Creating a Timeline

How do you map your protagonist’s family tree? Who are your characters’ relatives? What are their birthdays? And how much should they age from book to book if you’re writing a series?

Creating a Timeline is crucial to a series. Keeping records of your recurrent characters in this regard is essential. Currently I’m beginning work on my next Bad Hair Day mystery, tentatively titled Peril by Ponytail. Marla and Dalton take a delayed honeymoon to an Arizona dude ranch owned by his cousin, Wayne Campbell.

Well, guess what? Other than Dalton’s parents and teenage daughter, we haven’t mentioned his family members before. Suddenly I’m at a loss as to his family tree.

Family Tree

Not so with Marla. I created her family tree for Dead Roots, when Marla and Dalton spent Thanksgiving weekend with her extended family at a haunted Florida resort. Where can I find this record? With a sense of urgency, I searched my computer files. Nope, not there. So I pulled out my notebook for that particular title. I breathed a sigh of relief when I discoverd a handwritten diagram of Marla’s family tree. With newer technology at hand, I scanned this paper into a file so it doesn’t get lost.

Marla Family

Thank goodness I have extensive notebooks for each title. What I keep in them is subject for another blog, but suffice it to say that I have lots of rich material on character backgrounds, research notes and articles, and more.

Now I have to create Dalton’s family tree. I know his age and birthday and how it’s progressed from book to book because I write it down for each volume. Ditto for his daughter and what grade she’s in. When his parents came into the picture, they got added, too. But who else is there? How is cousin Wayne related to him?

I’ll need to work on this by drawing out his family tree. I don’t know how to do it on the computer without accessing complicated programs, and they’ll take too much time to learn. But considering my experience, here are some items you might want to add to your notes for each book you write and/or for your overall series bible. The timeline can include:

  1. Birthdays
  2. Time of Year each book takes place, i.e. Season and Month
  3. Day to Day Progression of Plot per story title
  4. Family Trees
  5. Proper Names. This might be a separate file or you can put them here. This means the name of your person’s housing development, favorite restaurants, type of cars people drive, pet’s names, etc.
  6. Maps of the town or neighborhood where your character lives and works
  7. Diagrams of a particular locale. Here is Sugar Crest Resort from Dead Roots.

resort map

Your needs may differ with each book as to what your timeline requires. Peril by Ponytail is the twelfth book in my series, and yet I’ve not had to create Dalton’s family tree before. So what you need for one volume might not apply to another. Whatever you do, make sure you record the material in print and on your computer files. Back it up so you don’t lose it. If I hadn’t found Marla’s family tree in that notebook, I would have been at a loss should I need it again.

So stay attuned to your timelines when plotting your story and lay down the necessary groundwork. And now, tell the rest of us what else we might  include in our Timeline folder.

Book Cover Design

Before hiring a book cover designer for your indie published book, you’ll need to consider several important factors. The designer will want to know what you have in mind. Here are the items you should determine before contacting a cover artist.

Tone of Story. Is it serious, scary, or lighthearted and funny? What mood do you want to convey with your cover? What tone should your designer take for your work?

Type of Image. Do you want a realistic photo or a cartoony image? Or maybe just a pattern or flower or geometric design?

Colors. When you look at images, what colors jump out at you? Are there any colors in particular that would enhance your brand? For example, I like bold, tropical colors since my stories take place in Florida, but maybe you prefer pastels.

Genre Conventions. If your book is a romance, you might want a clinch cover or flowers or a photo that conveys the era and mood. I go for paranormal elements in my romance covers to indicate this particular subgenre. Cozy mystery covers have a certain humorous slant which I’ll ask my designer to emulate. Examine the covers for your genre and see which ones tell you at a glance what type of story to expect.

Suggested Scene. If you are going to have more than a pattern or single image on your cover, think up a scene that might work. For Shear Murder, my heroine discovers a dead body under the cake table at a wedding. I thought it would be fun for readers to see the feet sticking out from under the table on the cover. The victim is wearing plum heels.

For Warrior Rogue, I wanted both the hero and heroine on the cover, but the emphasis should be on the guy since the Drift Lords are the main feature. But I also wanted to convey the paranormal element, hence the winged creature and planetary body in the background. Jen is a fashion designer so I wanted her to have a sleek look. Even the lettering helps brand the series, which includes Norse mythology.

Text Font. This feature can enhance the mood. The text font can convey a humorous, gothic, historical, or eerie atmosphere. Or as above, it can enhance a feature of the story.

Text Color. White or Black? Or a color? Blend of colors?

Name Placement. Do you want your author name at the top, along the bottom, or mid-range across the image? Do you want your name to be bigger than the title or vice versa?

Cover Sizes. If you are self-publishing, you’ll need a thumbprint image, a size for websites, a high resolution image for publicity, plus sizes to fit audio and print editions. For print, you will also need the spine and back cover. Consider your back cover copy and quotes before contacting the artist.

 

Release Form. You’ll want a release from the designer that says you own the image and can use it in any manner necessary for book promotion.

The more precise you can be about what you want, the less corrections down the road.

Creating Realistic Characters

When Characters Stop Being Literal and Become Real
J.H. Bogran

On the dedication page of Harry Potter and the Half Blood Prince, author J.K. Rowling dedicates the book to her daughter, proclaiming Harry is her ink-and-paper twin. In just one sentence, Mrs. Rowling demonstrates how real the characters are for her.

Every writer worth his salt knows that only when we believe and treat our character as real people, they will become so to the readers. Why? I could bet it is because our perception of the character seeps into them while we type them.    Firefall

I don’t pretend to preach to the converted, what I’d like to share today is the way I develop my characters, not that I think it is the one and only way to go about it.

After I decide the story I want to tell, I spend time developing a list of characters that I think are required to tell the story. The list includes the lead, lead’s love interest if any, the antagonist, and the secondary characters. I don’t waste time on the character with bit parts; I trust they will show up when I need them for a particular scene. Yeah, it’s kind of “if I build it, they will come.”

Two books that have helped me with characters and how to write them are Angela Ackerman/Becca Puglisi’s The Emotion Thesaurus, and the other one is Dynamic Characters by Nancy Kress.

The main characters get special attention, of course. I prepare a worksheet where I list name, description, personality, profession and extras. The first four are pretty self-explanatory. Extras can be tiny little things like if he/she smokes, or notes the appalling story of how they became the person they are at the start of my book.

For the physical description I cheat a little bit, if it can be called like that. I use people I’ve met, sometimes movie or TV actors, but someone to anchor me to what they look like and keep me from changing hair or eye colors between chapters. Their personality starts relatively empty as I’d like to leave room for the characters to grow. Of course, that character worksheet keeps getting revised while I’m writing the story.

The secondary characters are not as developed, but I keep a close watch on them as sometimes they come back with surprises, or they make appearances in other stories. For example, the doctor who treated my lead female character suffering from Multiple Personality Disorder in the story Love Me Two Times, turns out to have a younger brother. In the opening chapter of my new novel Firefall, Doctor James Martin is performing an intervention on his younger brother Sebastian, who is the lead character in that novel.

One tip I learned during a ThrillerFest class on craft imparted by Robert Dugoni was to give each character a unique trait. It can be anything from always chewing gum to a limp. The idea is that the trait would be big enough to make them appear better than two-dimensional.

The making of my character is far from a refined technique, but it works for me, so I’m sticking with it. They become real to me because I can picture them in my head.

I’m curious to know how others do it, so please leave a comment if you can. Thanks.

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About J. H. Bográn   JH Bogran

J. H. Bográn, born and raised in Honduras, is the son of a journalist. He ironically prefers to write fiction rather than fact. José’s genre of choice is thrillers, but he likes to throw a twist of romance into the mix. His works include novels and short stories in both English and Spanish. He’s a member of the Short Fiction Writers Guild and the International Thriller Writers, where he also serves as the Thriller Roundtable Coordinator and contributor editor their official e-zine The Big Thrill.

Website at: http://www.jhbogran.com
Facebook: http://www.facebook.com/jhbogran
Twitter: @JHBogran
Goodreads: http://www.goodreads.com/author/show/4307673.J_H_Bogran
Amazon author page: https://www.amazon.com/author/jhbogran

About Firefall:

After losing his wife and son in an air crash, former NYC firefighter Sebastian Martin is spiraling downward into alcoholic oblivion. Then his brother sets him up with a last-chance job investigating insurance fraud, but his first case takes a deadly turn as he crosses path with an international ring of car thieves. Sebastian ends up strapped to a chair facing torture at the hands of a former KGB trainee who enjoys playing with fire on his victims to get answers.

Firefall Buy Links:

Rebel E Publishers: http://rebelepublishers.com/about/our-books/firefall/
Amazon: http://www.amazon.com/Firefall-ebook/dp/B00F6VYDE2
Smashwords: https://www.smashwords.com/books/view/355941

Taking Time Out

Since Saturday was a religious holiday, and that meant we couldn’t conduct business, I took the day off from social networking and working on my book projects. Other than saying prayers and reflecting on life, what else did I do? I got caught up on reading newsletters. I read magazines for pleasure, learning about such diverse topics as a camel trek across the African desert, the latest medical research findings for certain diseases, the dangers of plastics to one’s health, and exclusive adult hideaways on cruise ships.

It was luxurious to lie on my couch and read. I took a nap. I peeked at my email but didn’t answer messages. And I did a bit of household filing, nothing too taxing.

It was easier than expected to liberate myself from the social networks. In fact, I lost all ambition until the evening when I sat and wrote the entire blurb for one of my upcoming projects.

So you see, it pays to take a break even if it’s a morning off. Your brain cells rejuvenate. Newly refreshed, you’ll return to work primed and ready to pump out the creativity.

idea

How did you spend the weekend?

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***This Tuesday all day, I’ll be answering questions over at Goodreads in the Romance Readers Reading Challenges group under “Ask an Author.” I’ll put up a link when I get one.

 

 

Magic Kingdom at Disney

This visit to the Magic Kingdom found us exploring the new section of Fantasyland. We headed over there after an unexpected late morning parade down Main Street, decorated for the autumn season.

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Wishing to eat first, we went directly to the Be Our Guest Restaurant in the Beauty and the Beast castle for lunch. It took us about 20 minutes to reach the front door from the end of the line, but menus and umbrellas handed out by the helpful staff kept us comfortable and occupied. Inside, the lighting dimmed and a row of knights in armor kept us company along the hallway.

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We came to a host who handed us a fake rose and assigned us a station. At this next stop, an attendant took our orders and payment then directed us to find a seat anywhere inside the dining rooms. We sat at the immense ballroom with crystal and brass chandeliers. Other rooms had the magical rose inside a glass case, or a statue of Belle and the Beast together.

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We sat and waited for our meals to arrive. Waiters wheeled around glass enclosed carts from where they served everyone’s plates of food. Drawers inside these ingenious carts held extra plates and such. All restaurants should use these devices. It would save their servers a lot of arm strain. The food was fair but with some better choices than the usual fast food. In the evening, this place turns into a sit-down restaurant requiring reservations. It’s nice for lunch one time but I wouldn’t rush back. Too much trouble when we can go to any of the other fast food places around the park.

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Then we viewed Gaston’s Tavern, which disappointedly serves only soft beverages. But then again, this is Fantasyland geared to kids. We dipped into the Under the Sea—Journey of the Little Mermaid attraction, winding around and around the line inside the building. It’s decorated like you’re in a cave system so the themed entry diverts your attention. The ride itself is very sedate inside clamshells where you get a glimpse of scenes from the movie with accompanying music. It’s pleasant and a good place to get cooled off but more appealing to children.

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Too hot to go anywhere else, we left the park in mid-afternoon. That’s the benefit of having annual passes. We can come and go as we please, and we always discover something new each time we visit.

Magical Dining Month

Orlando has Magical Dining Month throughout September, in which time you can sample gourmet restaurants at $33 per three course meal. Each year, we like to go somewhere new. So for this visit, we chose the Deep Blu Seafood Grille in the Wyndham Grand Orlando Resort. The hotel is situated on Chelonia Parkway in Bonnet Creek, just off Buena Vista Drive near Disney World.

Valet parking is complimentary when you eat at the restaurant. Just ask the host to validate your ticket. The hotel is lovely with at least two freeform pools, three restaurants/cafes, a spacious lounge, a coffee bar and a gift shop.

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We settled into our seats at the formal dining establishment at lobby level and perused the special event menu. For an appetizer, you have your choice of a baby spinach salad, lobster bisque, or a signature crab cake.

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Entrée choices were ahi tuna, tiger shrimp linguini, or braised beef short ribs. You’ll note that each restaurant on Magical Dining Month offers its own special menu. The short ribs were very tender and came with mashed potatoes and vegetables.

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Dessert was the most difficult to choose but I got the Key lime gelee, a fancy version of Key lime pie. Vanilla crème brulee and chocolate mousse cake were hard to resist.

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We were very pleased with our choice and glad for the chance to sample this high class restaurant. Just to note, Sleuthfest 2014 will be held at this hotel on Feb. 27 – March 2. Registration is now open. Hope to see you there!

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Choosing a Series Title

Choosing a title for your new mystery series is a critical factor. This title has to hook the reader, give an inkling what the series is about, and spark your interest for years to come. As the author, you’ll be living with this series umbrella title for a long time. You may build a logo around it, add it to your signature lines, and see it on every subsequent book that comes out in this series. Thus it should be a title you love and one that resonates in your mind.

Considering the above advice, I need help choosing a series title for my indie mysteries. I’m not going to tell you the main premise, because I want you to look at this as you might my front cover, where it says A XXX Mystery. Which choice below pops out at you and holds the most appeal? Discussion is welcome.

Radio Interview Live!

Tuesday, August 27, 6:30pm

It’s thirty minutes before I call in to a live radio interview. My heart is racing, and I’m clearing my throat every ten seconds. Afraid my throat will dry out, I’m sucking on a lozenge. On my desk is a mug of hot water with a dash of lemon juice. I read somewhere that this helps soothe speakers. What if I lose my voice or have to clear my throat on air?

woman headset

I’m not too worried about running out of things to say. Fortunately, I received some of the questions ahead of time, and so I’ve scribbled down notes. Also handy on my desk are my book brochures so I don’t forget what my books are about if asked. I’ll need to remember to mention my website and maybe plug our local writing organizations.

If I survive without coughing, choking, losing my voice, or sounding like a fool, I’ll deserve a big glass of wine.

Only twenty minutes to go. Clearing my throat again. Damn sniffles. It’s allergies and nerves combined, more the latter. I don’t get tense before a live speaking engagement. That doesn’t seem to bother me, but recordings? Yep.

Have to take a bathroom break before calling in. It’ll be an hour before the next chance comes along. Don’t forget to apply some lip gloss, too.

Another five minutes gone. What if my voice comes out as a squeak?

Ten minutes to go. It’ll be fun. I have a lot of information to share. Yeah, right. Keep telling yourself this. It’ll be like having a personal conversation and giving writing advice. I do that all of the time. Only now, people will be listening. Maybe nobody, or maybe hundreds. Gulp.

Signing off here now. It’s almost showtime. Calm is descending over me. It’ll be fun. I have knowledge and experience to share. I repeat my mantra.

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Whew, it’s over. Fortunately, the host was a great interviewer. She had one rapid-fire question after another for me to answer. Once I started talking, my writing brain took over and it was hard to curb my tongue. I could have rambled on for quite some time. From the few friends who listened, it appears the interview came across very well. Now that I know what to expect, I may even look forward to doing it again. It was fun, and I had a lot of information to share.

The host said there may be an online link to the recording eventually. If there is, I’ll post it on my sites.

So what do you say? Should I learn how to do a podcast next?

Creating Mood

Word choices are important when creating mood. Next time you read a scary story, look at the particular descriptive words the author uses. It takes work to get these right. Now let’s see how I put this to work for me. Here is my original paragraph:

Outside, I locked up and then turned toward the street. My shoes clicked on the pavement as I strolled down the sidewalk toward the parking lot. Overhanging branches shadowed the walls like skeletal limbs, blocking the light from street lamps. Crickets chirped their nightly chorus, nearly drowning the muted traffic sounds from Lake Avenue. Even that thoroughfare had quieted for the weekend.

streetlights

What’s wrong with this? “Crickets chirped” brightens the mood when I want this to description to raise tension. So here is version number two:

Outside, I locked up and then turned toward the street. My shoes clicked on the pavement as I strolled down the sidewalk toward the parking lot. Overhanging branches shadowed the walls like skeletal limbs, blocking the light from street lamps. The low, steady thrum of crickets nearly drowned the muted traffic sounds from Lake Avenue. Even that thoroughfare had quieted for the weekend.

tree branches

Oops. Lake Avenue is a bustling town center with restaurants that would be lively on a weekend evening, so it wouldn’t be quiet on a Sunday. Better delete that line. I don’t quite like the muted traffic sounds, either. This line should add to the suspense. Here is my final version along with the next couple of lines. Tell me what you think:

woman alone

Outside, I locked up and then turned toward the street. My shoes clicked on the pavement as I strolled down the sidewalk toward the parking lot. Overhanging branches shadowed the walls like skeletal limbs and blocked the light from street lamps. The low, steady thrum of crickets pulsed in the autumn air like a single-minded creature hidden in the shrubs.

A car engine idled nearby. I glanced over my shoulder, my nape prickling.

None of the cars parked along the curb had any lights on. I didn’t see anyone sitting in them, but somebody had started a motor within hearing distance.

The sensation grew that I was being watched, and goose bumps rose on my arms. My breath came short as my pulse rate rocketed.

I picked up speed, eager to reach my car. My foot banged against an uneven edge of pavement. I stumbled but regained my balance and hurried on. I’d just passed Elhambra’s Mystical Emporium when a roar sounded in my ears.

I whipped around. A pair of headlights lunged at me.

headlights

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This is a work in progress, so your suggestions are welcome. My advice is to write the story as it comes out and worry about nitpicking the word choices later. It’s easier to fix what’s already on the page. If you get too hung up with your pages being perfect, you’ll never progress. Write that first draft and then go back to polish.