Editors at Sleuthfest

Four editors discussed the publishing biz at Sleuthfest. These included Chris Knopf from The Permanent Press, Erin George from Henery Press, Anne Speyer from Ballantine Books, and Neil Nyren from G.P. Putnam’s Sons.

Editors

The first question addressed was if any of the editors would accept a mid-series submission or backlist titles. This would depend upon the rights available. An author has a better chance with a new series or with the relaunch of an ongoing series.

The editors all emphasized the importance of social media for authors. Writers should also have a newsletter, schedule in-person events, speak at libraries and conferences, nurture a relationship with bloggers and reviewers. An author’s website and Facebook page should be “really, really good; new and fresh; welcoming.” With your social media, you should do ten percent book promo and ninety percent interesting content.

What does a publisher have to offer? You get an editorial team, a guiding hand, resources that might not be available otherwise, support, reviews, sales of subsidiary rights. Plus you’ll qualify to speak on conference panels and to enter contests. Print is still a larger proportion of sales compared to ebooks.

Pet Peeves?

· Exclamation Points
· Backstory
· Too much description
· Clichés
· Unrealistic dialogue

Disclaimer: These notes are my interpretation and are subject to errors which are mine alone.

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Agents at SleuthFest

Four literary agents gave advice at Sleuthfest on submissions for writers. The agents included Danielle Burby, Kirsten Carleton, Mark Gottlieb, and Steve Kasdin. Look them up on the Sleuthfest conference website.

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Danielle likes cozy mysteries, historical mysteries, domestic suspense, medieval fantasy, contemporary YA, and upmarket women’s fiction. She does not do romance or erotica. She prefers stories without overt violence. She’d like to find a cozy set in Scotland. Send her an email query with the first five pages in the body of your message. The author’s credentials should be mentioned along with the genre and word count. If you tell the plot, make it sound like back cover copy. Don’t bother to mention themes. “If you have an axe to grind, go somewhere else. I want a story.” Respect the conventions of word count to meet reader expectations and publisher’s production costs (i.e. Don’t offer a 600 page book).

Kirsten would like to find a thriller with series potential. She is looking for amateur sleuth stories, historical, crime, and suspense; anything with a speculative element; or a story that presents a twist on the genre. She doesn’t do romance. She does accept YA and adult fiction.

Steve will look at contemporary and historical thrillers, capers and crime stories, and contemporary, historical, cozy, and paranormal mysteries. No romance and no scifi/fantasy. He’d like to find a thriller with series potential but with a female protagonist.

Mark also doesn’t do romance or erotica. He is interested in finding authors who write thrillers, noir, and hard-boiled crime fiction.

You can verify their submission requirements on their agency websites.

On average, the agents receive 150-200 queries per week. They won’t take a book that has been self-published since it’s already in the marketplace. However, they’ll look at an indie author who has been successful and who has something new to offer to get to the next level.

If you’ve submitted your work to an agent, let them know if you get an offer from someone else.

An agent helps to build an author’s career. They have access to publishers and editors and can act as the author’s advocate. They’ll also handle subsidiary rights.

When you do a verbal pitch, make it brief and get to the character.

An audience member asked about New Adult fiction. The panelists agreed this category was a “failed experiment” because booksellers and librarians didn’t know where to shelve these books. There wasn’t any consensus on how to define the genre. YA with sex? Chick lit renamed?

The agents mingled with conference goers during the weekend and at the cocktail party. Sleuthfest also offers manuscript critiques and presents the Freddie Awards. This writing contest is judged by editors and agents at the final round. So you have numerous opportunities to meet these industry professionals.

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Disclaimer: These notes are my interpretation and are subject to errors which are mine alone.

View photos from Sleuthfest on my Facebook page. Look for the Sleuthfest 2016 album. Please Like the page while you are there.

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Arson Investigation

Do you know how fast a fire can become deadly? At a talk by an arson investigator at SleuthFest 2016, we saw a film that demonstrated the minutes you have to exit a burning building before everything ignites.

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Firefighter personnel include rescue, emergency medical services, special ops, hazardous materials, fire prevention and investigation. The arson investigator may carry a gun and have arrest powers. He conducts interviews and identifies suspects. He can develop charges and arrest the bad guy right there if arson is suspected. The arson investigator will follow a case from beginning to end, from the initial investigation through court appearances. The ideal clearance rate on cases is at least 20 to 30%. These investigators are multi-trained in various disciplines, including post-blast (explosion or bomb) response. The International Association of Arson Investigators has stringent requirements. The investigator’s job includes identifying consumer safety issues regarding fire risk and notifying the authorities.

“People think everything burns up in the fire, but it doesn’t. Everything burns differently. Patterns are left, and evidence is left, at the fire scene.”

Fire Classifications

1. Accidental

a. Cooking fires are the Number One cause of fires right now in the U.S. Unattended cooking in residences can lead to fires. This type accounts for 49.4% of all residential building causes.

b. Heating causes may include careless use of smoking materials or candle use. Post-hurricane, you leave the window open. The draft reaches the candle and blows the flame toward a nearby drape. Or else the candle falls over.

A portable lighter in the hands of a curious child poses a danger. So do cell phone cigarette lighter connectors in your car. These can heat up and then the plastic melts, burns, and causes a car fire. Knockoffs from China are more likely to heat. Make sure to unplug these devices when you leave the car.

c. Electrical malfunctions are another cause. Overloaded outlets and surge protectors are a hazard.

2. Natural, i.e. hurricanes, earthquakes, floods

3. Incendiary

This is a fire that is deliberately set with the intent to cause a fire to occur in an area where the fire should not be. In Florida, you don’t have to prove intent, only that the person willfully and unlawfully set a fire.

4. Undetermined

If a fire should occur on a bed, for example, look at the people and the objects. A pile of clothes burning on the bed is personal. Study the spouse, boyfriend, relationships of the people involved. If the fire occurs in a closet, it might be that a child has flicked a lighter to see what it does, and the flame ignited nearby materials.

Mobile homes are “baked potatoes.” These usually cannot be saved.

Investigative Procedure

Step one is to determine the origin. Where did the fire start? You want to look at the area of origin, which is the general region, and the point of origin, which is the exact physical location where the heat source and fuel interacted.

Step two is to examine the possible cause. This can be overloaded circuits. Coffeemakers can start a fire because sometimes the burner stays on even though it’s supposed to shut off. Investigators look for patterns at a burn scene.

Step three uses the scientific method. The investigator will identify and define the problem; collect and analyze the data; develop and test their theories; and select the final hypothesis.

Fire requires a heat source, fuel, and oxygen. Take away the heat, fuel, or oxygen, and the fire goes away.

Fire travels the path of least obstruction. “As things burn, their chemistry and composition changes.” The upper levels will get heated vapors and gases that occur when furnishings and synthetic materials burn. The smoke heads up to the ceiling and then banks down the walls. So when you are in a fire, do not stand up and breathe. Drop to the floor and crawl.

Other items in the room start to heat up and burn. A flashover is when the heated gas and vapor ignite. This situation is not survivable.

The closer to the floor on the walls that you see the smoke level, the closer you are to a flashover. A flameover is another warning sign. This is when the flames roll across the ceiling. They’re seeking oxygen and will break through windows and walls.

Do not run back into a burning building. You must get out before the flashover.

Another sign is the color of the smoke. It starts out white as Class A materials burn. These are papers, magazines, books. The smoke turns gray when plastics and petroleum products start to burn, like your furniture cushions. Then finally, the smoke turns black. Heat is transferred to other objects in the room via conduction, convection, and radiation.

A flameover to a flashover takes seconds. We saw a film wherein newspapers ignited inside a plastic trash can, which could happen if somebody threw a cigarette butt inside. The papers ignited, and the plastic can melted. The fire leapt to a nearby sofa. We watched the smoke turn from white to dark gray. Other items of furniture caught fire as the heat transferred. Flames rolled across the ceiling. It took minutes for the entire room to be engulfed in a flashover.

My takeaway from this session? Don’t plug one surge protector into another. Don’t overload your electrical sockets. Make sure the burner on your coffeemaker cools down. Don’t leave your cell phone charger plugged in inside your car once you depart. Don’t leave candles and cooking pots unattended. If you’re in a fire, drop and crawl. Don’t inhale the deadly gases. Know your exits and get out of the building fast.

Resources:

http://www.Firearson.com

http://www.Nafi.org

Disclaimer: These notes are my interpretation and are subject to errors which are mine alone.

View Photos from SleuthFest on my Facebook page.

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Fun in the Sun Conference

Florida Romance Writers Fun in the Sun Conference

Featuring Keynote Speaker NYT Bestselling Author, Carla Neggers, with Special Guest Speaker, Dr. Debra Holland, Bestselling Indie Author

Conference 2016

DATE: Saturday, January 16, 2016
TIME: 10:00 AM – 6:00 PM
PLACE: Broward County Main Library, 100 S. Andrews Ave., 6th Floor, Ft. Lauderdale, FL 33301

Editors & Agents:
Kristine Swartz, Berkley
Charles Griemsman, Harlequin Desire
Karen Thomas, Publisher of Cleis Press
Marlene Stringer, Stringer Agency

Great Workshops:
Marketing on a Shoestring
The Indie Road to Success
Maintaining a Long-Term Career
Beginning Writers’ Boot Camp
Conquering the Synopsis
Editor/Agent Panel Spotlight

Event will conclude with a public BOOK SIGNING that is open to all registered authors! Anyone interested in signing should email [email protected]

PLUS…PLUS!!! A Sunset Cruise on the Intercostal Waterway – Friday @ 6:00 pm

COST:
FRW Members:
Saturday only – $90
Conference + Sunset Cruise – $115
Sunset Cruise only – $35

Non-Members:
Saturday only – $100
Conference + Sunset Cruise – $125
Sunset Cruise only $40

Hotel accommodations are available. Visit our website for more information and to register: http://www.frwriters.org/conferences/2016-frw-conference/
For questions, please email
[email protected]

Contest Alert! Enter to win a $25 Amazon/BN gift card from Booklover’s Bench. Check out our other features, including a weekly Let’s Talk discussion with our authors.

Young Adult Mysteries

This panel at Bouchercon was titled “Importance of Book Clubs and Young Adult Literacy.” Speakers included Destiny Geddis, Matthew McGrath, B.K. Stevens, and Kaley Whittle, with Tina Whittle moderating.

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Disclaimer: These notes are based on my interpretation and any errors are mine.

· This panel included YA readers. They do reviews and have a book club at their charter school. Here is what they wish writers and editors knew about YA.

· YA mysteries have a teenage sleuth. The crime doesn’t have to be a murder. These stories often include elements of self-discovery and current issues for teens.

· Panelists advised authors to talk to young people to see how they speak. TV teens are as accurate as CSI teams on TV. Know your audience. Do the research. Talk to young adults to see what they do and what their friends do. “We don’t use certain words that have become antiques. We talk differently.” They also use different languages between texting, e-mail, talking in person to friends and to adults.

· Not all teen protagonists need a tragic backstory. They don’t have to be misunderstood. They don’t have to be loners, either. There’s lots of diversity in high school.

· Adults are not always evil, mean, unlikable, or uncaring. Avoid clichés like “I’m a teenager and I hate my parents.” Teens don’t rebel against authority in high school. They have to be respectful to teachers. Parents don’t always have to be divorced or dead. Nor does the family dog have to die. Most parents love their kids and try to be good parents and sometimes make mistakes.

· Don’t force the romantic elements. Have your characters be strong on their own, and then they can fall in love. You don’t need a lot of angst. The romance doesn’t always mean boy/girl, or white guy/white girl. Platonic relationships work too. Friendships are also desirable. The romance can lead to character growth when the protagonist has to make a choice.

· Don’t kill off a pet just to elicit an emotional response. Make the emotion natural and realistic to a character who’s connected to readers. Don’t throw in a baby either for the emotional response. Look at http://doesthedogdie.com for a guide to movies.

· Create a diverse cast of characters.

· Treat YA mysteries as seriously as adult mysteries. Readers should have access to clues, and the protagonist should solve the mystery on her own. “We figure things out really quickly and we want surprises. Don’t dumb down the mystery. Give us challenges. Develop the villains as fully as other characters.” Avoid dialogue such as “as you know…”

· Strong female characters do not act like stereotypical men. They can be feminine but strong. Males will read books with a female lead. Don’t follow gender clichés. Guys can be sensitive, and girls can like sports.

· Leave your moral soapbox at home. Subtlety is appreciated. Talk to the reader, not at the reader, otherwise it feels preachy.

· It’s okay to be both serious and funny.

YA writers or readers, what would you add?

Changing Face of Publishing

Thursday, Oct. 8, 2015 at Bouchercon in Raleigh, NC began with author speed dating. This meant authors hopped from table to table giving a two minute pitch for our books. We went to 15 tables and repeated our spiel at each one. It’s intense but a great way to meet readers and tell them about your work.

Speed Dating

I attended my first panel on the Changing Face of Publishing. Panelists were Juliet Grames, Bob Gussin, Jim Azevedo, Joshua Kendall, and Andrew Gulli as moderator. Here are the highlights based on what I heard. Disclaimer: These notes are based on my interpretation and any errors are mine.

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The editor for Soho Crime said they prefer books with a multi-cultural or global angle.

It’s important for brick-and-mortar stores to be flexible regarding where they shelve books.

“We’re not trend followers. You want to write the book I’ve never seen before.” This editor wants to learn something new, so the educational aspect is important to her. She doesn’t acquire a lot of new authors because her publishing house cherishes their loyal writers who’ve been there a while. Authors who bring individuality are desirable.

Self-published authors in the past 3 to 4 years have really upped their game. If you are considering self-publishing, you need to get an editor.

Be on Facebook and Twitter, go to libraries and give talks, get out there…Publishing has exploded and given everyone an opportunity.

Early endorsements help as they are put on advance reading copies where booksellers see them. Social media platforms; personal relationships with booksellers, reviewers, and bloggers are important.

What accounts for the sophomore slump with book two? The author feels more rushed because of deadlines. They have less support as all the friends who came to their events for the debut novel aren’t there this time. The story may not be as new and interesting as the first book.

Strong characters are the key to success. If readers like the characters, they’ll come back for the second book. Your work needs time to build an audience, so don’t rush the next one out there.

Are e-book sales hitting a plateau? Many of the respondents said yes. But the data analyzes money, not necessarily the number of units sold or downloaded.

Young people will read the same book in audio, print, and ebook.

Tweet This: Taking Social Media to the Next Level

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Deborah Lacy moderated this panel with Maddee James, Janet Rudolph, Cara Brookins, and DruAnn Love. These panelists spoke about using Twitter for self-promotion. They advised authors to choose the social media sites we enjoy and do them really well. Know your audience. Young adults are more into Instagram than Facebook. Say more than “buy my book.” Start a discussion. Get people involved. Have fun. Make every tweet count. Use less words so people can re-tweet. Visuals draw people in. Young people like many more hash tags than older adults. Team up with other authors and cross-promote.

After the Opening Ceremonies, a BBQ dinner followed in a tent across the street.

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Next: Friday at Bouchercon

Mystery Writers Key West Part 2

Mystery Writers Key West Fest Part 2
Saturday, August 15, 2015

This conference is different than others in that it’s held in one big room, and there’s only one panel at a time. The morning started with “Choosing Your Point of View” with John Cunningham, Heather Graham, David Beckwith, and Carolina Garcia-Aguilera. Shirrel Rhoades moderated.

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Next was “The Mystery Umbrella” where we spoke about genres. Don Bruns moderated. This panel included myself, Chuck Van Soye, Libby Fisher Hellman, James O. Born, and Mike Dennis.

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Before lunch, Sandra Balzo awarded the first annual Jerry Award, named after the late and beloved author Jeremiah Healy.

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Jeffrey Deaver gave an excellent keynote speech during lunch, at which he offered spot-on writing advice.

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“Does Sex Sell?” woke everyone from their post-meal lethargy. Moderated by Heather Graham, this panel included Don Bruns, myself, Jeffrey Deaver, Laurence O’Bryan, and Vicki Hendricks. We held a lively and sometimes awkward discussion. I mentioned that reader expectations matter in this regard, as in cozies where graphic sex is not appropriate. These scenes have to take place offstage in a cozy mystery, although a degree of sensuality and sexual tension are okay. Erotica is different from romantic sex in terms of genres and language used, and being too clinical in a romance novel can be a turn-off to readers. The focus should be on the emotional reactions of the characters more so than their physical actions. As for the question at the topic header, obviously the answer is yes if you consider the popularity of “Fifty Shades…” One theory put forth was that this response was due to the female empowerment issue in the story. I haven’t read it, so I can’t confirm. I like to read romance, but I don’t consider this book to be a romance novel.

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Next up was “Character vs Plot” with Robert Coburn, Sandra Balzo, Sharon Potts, and Chris Kuzneski. Libby Fisher Hellman moderated.

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We all convened at the Smokin’ Tuna Saloon downtown for a buffet dinner, where it was nice to hang out and chat in an informal setting. James O. Born gave an interesting talk to a rapt audience. Late nighters hustled afterward to the Tropic Cinema for screening of a movie short titled “Swingers Anonymous”.

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Sunday morning found us at the Historic Seaport District and a breakfast buffet at Schooner Wharf. We sat and visited with our friends while overlooking a sunny marina. It was a pleasant way to end a fabulous weekend. Note the dog on the bar stool and the parrot on the boater’s shoulder.

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You can view the photo album on my Facebook page. Please Like the page while you are there.

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Mystery Writers Key West Part 1

Mystery Writers Key West Fest
Friday, August 14, 2015

Mystery Writers Key West Fest started on Friday with a presentation by a crime scene investigator and a detective. “We witness what other people shouldn’t have to witness.” Regarding crime scene shows, the detective said they have most of the technology right but not the timing for things like DNA results.

[Disclaimer: These statements are my interpretations of what I heard or scribbled down and may not be totally accurate.]

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Who shows up first at a crime scene? The lead investigator, civilian techs, detectives, and responding officers. The latter’s job is to secure the scene, identify and control any dangerous individuals, and assess the environment. Approach/Survey/Notify. They’ll call for emergency care of injured persons without contaminating the scene. Crime scene work “is almost like an art when you do it for a long period of time.” The team must secure and control people at the scene and document everyone who is present in a crime scene log. They must gather physical evidence to aid in prosecution.

Processing the Scene

The team’s composition is decided. This may include a dive team, SWAT, K-9, M.E., State Attorney, other officers or affiliated agencies. A command post is set up. “We document every single step in a crime scene.” Documentation includes photos, video, sketches, notes, and measurements. The purpose is to collect, preserve, inventory, package, transport and submit evidence.

Different types of sketches are done. A Perspective sketch depicts a view of the scene along with positioning of evidence. “It’s like pieces of a puzzle that you put together for your best guess at what happened.” A Projection sketch is a viewpoint from above. A sketch or photo of blood spatter on a gun can be revealing as to whose blood it is, the angle, etc. Another sketch may be taken using two fixed objects and measuring the distances to various pieces of evidence and/or the body.

When searching an area, methods deployed include the Lane or Strip Search, Grid Search, Zone Search, and Spiral Search.

Biological evidence will be collected after photos are done. The investigator has to keep changing gloves so as to not cross-contaminate the scene.

Investigators following up on a burglary will look for the same types of evidence. Unattended deaths are treated as a homicide until signed off by a personal physician or the M.E.

The M.E., and not a coroner, determines cause of death. [I think this is what was said, but you’d better verify my statements before using them in a novel. And different states might have different laws.]

The Sheriff’s office supersedes the local police, but they work together. Everyone in CSI is cross-trained to engage and work in different situations.

Physical evidence can include body fluids, blood, ignitable liquids, bombs, stains detected by forensic light sources, sexual assault kit results, ammo, tool marks when there’s been a break-in, tools found in the trunk of a car. Footprints, shoe and tire impressions. Electronic and digital items. Documents that can be checked for sweat, blood, and prints. And of course, fingerprints.

Plastic degrades DNA. Use paper bags to hold evidence. Shelf life of DNA is 500 years. There are only three types—black, white, and Asian.

“Love, hate, and greed are the three reasons for murder.”

Social Media with Irish Author Laurence O’Bryan

Laurence said he’d acquired blog and Twitter followers before he got published. When he sold a book, his publisher put the number of followers on his sell sheet. So get started tweeting and blogging before you’re published. “Authors must be online and accessible.” Extend your novel via maps, pictures of locations in your novel, research posts, and other online extras. Tweet items of value. Re blogging: Show pictures with your posts, use short paragraphs and a bigger font. “Engagement with other people is the Holy Grail.”

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I didn’t stay for the talk on Audio Books as I had to catch the shuttle downtown to make the opening ceremonies at the Smokin’ Tuna Saloon. This was a pleasingly informal setting to chat with friends and meet new ones. So many people to greet! Florida chapter MWA members present included myself (chapter president), Gregg Brickman (chapter treasurer), Heather Graham, Don Bruns, Britin Haller, Sharon Potts, Sandra Balzo, Michael Haskins, Vicki Hendricks, Carolina Garcia-Aguilera, Becky Swope, and more.

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As we got rained out, I passed on the subsequent bar stroll. It was getting near my bedtime anyway. More in the next post.

See the photo album on my Facebook Page. Please Like the page while there.

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Washington D.C.

We took the Metro into D.C. on my one spare day after Malice concluded. Here we visited the National Museum of Natural History. They had an ocean exhibit that I didn’t remember from a prior trip there, so we started in this section and read about the key role the oceans play on our planet.

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From there, we entered the Mammal section. We strolled through there until lunch, which we ate in the downstairs cafeteria. Then we aimed toward the top floor and the rocks and minerals collections. I love this part. It’s fascinating to me to see the enormous variety of gemstones and other minerals and how they’re wrenched from the earth. The jewels had me gaping in admiration. I have to admit it had me longing for a jewelry store. But photos are the only things I brought home.

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I dashed through the dinosaurs and mummies, a very brief section that doesn’t begin to compare with the Egyptian exhibit in New York’s Metropolitan Museum of Art. Too tired to go any further, we strolled outside to view the Washington Monument on one side and the Capitol building on the other. All of the structures here are so impressive, including the IRS building. It had a sign for Visitors, so we went inside, but a guard told us it wasn’t open to the public. We stopped over at the Air and Space museum but were too worn out to go far. It was nice getting out for a day of sightseeing after being at two business events.

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We met family for dinner in Cleveland Park at Medium Rare. It has a fixed price menu that includes crusty bread, a salad, steak and French fries. The next day we caught our flight home.

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New York City

In Manhattan last Wednesday, we strolled up Fifth Avenue, across Rockefeller Center, and down Broadway to Times Square. From here we passed by Bryant Park and the New York Public Library and back to Grand Central Station.

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The Hyatt Grand Central was a great location on 42nd Street. Across the street was the Central Café where I had one of the best bagels ever along with smoked salmon.

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We discovered Two Boots in a hidden nook inside Grand Central. I liked their pizza with its crisp crust. We explored the food court and the fresh market in this interior maze of corridors with hordes of people rushing to their destinations with determined expressions. It’s a frenzied city with a hectic pace. I liked the Hale & Hearty soup chain. Their soups are the best and very filling. It’s enough for a meal. And pastries are everywhere—fresh croissants in butter, chocolate, and almond varieties; apple Danish; big cookies. Street vendors abound. Naturally, we had to try a kosher hot dog along the way. Do you see a pattern here? I tend to define a city by its food.

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We took a taxi to Penn Station, the first time we’d been in this madhouse. The directions inside aren’t clear so we stumbled around trying to figure out what to do. As we were early for our train to Union Station in D.C., we entered the waiting lounge. Here we took turns exploring the shops and cafes lining the corridors, and I bought us a sandwich at a deli to keep for lunch. Finally, about 15 minutes before departure, the overhead screens lit up with the Track Number. After a bit of scrutiny, we found the proper escalator and trundled down to the train. Here it was a free-for-all for a seat. You scramble onto a car hauling your luggage and grab a vacant space. The seats were quite comfortable, with outlets for electronics and tray tables like on an airline. Cars ahead had card tables for patrons who wished to work on their laptops and a café car that sold snacks.

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This train was a lot smoother than the autotrain we’d taken from Sanford, FL to Lorton, VA. It was a pleasant ride with the scenery rolling by as we passed through New Jersey and Delaware on the way south. I wish our country kept up the rails and encouraged train travel like in Europe. It’s an adventure, and one we don’t get often enough. As we arrived at Union Station, we grabbed our luggage and joined the rush to the exit. We could have taken the Metro to Bethesda but not with all our suitcases, so we hailed a cab.

Coming Next: Malice Domestic

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Contest Alert!

Enter my May Madness contest May 7– 21 to win a signed copy of bestselling author Joanna Campbell Slan’s historical mystery, Death of a Dowager, and a $15 FANDANGO gift card to enjoy a movie this summer. Two runners-up will each win an ebook copy of Hair Raiser (Bad Hair Day Mystery #2). https://nancyjcohen.com/fun-stuff/contest/

Enter May 4-18 to win a $25 Amazon/BN gift card from Booklover’s Bench http://bookloversbench.com/contest/ Check out our other features, including a weekly giveaway, while you’re there.