy J. Cohen

Watch the Trailer: http://youtu.be/aVm2FIumw0o

Buy Now

Washington D.C.

On a chilly day in April, we visited downtown Washington D.C. the day before Malice Domestic was to begin. It was so exciting to descend deep into the ground on a steep escalator, to join the hustle and bustle of people rushing to and fro, and to hear the rumble of an approaching train. When you’re not used to cities, riding the subway becomes an adventure on its own. We bought a ticket at the Metro station next to the Hyatt Regency Bethesda where we were staying and took the red line into town. I noted the urban style clothing: i.e. darker colors than we see in South Florida, closed toe shoes instead of sandals, men in suits. It was totally a different atmosphere than back home where people wear shorts and tank tops. I rode the train with a sense of wonder. Then we emerged outside, where the sky was overcast, and the fifties temperature had prompted me to wear my North Face insulated jacket. We took a stroll around the White House and the executive office buildings surrounding it, noting the various gated entries. We passed the Renwick Gallery, an intriguing museum of decorative arts that I’d like to visit next time. And then we dined at our favorite place, the Old Ebbitt Grill.

P1010548 (800x544) — Washington Monument

P1010552 (800x600) — View from White House

P1010555 (800x600) — Other Impressive Building

After lunch, we visited the Smithsonian Museum of American History. I enjoyed the exhibit of First Lady gowns. But then panic assailed me when I realized my prescription sunglasses were missing from their perch on my handbag. We went everywhere peering at the ground searching for them. Then my brilliant niece suggested looking up. If someone had found the glasses, this person might have put them on a display case to keep them from being trampled.

She was right! She spotted them atop a glass case and I secured them. Whew! Smart tip. Remember this advice if you lose an item in a crowd.

We toured exhibits of musical instruments, historical trains and cars and trolleys, and memorabilia from the American Presidency. Tired from our explorations, we trooped outside to the Metro station and rode back to the hotel. Dinner was Italian night with relatives. We visited with family again the next day. As it had dawned into the forties, we entertained ourselves at a local mall. Friday night, I attended the Malice Domestic welcome reception. And then the conference began in earnest for me.

: First Lady Gown

P1010571 (600x800) — Michelle Obama gown

Writing for Worldwide Distribution

“Brainstorming on the Beach” Conference with Novelists, Inc.

Here are my notes, keeping in mind this is what I heard and my interpretation. This panel was geared toward Harlequin Enterprises.

Writing for Worldwide Distribution with Marsha Zinberg, Executive Editor, Harlequin Enterprises and Author Vicki Lewis Thompson

Marsha: A breakdown on what’s popular with readers shows that cowboys, weddings, babies, and Texas remain favorite themes. The Presents line features the power dynamics between a hero and heroine. A new line is coming, HQ Heartwarming with wholesome stories.

Mini-series and connected series are always hits.

Direct to Consumer: No paranormals. Heroines should be focused on home not career.

Overseas: Fantasy and romance are welcome but not paranormal. Ugly Duckling, Cinderella, forbidden love, millionaires, and secret babies are themes that work. The romance should be the focus of the story.

When you, the author, are doing your fact sheet, keep in mind that overseas editors read them so make your universal theme evident right away. The synopsis shouldn’t be overly long or complicated since English may not be their first language.

Topics to avoid: Casinos and gambling, ballroom dancing, post-war traumatic stress disorder.

Medical sells well overseas but not in North America.

Be prolific to create your author franchise.

Time sensitive issues and brand names may date a book so be wary of using these. Ditto for technology and politically correct terms.

Vicki: Know what is selling but don’t always follow trends. Focus what you do well and write often. Be a pro regarding deadlines. Challenge yourself as a writer and take a chance on special projects.

Refilling the creative well implies that you drain your energy when you write. Instead, think of writing as recharging your batteries. The more you write, the more you want to write.

EBooks

EBOOKS

“Brainstorming on the Beach” Conference with Novelists, Inc.

Annette Mahon, Nancy Cohen, Cynthia Thomason

Here are my notes, keeping in mind this is what I heard and my interpretation.

Panelists:

Lou Aronica, Publisher, The Story Plant

Donna Hayes, Publisher and CEO, Harlequin Enterprises

Al Zuckerman, Literary Agent and Founder of Writers House

Carolyn Pittis, Senior VP, Global Author Services, HarperCollins

Heather Graham, NYT Bestselling Author

Alan Kaufman, Literary Attorney

Loriana Sacilotto, Executive VP, Editorial & Global Strategy, Harlequin Enterprises

Angela James, Executive Editor, Carina Press

“Publishers are moving toward digital publishing because consumers want it.” Ereaders will be hot over the holidays.

A digital world offers no returns, no print production, and a different distribution avenue. It’s a very big opportunity for writers and publishers. Genre readers have adapted to the technology faster than others.

Neilsen Bookscan (if I got this right) reported $40.6 million eBook sales in one month. The Kindle is responsible for this explosion.

The competition, i.e. B&N, Borders, Amazon, and Google, are growing awareness of this product. What will really shake things up will be Smartphones. This is the next big opportunity. People who don’t own dedicated eReaders will have global Smartphones. Even eReaders may disappear in favor of these devices. The deciding factor is how long brick and mortar stores stay open.

See this article “Verizon Wireless Brings Kindle Experience to Android Smartphones and Other Devices” at http://bit.ly/9LypQG

Lou: He doesn’t distinguish between print or eBook writers and publishing houses re prestige. Readers want interaction with writers. You must connect in some significant way with your readers. The only way you can stand out from the pack is to market yourself, no matter the publisher or the format.

Regarding whether you should self-publish or go with an epub, Lou reminds you that epubs can manage the different streams of income. Convenience is a major factor to going with an epub for now. If eBook sales equivocate to print sales, perhaps these epubs should begin offering advances.

Print publishers have to set up a new infrastructure while maintaining their legacy print operation, but there may be casualties as their margins are very small.

Angela: Digital first authors may choose to go with an epub because they want to write something different or they want to start out in a smaller market. It doesn’t mean they’ve been rejected by the major houses as many perceive it.

“You don’t want to just publish a book. You want a career.” Authors are small business owners and have to market themselves.

Carolyn: How do pubs and authors collaborate together as partners in a new business model to sell more books? The major houses have to figure out how to reduce costs on the print side while increasing their investment in digital. Readers care about what reviewers think and what their own friends like. They care about a good story. She believes too much technology (i.e. enhanced eBooks) may interfere with this experience, at least for fiction. It might work better for nonfiction.

Alan believes things may look similar in five years if the general trade publishers acquire the eBook publishing houses. Then those pubs may in turn be acquired by Google.

“Publishers act as gatekeepers. This is their most important function. If they aren’t around to do that, who knows what’ll be out there?”

Harlequin is already ahead of the game because it has Carina Press. Angela says other issues like DRM and pricing will change the landscape.

Other issues mentioned in the panel were consumer pricing and the strong trend toward price reduction, demographics and the behavior of younger readers and their purchasing habits, and the foreign market which is hungry for content.

Coming next: Digital Rights

I’m guest blogging today over at Fresh Fiction on Creating Memorable Villains. Please check out my post and leave a comment: http://freshfiction.com/page.php?id=2864

Traci Hall, Sally Schoeneweiss, Kathleen Pickering

Contracts and Copyrights

“Brainstorming on the Beach” Conference with Novelists, Inc.

Contracts and Copyrights

Panelists:

David Forrer, Literary Agent

Alan Kaufman, Literary Attorney

Carly Phillips, NYT Bestselling Author

Deb Werksman, Editorial Manager, Sourcebooks

Donna Hayes, Publisher and CEO, Harlequin Enterprises

Chris Kenneally, Copyright Clearance Center

Al Zuckerman, Literary Agent and Founder of Writers House

Brenda Hiatt, Author

Here are my notes, keeping in mind this is what I heard and my interpretation.

Ad revenues surrounding e-books will increase. For example, books will be sold on Google with ads surrounding them. This will be new revenue to the publishers, and authors should share in it. Publishers have to staff up their royalty departments.

Regarding reserves against returns, one panelist believes they should not continue beyond two royalty periods. A book having ongoing sales a year or more after it was published should not have reserves held back. Another agent agreed that if there are ongoing sales above the advance, there should no longer be reserves.

Editors defended their reserves policies. One editor said backlist books are out there for a long time. 50% sell-through is considered a success in mass-market, but there are still going to be returns. Trade paperbacks can be returned at any time.

Regarding piracy, is it cannibalizing book sales, or would those readers not have bought the book anyway? One way to combat piracy is through education. Mention it in your blogs and on your website. You should let people know, those who feel entitled to getting whatever they want off the Internet, that information is valuable and it is not free. Another solution is to write to the advertisers on pirate sites and alert them to violations.

One panelist said she thinks the used book marketplace as we know it will go away. If publishers price eBooks reasonably, legitimate readers will buy them.

What about the issue of returns? Why are we still doing them at all? Because booksellers won’t stock the books otherwise. There have been attempts to launch imprints without returns, but the experiments failed. Booksellers demand return policies. There have even been eBook returns when a customer clicks on the wrong book or downloads the wrong format.

Reversion of rights and the definition of a book being in print entered the conversation. We should try to restrict this clause to trade editions, English-language editions, or a dollar amount like $250 sold over two royalty periods. You could also try to narrow this clause by saying the book is considered to be in print if 300 copies are sold electronically within two royalty periods. Publishers want to hold onto your rights and they will do so forever because of the clause “in any form whatsoever” as defining a book in print.

A similar phrase to watch out for is when a book is considered to be in print “in any format now or yet to be invented.” This is a sticky issue today as publishers are trying to grab whatever rights they can. “They have a huge challenge coming up and are running scared.”

According to one panelist, the most important rights to keep are your foreign and film rights. Try for a movie bonus in your contract, i.e. you get extra money if your book is optioned. Try to get an audio rights reversion clause for six months or later so if the publisher does not exercise these subrights within the specified amount of time, the audio rights revert to the author. 50% of net is a good deal for audio rights.

Also try for a Look Back clause regarding eBook royalties. For example, after three years, you can renegotiate your royalty rate.

The advantage of digital first pubs: no advance but a higher royalty rate. The size of the eBook market is equivalent to 67% of mass-market sales or 55% of hardcover sales. The Book Industry Study Group is looking to measure data but Walmart, for example, doesn’t report to them.

Some publishers are sticking a morals clause in contracts now. This means the publisher can cancel the contract if the author behaves in an immoral manner. Try to cross this one out.

And a final quote: “If you’re confused, you’re beginning to understand the problem.”

Panel on eBooks is coming next.

Ninc Conference

“Brainstorming on the Beach” Conference with Novelists, Inc. 2010

Wednesday, October 6, 2010

We checked in for the Novelists, Inc. conference at Tradewinds Resort in St. Pete Beach. In the lobby, I met authors Cynthia Thomason, Brenda Hiatt Barber, Thea Devine, Ruth Glick, Judy Fitzwater, Barbara Keiler, Annette Mahon, Patricia Rosemoor, and Mary Stella. It’s great seeing people I haven’t met up with in a while and meeting new friends, especially folks I’ve only seen online. It’s always good to match a face with a name.

Consisting of multiple buildings, the Island Grand portion of the Tradewinds Resort occupies several acres and includes beachfront property, numerous pools, picturesque footbridges over meandering canals, swans, plus several restaurants and bars. We went over to a tiki hut our first day. I had a Trade Winds Sunrise, a mixed rum drink, and hubbie and I split a potato skins appetizer. We ate dinner later in Beef O’Grady’s sports bar, a noisy venue with a reasonably priced menu. We watched the spectacular sunset over the water as the blazing tangerine orb sank into the horizon.

We had a standard suite, with a comfortable sitting area and a mini-kitchen separated from the bedroom and bathroom by a regular door. There are old-fashioned TVs in each room. Shampoo, lotion, bar soap, conditioner are supplied. There’s a coffeemaker in the kitchen with packaged supplies. The staff are all very courteous throughout the place. Guests can get Starbucks coffee at a bar in the main lobby beginning at 6am. Breakfast in the Bermudas dining room opens at 7am. My single complaint is that the soundproofing could be better in the rooms. I could hear outside noise through the doors/windows. Otherwise, it’s a lovely resort with many facilities and activities throughout the property.

The Plotting Brain

You’ve put aside the first draft you have just finished so you can gain some distance on the work before tackling revisions. It’s a great time to clean your office, sort your files, and write a few blogs. But your mind starts seguing into the next story.

Here’s what floated into my mind, even when I’m trying to take a break:

My next hero is a Tsuran swordsman who has been disgraced on his home world and shunned by his people. What dastardly deed did he commit? He protected a family member by taking the blame for a murder that she’d committed under duress. Thus close family ties mean a lot to him. Now bring in a heroine who is trying to escape from her family obligations. Conflict!

Add another element. Say our hero, Lord Magnor, is protecting his sister who killed her abusive husband. After he was incarcerated, he learned that she’d been cheating on the man. Betrayal!

Now he’s a sullen, mysterious loner forced to join a team of warriors because they’re the only ones who will accept him. How will the heroine differ? She has to be a people person, outgoing, gregarious, generously reaching out to others. Maybe she gives of herself too much and has overextended her limits. Perhaps her last boyfriend left when she put her dedication to various causes before their relationship. She doesn’t want another man who’ll be so selfish and who lacks compassion. So why does this fierce warrior appeal to her?

Before I delve further into their GMC, what is the hero’s main mission for this story? He has to find the secret weapon that will destroy the evil Trolleks who’ve invaded Earth (it’s a paranormal romance). How will he proceed? Even though I have a list of plot threads from previous installments that have to be tied up in this volume, I’m stumped.

I give up and start cleaning out my files. Oh cool, here’s an article on archetypes. You know what I mean: marriage of convenience, rags to riches, twins, secret baby, prince in disguise, etc. Hey, what if I mix one of these into my story? Imagine the sparks if these two characters had to wed. What if (yes, we plotters use What If? a lot) the heroine enlists Magnor as her fake fiancé? Nah, that’s been done to death already. So how to put a modern twist on the old marriage of convenience tale in a way that would suit my story?

Genius strikes. My bad guys are using theme parks to recruit humans as their mind slaves. Magnor goes to Las Vegas to follow a lead. What else is Vegas if not one huge theme park for adults?

I’m getting excited. I can envision my hero striding down the Strip in his cloak and sword. He encounters a woman who drunkenly boasts to her friends that she can snag any man who walks through the door. Guess who it is? Yep, our hapless hero. But he doesn’t fall for her allure right away. Nope, he recognizes the watch she wears as being significant to his mission. And when they end up in a wedding chapel, our warrior from outer space has no idea what it means. They wake up the next morning together in a hotel room, and…you get the picture. Cool set up, huh?

Now I have to figure out why the Norse goddess Hel releases her “Dead Walkers” so the hero has to brave the underworld to stop her. It could be another ploy for dominance by the evil demon, Loki. He’s manipulating the Trolleks, and… well, I don’t want to give too many spoilers. In case you haven’t guessed, this series is based on Norse mythology.

As each idea comes to me, I jot it down. It’s all jumbled right now. Next I’ll sit down and do my Character Development and Romantic Conflict charts, figure out the plot progression, and write the synopsis. It just has to brew upstairs a while longer.

What do you think of my story idea so far? Any suggestions? When you finish a book, how long of a break do you take and how do you approach the next story to get started?

RWA 2010: Conclusion

REPORT ON RWA NATIONAL CONFERENCE

Friday, July 30 and Saturday, July 31, 2010

Reinventing Yourself with bestselling author JAYNE ANN KRENTZ .

Jayne had to reinvent herself numerous times, from writing futuristics to contemporaries to historicals. She takes her “core story” and puts it into a marketable setting. Names she’s written under are Jayne Ann Krentz, Amanda Quick, and Jayne Castle.

“Sooner or later, you will have to reinvent yourself.” Jayne offered three rules for writers to heed:

1. Identify your core story: conflicts, relationships, archetypes, and themes that appeal to you as a writer. Keep it fresh over time. Writers who want to survive must be able to adapt.

2. Know the market. Be familiar with subgenres and where your core story fits in.

3. Understand the importance of fictional landscape to readers. Each genre requires a particular landscape with conventions and reader expectations. Adjust your core story to fit that landscape.

I went to a couple of workshops on Digital Publishing. With so many Epubs popping up, writers are cautioned to evaluate them before submitting their work. Look at such things as cover art, frequency of releases, cover copy, and genre. Read a few of their books to see how well they’re edited and if you like them. Be wary of too many releases at once because titles can get lost in the crowd and there won’t be any standout successes. The same goes for your own schedule. Readers can get overwhelmed if you release too many titles in succession. Space them out by at least 8 weeks.

Digital pubs may pick up a series started elsewhere and may be interested in putting your backlist into digital format. The benefits of going with a digital pub instead of doing it on your own?

Editing
Cover Art
Promotional Tools
Established Reader Base

ANGELA JAMES gave a spotlight on Carina Press. She spoke on how to submit to this digital first imprint and what they do in terms of online marketing.

Career Planning in a Changing Environment

Issues important to authors were discussed in this seminar with agents KRISTIN NELSON, STEVE AXELROD, and KAREN SOLEM.

Do we want to release simultaneously in print and in ebook? Do ebooks cannabilize other sales?
Make sure you’re covered if your contract is cancelled arbitrarily (i.e. so you don’t have to pay back your advance)
25% of net versus 25% of retail price—the former is harder to track. Ebook royalty rates are still in a flux. Consider renegotiating your current contracts re ebook royalties.
Classic publishing model strengths are turning into weaknesses
Independent bookstores are in trouble and that will jeopardize hardcover sales
Publishers are trying to control all rights that may come down the road someday
New opportunities for authors are out there. In between print books, you could publish novellas or short stories in digital format. You can bring your own out of print books back to life on the digital platform.
The biggest question is still how to get your work noticed.
Authors are forging direct connections with fans through social networking. The challenge here is balancing the time requirements with writing the next book.
If your career isn’t moving forward, it’s time to diversify. Consider writing a bigger book. Do what you always do but in a different way. If you decide to write in more than one genre, ask yourself if you have time, if you are prolific enough, and if publishing in more than one genre will cannibalize your own sales.

Fight Scenes with popular author Angela Knight was a very useful workshop. I’m not going to repeat what she said here except to say I scribbled notes the entire time. She could have used another hour to complete her presentation and have a Q&A session but what she said was helpful. Some of it was common sense like save your biggest fight scene and worst villain for last. She offered some great ideas which hopefully I can deploy.

I also attended Publisher Booksignings and collected lots of free books signed by the authors. These are great for keeping up with what’s current in a genre. The Carina Press open house with cocktails and snacks was also fun.

The RITA and Golden Heart Awards Dinner and Ceremony was Saturday night. Everyone dressed up and excitement was in the air as we prepared to hear who’d won these prestigious awards.

What are those weird purple vegetables on the plate?

The Gathering was Friday night. This was the FF&P (Fantasy, Futuristic, & Paranormal chapter of RWA) Steampunk Ball and Prism Awards with music provided by bestselling science fiction author CATHERINE ASARO. This took place at the Swan Resort, a short walk from the adjacent Dolphin. At the buffet, we had a choice of Roast Beef and Chicken, various salads, poached potatoes, roasted vegetables, and delectable desserts. The room was decorated with style and many of the folks dressed up in period attire. It was fun watching the costume contest and meeting so many new people. This is definitely an event I’d attend again. Kiss of Death chapter also has a chocolate party that’s fun if you belong to that chapter.

PRISM Award Winners:

Dark Paranormal: Immortal Danger by Cynthia Eden

Erotica: Secrets in Stone by Radclyff

Fantasy: The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber

Futuristic: Close Encounters by Katherine Allred

Light Paranormal: Secret Life of a Vampire by Kerrelyn Sparks and Wild Blue Under by Judi Fennell

Novella: Belong the Night by Cynthia Eden

Time Travel: Viking Heat by Sandra Hill

Congratulations to all! It was a great conference. I met many new friends whom I hope to see again at future events.

Tag: The Writing Life

Looking for a Good Book

How to Foil a Trollek

Troll Trivia

Washington D.C.

Writing for Worldwide Distribution

EBooks

Contracts and Copyrights

Ninc Conference

The Plotting Brain

RWA 2010: Conclusion

Contests:

Where To Find My Books: