St. Johns River Restaurant

It’s fun to explore a new area, and the St. Johns River has been on my to-do list since moving to the Orlando area. After I took my car for maintenance at a dealership in Sanford, we headed east for lunch at a restaurant that I’ve wanted to visit. St. Johns River Steak & Seafood is at 550 N. Palmetto Ave. in Sanford, FL. It’s at a wharf adjacent to the historic downtown. We were very pleased with the food and the views of the expansive waterway.

 

My husband had crabcakes. I had grilled grouper with asparagus and a baked potato. We couldn’t resist key lime pie for dessert. The meal was enough for leftovers even without a salad or bread.

  

I miss the ocean in Fort Lauderdale and seeing the cruise ships, freighters, and barges offshore. This is the closest we come here, but it doesn’t compare to the Intracoastal either with its water taxis and gleaming white yachts. Still, we enjoyed the tranquility as we feasted on our meals.

 

The drinks must have filled us up. Richard had a Mai Tai and I got a glass of red sangria. With our stomachs satisfied, we kept our couches company when we got home. Forget about getting any work done.

 

Recent other excursions have been to Central Florida Zoo, Disney’s Animal Kingdom, and Epcot for the Flower & Garden Festival.

Meanwhile, I’m plugging away at Star Tangled Murder. I’m over 36,000 words on page 123. My goal is approximately 80,000 words. This will be book #18 in the Bad Hair Day Mysteries.

 

Writing the One Page Synopsis

Your publisher requests a one-page synopsis, or you’re required to submit a short synopsis to enter a contest. How do you condense an entire story into a single page?

One Page Synopsis

First give the book title, author name, and series number a few lines down from the top and centered. Then offer a tag line that sums up the plot. Here’s an example from SHEAR MURDER:

A wedding turns deadly when hairstylist Marla Shore discovers a dead body under the cake table.

The Setup
This initial paragraph presents the setup for the story.

Hairstylist Marla Shore is playing bridesmaid at her friend Jill’s wedding when she discovers the bride’s sister stabbed to death under the cake table. Torrie had plenty of people who might have wanted her dead, including her own sister who threatened her just before the ceremony.

The Personal Motive
Why does your sleuth get involved?

At Jill’s request, Marla agrees to help solve the case. With her own wedding four weeks away, her salon expanding into day spa services, and her relatives bickering over nuptial details, she has enough to do. But when Jill is arrested for Torrie’s murder, Marla has no choice except to unmask the killer.

The Suspects
Give a brief profile of the suspects along with possible motives.

Jill and Torrie owned a piece of commercial property together. Their cousin Kevin, a Realtor, has been trying to find them a new tenant. Meanwhile, Jill’s uncle Eddy, a shady attorney, has been urging them to sell. Now Torrie’s husband, Scott, will inherit his wife’s share. Scott has another motive besides greed. Torrie had announced her plan to leave him for another man, Griff Beasley. Griff was Torrie’s colleague at the magazine where she worked as well as the photographer at Jill’s wedding. Griff implicates Hally, another coworker. Hally and Torrie were competing for a promotion. Then [Suspect X] turns up dead.

The Big Reveal
The final paragraph is where the clues lead to the killer, and the protagonist has an insight about what she’s learned. This last is important for emotional resonance so readers will be eager for the sequel to see what happens next to your heroine.

It appears Suspect Y did [Evil Deed]. Snooping into his background, Torrie learned that Suspect Alpha helped him [Do Something Bad]. Suspect Alpha murdered Torrie because she found out about [His Illegal Business], and then Suspect X because she’d discovered [fill in blank]. Marla reveals the killer and is free to enjoy her own wedding ceremony.

Writing the One Page Synopsis #amwriting #writingcommunity Share on X

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May 2022 Contest

 

RONE Award Nomination

May 2–8, RONE Voting – Urgent!

Styled for Murder has been nominated for a RONE Award by InD’Tale Magazine. Voting for the Mystery genre takes place MAY 2 – 8 so PLEASE VOTE NOW!!!

Vote Now

Go here to create a free account: https://indtale.com/user?current=node/1 and then cast your vote for STYLED FOR MURDER at https://indtale.com/2022-rone-award-reader-voting

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Summary
Hairstylist Marla Vail gets a call from her mother that there’s a dead body in her shower. The victim is the project foreman for their bathroom remodeling job. With her stepdad being the lead suspect, Marla realizes it’s up to her to hammer down the clues and nail the culprit.

Hi Res Styled for Murder

Get Your Copy Here – https://books2read.com/StyledforMurder

Vote Now for STYLED FOR MURDER in the RONE Awards - Mystery genre! #RONEAwards Share on X

Writers Who Kill Guest Post

Hi, I have a guest post today over at the Writers Who Kill blog on the “Elements of a Cozy Mystery.” If you’re a writer with an interest in this genre, these tips will be helpful. Or if you’re a reader who wants to know more about the writing process, this will give you a glimpse behind the scenes.

Go to: https://writerswhokill.blogspot.com/2022/04/elements-of-cozy-mystery-by-nancy-j.html

Plotter or Pantser

As a novelist, we’re often asked if we are a plotter or a pantser. These refer to your technique in plotting a story. Do you outline ahead of time, knowing each plot point that will occur? Or do you fly by the seat of your pants as you write, unaware of what will come next in your novel?

Plotter or Pantser

It’s possible to be a bit of both. For example, as you approach each chapter, you may know what is supposed to happen. But how do you get from Point A to Point B? That’s where creative magic comes into play. It’s exciting to discover things about your characters that weren’t in your original notes.

I got into the habit of writing a synopsis for each Bad Hair Day mystery. These ran fifteen or so pages long and acted as a daily writing guide. I always knew where I was going if not how to get there. If the story changed along the way, I’d revise the synopsis accordingly.

A synopsis may be required by traditional publishers. As in indie published author, it’s a choice. You may need a short synopsis to enter your book in a writing contest, or to send to a blurb writer or cover designer upon request. It’s still a good thing to have and can point out any flaws in your story that aren’t readily evident.

Despite my preference for plotting ahead, I found myself unable to get past the first few pages in writing a synopsis for my current Work in Progress. I had done rough sketches of the suspects but still wasn’t clear on all their motives. And so I began writing to get a feel for the story. Now I’m 75 pages into the tale and still winging it. I’m learning things about my characters I didn’t expect. Nor do I have any idea whodunit at this point. My only fear is writing myself into a corner and getting stuck.

To avoid this mishap, I’m writing down every loose end or question that comes to mind from the reader’s viewpoint. If I run into a wall, I can go back and pick up on threads I’d missed. Will being a pantser work for me? Time will tell. So will my critique partners who’ll let me know if the plot doesn’t make sense. Here’s an example of some of these loose ends from the opening chapters:

Loose Ends

Plotter or Pantser - Which type of writer are you? #writingcommunity #amwriting Share on X

Which one are you – a plotter or a pantser? Or a combination of both? Do you have any advice for aspiring writers other than to use whatever technique works for them?

Adding Descriptive Details to a Scene

How do you avoid turning descriptive details in your novel into an info dump? When writing fiction, you have to be careful how you weave in this information. Add too much prose, and your reader will skip over those passages. You can insert material more enticingly by using dialogue, brief introspections, and short paragraphs.

Descriptive Details

My readers like to learn new “factoids” as they call them, and they’ve come to expect these tidbits in my books. It’s thanks to my editor and critique partners that these don’t become lengthy dissertations on my research findings. It’s tempting to share what you’ve learned, but you need to limit your enthusiasm and save this fascinating material for future blog posts.

Nonetheless, a critique partner recently asked me for more details regarding my story’s historical background. The setting involves a battle reenactment at a living history village. I’d skimmed over the details, but my writer friend wanted more. She even suggested I make the guide’s lectures more touristy.

Okay, I could do this. Here’s an example from a scene that takes place during the skirmish. Be kind in your appraisal. It’s a first draft excerpt.

Original Passage:

A man’s voice on a loudspeaker rang out, welcoming the guests. She recognized the marshal’s gritty tone.

“This battle is representative of the one that occurred on July 3, 1836. Out of one hundred and ten soldiers, only two survived. They made it to Fort King to explain what happened and so a contingent could return to bury the dead.” He continued to narrate as the action unfolded.

A line of blue-coated soldiers moved out at a slow pace, muskets at the ready. They followed a dirt trail among the pines and scrub brush. A small group wheeled a cannon, the only artillery in sight. The officers rode on horseback behind the troop’s drummer. The men looked weary, as though they’d been on the road for days.

Suddenly, shots rang out. The solders scrambled for defensive positions as the officers rode up and down the line, shouting orders.

Rewrite:

A man’s voice on a loudspeaker rang out, welcoming the guests. She recognized the marshal’s gritty tone.

“Today we are commemorating a massacre that occurred on July 3, 1836. One hundred and ten U.S. Army troops were on a mission to deliver a cannon to Fort King in Ocala. Along the way, they were attacked by one hundred and eighty Seminole warriors. Only two soldiers survived. Hungry and wounded, the men made it to the fort and explained what happened so a contingent could return to bury the dead.”

The blue-coated soldiers moved forward in a column. They followed a narrow dirt trail among the pines and scrub brush but still in view from the bleachers. A small group wheeled the cannon, the only artillery in sight. Three officers rode on horseback behind the troop’s drummer. The soldiers looked weary, as though they’d been on the road for days.

“The troops weren’t ready for action,” the marshal continued. “Their muskets were not loaded, and their ammunition was stuffed under their jackets. They’d grown tired and didn’t notice the tribesmen following them.”

Suddenly, shots rang out.

“The captain is hit!” the marshal exclaimed as the other officers shouted orders. The soldiers scrambled for defensive positions. Then the lieutenant toppled from his horse.

“Another officer down! The Seminole chief is a wily fellow. He knows which men are commanding the force, and he’s taking out the leaders one-by-one. Oh, no! There goes the sergeant. Now the rest of the troops will be mowed down like blades of grass.”

Which version is more vivid in your mind? What else should I add?

Another suggestion was that Marla’s husband Dalton should share some of his knowledge during the battle sequence since he’s a history buff. In the original draft, he said nothing.

New Passage:

Dalton nudged Marla. “The army soldiers had muskets that were smooth-bore and more suitable for short-range firing. The Native Americans used Deringer percussion rifles given to them in the Treaty of Paynes Landing of 1832. These had greater accuracy from a distance but took longer to load.”

“Why was that?” Marla asked. Clearly, he’d researched the topic.

“Both were muzzle-loaders, at least until 1850 or so. This means a powder charge and ball had to be inserted into the end of the barrel and pushed down to the firing mechanism. It was easier to do this for a smooth-bore musket with a larger barrel. Pushing the same ball down a tighter-fitting rifle took longer. However, the spiral grooves, termed rifling, inside this barrel meant greater accuracy. For tribesmen shooting at a distance on horseback, it gave them the advantage.”

What do you think? Too much detail or are these revisions just right? You be my critic.

Adding Descriptive Details to a Scene #amwriting #writingtip Share on X

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Tumultuous Times

Greetings. If you haven’t heard from me in a while, it’s because I’ve been dealing with my husband’s health crisis and haven’t had the energy left for anything else. Instead of researching fun topics for my next book, I’ve been occupied looking into home safety features such as grab bars and handrails, medical supplies such as shower seats and walkers, clothing such as slip-free socks, and other items I hadn’t expected us to need for years. After a bad fall, my husband’s recovery is finally heading toward the light at the end of the tunnel

tunnel

I do realize we are more fortunate than others who have lingering disabilities. We’re not out of the woods yet but my husband is significantly improved from when he came home from the hospital (after several admissions). We live on a day-to-day basis, not knowing when the next challenge will arrive. But who does? You do your best with what you are given, and I’ve been blessed with endless support from family and friends. I’m immensely grateful to those of you who have offered prayers, tangible support, and/or good wishes.

teddy bear

At this time, I am groping my way back to a routine but still have ceaseless management duties in terms of scheduling doctor appointments and organizing our insurance and caregiver records. Having a handle on these items makes me feel more in control. When something new arises, my thoughts scatter and I can only center on the situation at hand. There’s been little space in my brain lately for book-related musings. Hence the hiatus on my blog.

My heart goes out to those of you who act as caregivers for loved ones. It’s one of the hardest jobs on the planet. My ultimate relief is reading and watching movies on TV. Thank goodness for stories that help us escape.

How do you cope when life throws you a curveball and upsets your routine?

New Mystery Release – Box Set Volume Five

I’m excited to announce the release of The Bad Hair Day Mysteries Box Set Volume Five: Books 13-15

BHD Box Set 5

Published by Orange Grove Press
Digital ISBN: 978-1-952886-20-1
Cover Design by The Killion Group, Inc.
Digital Layout by Formatting4u.com

In this trio of adventures, Marla solves a murder at her day spa during the December holidays, investigates her best friend’s suspicious car accident, and enters a bake-off contest at a farm festival where she discovers a dead body in the strawberry field. She even saves a neighbor and her pet from a cat-astrophe in a bonus short story.

TONIGHT, Feb. 15, 7:00 – 8:00 pm EST, Book Launch Party/Author Takeover with Fun & Prizes! 

Launch Party Box Set 5

Included in this Volume:

FACIALS CAN BE FATAL

The last thing salon owner Marla Vail needs during the December holidays is a dead body slathered in a green facial mask at her new day spa. Hoping to salvage her reputation, she determines to track down the killer.

Gold Medal Winner in the Readers’ Favorite Book Awards

“Take a twisty mystery, add a cast of amiable characters, a dash of family drama, and a pinch of South Florida during the holiday season—they all add up to the recipe for a delightful cozy!” Lucy Burdette, bestselling author of the Key West Food Critic Mysteries

HAIR BRAINED

When hairstylist Marla Vail’s best friend, Tally, is hurt in a suspicious car accident, Marla assumes guardianship of her infant son. She launches an investigation while praying for her friend’s recovery.

First Place Winner in the Chanticleer International Book Awards 

“Readers will become immersed from page one. You’ll hang on every word as the twists and turns of the mystery are revealed.” Suspense Magazine 

HAIRBALL HIJINKS (Short Story)

A cat, a crook, and a confused neighbor cause mirth in this cozy mystery short story.

“A fast-paced read with charming characters.” Socrates Book Reviews

TRIMMED TO DEATH

Savvy hairstylist Marla Vail enters a charity bake-off contest at a fall festival sponsored by a local farm. While she waits to see if her coconut fudge pie is a winner, she finds a dead body planted face-down in the strawberry field.

“The dialogue is sharp, the eye for detail is masterful, and the narrative pacing is just right. Plenty of suspicious-seeming characters raise the tension. Even if you’re not yet a ‘Cozy’ fan, you’ll have a blast.” Florida Weekly

BUY LINKS

Amazon https://amzn.to/3GVYXtT
Apple Bookshttps://books.apple.com/us/book/id1601090175
BN Nookhttps://bit.ly/3pcdKdG
Kobohttps://bit.ly/32l0GKl
Books2Read – https://books2read.com/BadHairDayBoxSetFive

Add to Goodreads TBR Listhttps://bit.ly/3Jz19cZ

If you want to get caught up in the series, go here – https://www.amazon.com/gp/product/B08ZDVH1VW

New Release - Bad Hair Day Mysteries Box Set 5 #cozymystery #boxset #newrelease Share on X

GIVEAWAY

Click Here to Enter Now – Winner Takes All in the Booklover’s Bench 9th Anniversary Celebration Giveaway!

BB Feb22

 

Winner Takes All – February 2022

Looking for some great new cozy mystery reads? Enter Now to Win 7 free books from Booklovers Bench in our 9th Anniversary Celebration Giveaway!

Here’s what you can win:

BB Feb22

Lois Winston – Paperback (U.S. only) or ebook Revenge of the Crafty Corpse
Nancy J. Cohen – Signed mass market paperback  (U.S. only) Shear Murder
Debra H. Goldstein – Paperback (U.S. only) or ebook Four Cuts Too Many
Cheryl Hollon – Signed paperback (U.S. only) Draw and Order
Diane A.S. Stuckart – Hardcover (U.S. only) Peachy Scream
Maggie Toussaint – Paperback (U.S. only) or ebook Lindsey & Ike Mysteries, the Complete Novella Set
Terry Ambrose – Paperback (U.S. only) or ebook Mystery of the Eight Islands

Dates to enter are Feb. 1-18 so get your entry in now. Bonus entries available! Check out our other features while on the site, such as our Let’s Talk weekly blog and On the Bench group posts.

Win 7 free cozy mysteries from Booklovers Bench in our 9th anniversary giveaway! #cozymystery #giveaway Share on X

Blending Romance and Mystery

Mystery fans enjoy a romantic subplot that is slow and subtle. In a series, you don’t want to resolve the relationship by the end of book one. You’ll want to build it step-by-step, advancing or retreating with each story. Especially in a cozy mystery, any graphic sex scenes must take place behind closed doors. Sexual tension is welcome, but it’s not an essential element.

Romance Mystery

As for the heroine juggling multiple boyfriends, this gets old after a few installments. Have her make a decision after the first few titles. It doesn’t have to be the right one, but it’s less frustrating for readers than to keep stringing two suitors along.

The key is to have complications so the main couple can overcome the issues that keep them apart. Once one complication is solved, you need to bring in another. Life is never smooth and always has problems.

Keep in mind that you are writing a murder mystery, and the romance takes second place to the puzzle of solving the crime. If you include a strong romantic subplot, your story may be termed a romantic mystery.

How to Blend Romance and Murder

Give your characters conflicts to keep them from making a commitment. The external conflict is your mystery. The internal conflict is the reason why the protagonists are hesitant to get deeply involved in a relationship.

Conflict

Maybe your heroine was hurt by a former lover and fears getting burned again. Or she has a fierce need for independence because she has to prove herself worthy of respect. Why? What happened in her past to produce this need? Keep asking questions to deepen the motivation. Maybe your hero doesn’t want a family because his own parents went through a bitter divorce. Secretly he feels he isn’t worthy of being loved. Or maybe he suppresses his emotions and doesn’t know how to give affection. Whatever the opposite sex character does seems to deepen or challenge this inner torment.

Your characters are immediately attracted to each other through physical chemistry. This pulls them together while the inner conflicts tear them apart. Yet the benefits of being a couple begin to outweigh the risks. As the characters become emotionally closer, they’ll progress through the stages of intimacy.

Six Stages of Intimacy

1. Physical awareness: Your characters notice each other with heightened sensitivity. For example, the heroine is aware of the man’s physical attributes. She detects his personal scent and has a physical response to his presence. They steal looks at each other when together.
2. Intrusion of thoughts: Your character begins thinking of this other person often. The love interest invades your character’s mind.
3. Touching: First, it may be an arm around the shoulder, lifting a chin, touching an elbow. The couple comes closer until the desire to kiss is almost palpable. Have them lean in toward each other for a kiss and then interrupt them, so when they get to the next stage, it’s highly anticipated. Use the five senses as much as possible to enhance the sexual tension. Flirtatious banter can add to this mounting desire.
4. Kissing
5. Touching in more intimate places
6. Coupling: In a cozy, these scenes are off the page. But if you’re writing romantic suspense, you can include them. Here it’s important to focus on the emotional reactions of your characters rather than the act itself. This is lovemaking, not just sex.

Throw a wrench into the relationship when all seems to be going well. His former spouse appears on the scene. Her on-again, off-again other boyfriend shows up. The heroine does something thoughtless and alienates the guy she likes. He feels pressured and backs off. Finally, they both change and compromise to resolve their differences. Let’s see how this works.

The Bad Hair Day Mysteries

PERMED TO DEATH: Hairstylist Marla Shore meets Detective Dalton Vail. [girl meets boy]. While instantly attracted to each other, they share a mutual distrust. Marla is the prime suspect in her client’s murder [external conflict]. Dalton is suspicious of her, and rightfully so. Marla hides a secret that gives her a motive. Meanwhile, Marla is suspicious of Dalton’s interest because she thinks it’s a pretense to interrogate her. At the story’s end, he asks her for a date and she accepts [relationship moves forward].

HAIR RAISER: Marla meets Dalton’s daughter [forward]. She dates a handsome accountant who earns her family’s approval but may be a murder suspect [relationship moves backward]. Marla and Dalton share their First Kiss [forward].

MURDER BY MANICURE: Marla takes Dalton’s daughter, Brianna, to dance class [forward]. Marla pretends to be her friend Arnie’s fiancée so he can rid himself of an amorous old flame. They coax Dalton to date the woman instead. Marla gets jealous of Dalton when he pays the woman more attention [backward]. Marla earns his daughter’s regard [forward].

BODY WAVE: Marla’s ex-spouse, Stan, enters the picture when his third wife is murdered. Marla and Dalton work together to solve the case [forward]. Stan stirs up feelings Marla would rather forget. Dalton is jealous. Marla accuses him of wanting to pin the murder on Stan [backward].

HIGHLIGHTS TO HEAVEN: Marla and Dalton argue over his restrictive rules for Brianna, and Marla feels she has no place in his life if he won’t listen to her advice [backward].

DIED BLONDE: Dalton acknowledges his need for Marla, and he proposes [forward].

DEAD ROOTS: Dalton meets Marla’s extended family. He presents her with an engagement ring [forward].

PERISH BY PEDICURE: Marla meets the parents of Dalton’s dead wife. Dalton takes their side [backward].

KILLER KNOTS: Marla meets Dalton’s parents on a cruise. She and Dalton set a wedding date [forward].

SHEAR MURDER: Marla and Dalton tie the knot.

If your people get hitched, it doesn’t mean their problems are over. Keep throwing roadblocks in their way. Life is never perfect. In reality, married couples still have conflicts as they learn to face life’s challenges together. If you keep your sleuth single, make sure to motivate her choices to show why this path is right for her. Either way, keep things changing and evolving between your characters. It’s this personal thread that compels readers to come back for more.

Blending Romance and Mystery #amwriting #writingtip Share on X

Are you a fan of a romantic subplot in a mystery?