Independence of the Seas

December 12, 2009

8 nights to St. Maarten, St. Thomas, San Juan, and Labadee

Ship Review
RCCL ships have a signature interior Promenade like a city street lined with shops and bars. The Café Promenade, toward the aft end, serves pastries starting at 6am in the morning and sandwiches starting at 11:30. Coffee is available 24 hours. Their Seattle’s Best coffee is very good, flavorful taste. Creamer cups are about half the size of ones at home. I suggest bringing your own non-refrigerated Coffeemate creamer cups along. Since this ship was based in England (and will be returning there), instead of a coffee pot in the room, you get a hot water device with packets of instant coffee. Forget that and go to the Café. They serve fresh baked cookies here too. The fudge ones are the best. Re the pastries, normally I like croissants but their variety has a glazed coat that stuck to my teeth, so I preferred the cinnamon roll.
Promenade
Interior View of Promenade

Sorrento’s, also on the Promenade on Deck 5 forward, serves pizza and mini desserts like tiramisu. They put out antipasto in the evening that can be a nice appetizer. Like the Café, the food here is free and included in your cruise price. Also on the Promenade you’ll find the Vintages Wine Bar with a sophisticated selection of wines and wine flights, but the menu tends to be pricey and confusing. The Dog & Badger Pub focuses more on ale but wine choices are more reasonable. People are allowed to smoke in a section here and the smoke drifted our way, making us disinclined to linger. We didn’t note any food menu in either of these lounges but then we didn’t ask for one either. Ben & Jerry’s has a shop on the Promenade, but why pay for ice cream when there’s a free frozen yogurt machine outside on the pool deck?

Independence of the Seas
Independence of the Seas

Up on Deck 14 is the signature Crown Viking Lounge, here called the Olive or Twist. Nice dance music here during evening hours. Daytime it’s a great getaway if you want solitude and a terrific view of the pool deck from up high. I may add that unlike other ships, you cannot sit outside and enjoy a view of the ship’s wake on the Independence, nor is there a lounge where you can enjoy a view of the ship forging ahead. Too much of the focus is on the interior Promenade, including evening parades and street parties. The Schooner Bar is a quieter spot but they often have trivia contests. Production shows occur in the Alhambra Theatre which has adequate tiered seating. The Pyramid Lounge at the opposite end holds art auctions and other events. There doesn’t seem to be any nightly entertainment other than the main show, shown twice at 7pm and 9pm. The Labyrinth is a disco but sometimes was reserved for private parties. There were no late night comedy acts like on other ships unless I missed notice of them.

Cabin
Cabin

A few other items were missing too, that used to be provided in the past. Chocolates on our pillow at night. Lotion in the bathrooms. All we got was bar soap and a shampoo dispenser in the minuscule shower.

The soundproofing was excellent in our cabin. Maybe we lucked out and had quiet neighbors, but we didn’t hear anyone next door. Our cabin was a comfortable size with a couch and console but limited storage space. The drawers are small, and only one tier of shelves fits into the closet. At least there were plenty of hangars. The shower is impossibly small and shaped like a round sewer cover. Ladies, forget shaving your legs in there. I suggest you bring an electric razor, preferably battery run. This applies to the sister ships as well. The shower doors kept the water contained very well and function much better than an old-fashioned curtain. There’s a European style hose spray that can be awkward until you get the hang of it.

Our balcony room gave a wonderful view, while a clear glass barrier under the railing guards against accidents. Cloudy glass partitions on either side of the balcony separate neighbors. Two chairs and a small table are provided. We heard the whoosh of waves in our room even on deck 8. Our room was towards the bow, starboard side forward. The bedding was very comfortable, hotel style white comforters, two pillows, cushy mattress. Flat screen TV by Samsung hung on the wall. A hair dryer is provided. Suitcases fit under the beds for storage. Bring a small packet of antiseptic wipes so when you first arrive, you can wipe down all door handles, tv remote, telephone, and light switches. People were ill on this cruise with symptoms of Norovirus. Load your purse and pockets with hand sanitizer and use it religiously. Hand sanitizer dispensers are located at each bar and eaterie and at the computer station but carry your own and don’t touch your face at all until you’ve washed your hands.

Balcony
Balcony Cabin

The weather in December was warm for our voyage. The ship isn’t freezing cold inside like some others so long sleeves can make you hot, although I was comfortable in the evenings with my dressy wardrobe. We had two formal nights and the rest were casual.You have your choice on this ship of any time dining or formal seating. We chose six o’clock dining. Our waiter, Handra, was a small statured guy from Indonesia. Some of the meals I ate were prime ribs, tiger shrimp, roast duck, lobster tail and garlic shrimp, lamb shank, shrimp and mahi mahi tempura. I do not judge this food as good as on the Princess line. Each night on the menu were also choices of an Indian dish, a vegetarian dish, a pasta dish. None of these appealed to me so that made limited selections. The pasta dishes were too ordinary, like cheese filled ravioli or spaghetti and meatballs. You can get those at home, so why order them here? We’ve been on other ships where the choices are more tempting. The buffets in the Windjammer Café didn’t seem to have much variety either. And they’ve done away with the late night Chocolate Buffet.

RCCL has an excellent program for children. This ship had activities for all ages. Athletic minded adults could surf on the Flowrider, play miniature golf or basketball, go rock climbing, work out in the gym, swim, or jog the deck. Kids had their own whimsical pool area with colorful fountains spraying water and music blaring in the background. I enjoyed listening to the steel band playing at the regular pool deck or sitting in the quieter solarium looking at the ocean.

H20
H20 Fun Zone for Kids

The Captain greeted passengers on a bridge over the Promenade on our first formal night, Day 2 at sea. He said, “We’re sailing in the Bermuda Triangle. I’ve been coming here for XX years and nothing happened. Maybe tonight is the night.” We made it safely home so it appears we didn’t meet any anomalies. Now it’s time to plan the next trip.

Pool Deck
Pool Deck
Flowrider
Flowrider for Surfing
Sports Deck
Sports Deck

Coming Next: Ports of Call

Backstory

One of the most common problems in new writers’ works is the insertion of backstory into the first chapter of their book. Nothing else kills the pacing quicker than paragraphs heralding back to some past event in the character’s life. Maybe it’s necessary to relate some of these facts, but they can be done in a less intrusive manner. You must keep the action moving forward. The reader wants to know what’s happening now, not twenty years in the past.

So how do you deal with this burning issue? Here are six tips to get you started.

1. Leave backstory until later. Is it absolutely essential to the core of the plot as the story opens?
If in doubt, leave it out. The story should start with some sort of crisis or change that propels your character to take action. Let the reader wonder why this is happening until your character can take a breather and reflect on what’s going on . That shouldn’t occur until at least the second chapter. Remember to end the third chapter on a hook, because this proposal is your selling tool. Kill the pacing, and kill your chances for publication.
2. Filter past events in gradually, not in one info dump. Only reveal what is necessary at that time in the story.
3. Leave some elements purposely out to create a mystery. The reader will keep turning pages to see what happened between your people in the past or why your heroine feels this way.
4. Add in the backstory through dialogue whenever possible. Let your character tell her story to someone who doesn’t already know it. Or have two characters gossip about your protagonist. If you’re in her viewpoint, she could overhear or one of them could mention it later. Find ways to work it in so that it’s interesting to the reader.
5. If you want to relate the backstory from your protagonist’s viewpoint, offer tidbits of past history a line or two at a time. Or segue into the past in a quick paragraph with a sensory element that ties the past and present together. The idea is not to get bogged down. Keep moving forward!

How do you deal with this problem?

Characters and Collectibles

While thumbing through a recent mail-order catalog, I began to wonder what items my heroine might select. This gave me the intriguing idea of assigning a collection to each protagonist. You can learn a lot about your hero or heroine from the knickknacks found in his or her house. Perhaps your heroine presents a tough exterior but indulges herself by wearing lacy lingerie. Or your hero, who seems a sensitive type, harbors an assortment of evil-looking knives in his drawer. This one might work especially well in a mystery.

What are some of the items your protagonist might collect? How about porcelain figurines, i.e. cats, dogs, birds, or children? Letter openers, music boxes, sports memorabilia, clocks, models of airplanes or cars? For works of art, does he prefer expensive paintings or framed posters? Sculptures or tacky souvenirs? What about religious ornaments, decorative plates, bead jewelry, antique coins, or crystal paperweights? How about porcelain thimbles portraying kittens, castles or cottages? Fantasy figures like angels, wizards, and unicorns? Or maybe icons from a popular TV show.

What books and magazines does he read? Are they strewn about the cocktail table for show, or are they askew on an unmade bed? Are the pages ragged, corners folded in, or is an elegant bookmark used for a book in pristine condition? Don’t forget the office, too. What do they have on display on their desk?

For inspiration, check out those unsolicited catalogs you get in the mail or browse the Web. Look through the magazine section in your local bookstore. You’ll see magazines for all sorts of hobbies. Ads can give you other ideas.

Next time you’re in someone else’s house, be nosy and snoop out their shelves.

Think about why your hero or heroine collects a particular item. Does it express a hidden desire, reveal a facet of his/her personality, expose a touching sentiment? Even owning nothing of a personal nature can make a statement in itself. Have fun delving into the intricacies of your people’s hobbies and describe the precious tchotchkes through their eyes. Adding these details will give an added dimension to your writing and more depth to your characters.

Archetypes

Archetypes are recurrent themes in literature and films. You can use these tropes to inspire your characters when writing a novel.

AMNESIA: Is he/she married, a parent, a missing bride/groom, presumed dead? Did she kill someone? Did someone try to kill her? Is she a witness to a violent crime? Is he an undercover agent who got hurt by the bad guys? American Dreamer, The Bourne Identity

BRIDES: marriage of convenience, fake fiancé, mail order bride, virgin bride, runaway brides/grooms, green-card, royal, shot gun, jilted, terms of the will, mismatch. Runaway Bride, Father of the Bride, Wedding Crashers, Sleepless in Seattle

CHILDREN: abandoned, lost, adopted, biological, inherited, stolen, secret baby, true identity unknown, switched-at-birth, kids playing matchmaker for single parents.

DISGUISE: secret identity, switching places: True Lies, The Prince and the Pauper, The Scarlet Pimpernel, Freaky Friday

FISH OUT OF WATER: Enchanted, City Slickers

MAKEOVER: The Ugly Duckling, The Princess Diaries, My Fair Lady

MISMATCHED COUPLES: Bad boy/Good girl, Cowboy/Lady, Pirate/Princess, Wanderer/Homemaker, May/December, Duke/Governess, mentor/protegé, opposing occupations, boss/employee. Romeo & Juliet, Beauty and the Beast, Six Days Seven Nights.

RAGS TO RICHES: Cinderella, Pretty Woman, Ever After

REUNION: former lovers, estranged spouses, lost love, thwarted romance, divorced but still in love. Sweet Home Alabama.

SINGLE PARENTS: struggling unwed mothers, clueless divorced dads, inexperienced surrogate. Three Men and a Baby, Baby Boom

TWINS: switched identities, mistaken identities, trading places to fool people and having the tables turned on them instead. Parent Trap, New York Minute

Think about the books on your shelves at home. Do you tend to repeatedly buy the same types of stories? Does this tell you something about the plot devices that appeal to you?

Try picking out a couple of your favorite archetypes and mix them to create a new story.

Creating Characters from Archetypes Share on X

Character Development

Creating characters for a novel can be torturous as well as stimulating. Initially, I decide who will be the victim in my mystery and then by association, the suspects pop up. I give each one a secret that could be a motive for murder. Next it’s time to pull out my character development sheets and label each one with the name of a player. Okay, how do I turn these pages into people? First I look in my photo files. In SHEAR MURDER, #10 in my Bad Hair Day mystery series, Jill’s Uncle Eddy is a shifty attorney. So I look through the pictures for someone who looks like him.

Nah, this guy is too young. Eddy is middle aged. Wait a minute. How is he related to Jill? I stop to devise Jill’s family tree. Now I know her grandparents had three children: Eddy, Sarah, and Luke. Cousin Kevin, another suspect, is the son of Luke, while Jill and her sister Torrie are offspring of Sarah’s. I may have to figure out their ages later, but for now, I know Eddy is middle-aged. Back to my files. Who looks like him?

Wait, this guy is perfect! He looks JUST LIKE UNCLE EDDY! And the woman in the photo with him is great for Eddy’s wife, Alexis. Oh, he’s married? Of course! And her manly features and his weaselly looks tell a lot about them. i.e. Torrie and Jill call his wife “Auntie Al” behind her back because of her throaty voice, big-boned frame and square jaw. So now I go down my Character Development Tool. This is a shortened version:

Name: Eddy Rhodes

Career: attorney.

Physical Features: florid complexion like he’s been running, deep-set eyes under prominent brows, thundercloud gray hair, double chin, wide forehead.

Favorite Speech Phrases: “Oh, come on.”

Lifestyle Preferences: Big tipper, big mouth, big smile, big house

Dark Secret: Accepts kickbacks and bribes

Ruling Passion: wine connoisseur–wine cellar, wine tours, wine clubs

Dominant Trait: Balding, obnoxious loudmouth

Short-Term Goal: make more money

Long-Term Goal: retire in style

Concrete Symbol: chateau-like house

Motivation: Teased as a child for being overweight, Eddy has to best everyone to prove his worth. Middle or younger child.

Internal Conflict: Need for praise

External Conflict: Inflation prevents retirement and so does a son with ongoing health problems

Strengths: Generous, likes to contribute to charities…but always needs money.

Flaws: Greedy, drinks too much, cowardly in confrontations.

Realization leading to change: not applicable. This may occur during the course of the story but it’s more a tool for the main characters.

Now what about Falcon Oakwood, the bigwig developer in the story? Hey, this picture is perfect. It even shows his wife Leanne. But who’s that older lady in the photo? Why, it’s his mama! So that’s why Leanne is having an affair with [other suspect]. She craves her husbands’s attention but Falcon considers his mother over his wife.

The process repeats with the other characters, until I’m ready to meet them on the page.  All of this info may not make it into the story, but it gives me a springboard to begin writing.

Creating Characters for your Novel Share on X