10 Mistakes for Beginning Writers to Avoid

It’s annoying, when I’m judging a writing contest or reading a self-published book, to find common mistakes that could be avoided with editorial help. Unfortunately, many beginning writers don’t even realize they need assistance. They’ll ask a friend or an inexperienced critique partner or a local English teacher to proofread their work, and the result is considered ready for publication. Think again. If you write fiction, you want an expert in the genre to edit your work and not the local journalist who has published nonfiction or the lit professor mired in academia.This post doesn’t apply to indie authors who know the ropes and have an expert eye screen their story.

editing

Revise and polish your work as best you can before submission, whether to a writers contest or a publishing house or even to an editor you might hire. Here are ten common mistakes to avoid.

1. Create an Identifiable Main Character

Get us into the action right away with a sympathetic viewpoint character. Put us in her head and show us the world from her unique viewpoint. Make sure we can identify with this character throughout the story, so stay in her head as much as possible. Even when you use multiple viewpoints, we want to root for the hero.

2. Make Your Characters Likeable

Remember to address your character’s goals, motivation, and conflict. What does your character want? If she wanders aimlessly through life with no particular goals, that makes me as a reader less interested in her. Give me a reason why she behaves that way. Maybe she lacks confidence because of a past event. Maybe she’s afraid of failure. Knowing this will make the reader become more engaged with her. Give her redeemable qualities so we’ll like certain aspects of this person. If not, the reader won’t care, and that’s the death knell to your story. This also applies to the anti-hero. What makes him redeemable? Why should I, the reader, care about him? By balancing action with reaction, you’ll motivate your characters and make them more believable. For every action, you need a reaction. Don’t focus on plot to the exclusion of emotion. Make me care about your characters’ lives.

3. Avoid Bouncing Heads

Don’t switch viewpoints in mid-scene. If you must switch viewpoints, use a space break. Don’t leap into the head of every minor character. We cannot know a person’s thoughts unless we’re in their mind. You have to infer what the other person is thinking through non-verbal cues or dialogue. It becomes very disconcerting when every character we meet has an internal dialogue. Then the story loses focus. Stay in one character’s head. When you switch, indicate it with a space break.

4. Establish the Setting Up Front

As soon as possible into the story, establish the place, season, and time of day. Remember your five senses of Who, What, Why, Where, and When. Try to work these into the opening pages. Examples: Crickets chirped their nightly summer chorus, or late afternoon sunlight glinted off an icicle hanging from the roof. Also, don’t mention a street name or landmark and assume the reader knows where this place is. Be specific and give a location. Use the five senses to bring your settings alive, but remember to describe them from your viewpoint character’s perspective.

5. Watch Your Use of Bad Language

The occasional curse word may be acceptable for a hero who’s a hardass or for a heroine in the urban fantasy genre, but elsewhere it may raise a reader’s hackles. It can also turn off some readers completely, so this language should be sprinkled in judiciously, if at all. Add it only if it helps to define a character, not because you believe it makes your protagonist seem tough. Ask yourself: Is this necessary? If not, leave it out. Or deploy a substitute, like “frak” on Battlestar Galactica. Remember the old adage: Less is better, especially if you want to expand your readership.

6. Show, Don’t Tell

To keep the pace flowing, use dialogue and action and minimal exposition. If you have long passages where nothing happens except the protagonist thinks to herself or explains what happened in the past, the story comes to a dead halt. You want to imbue a sense of immediacy to your story, and that won’t happen unless you involve the reader. Long meandering passages of narration may have been acceptable centuries ago, but that doesn’t work today. Show us what’s happening; don’t tell us.

7. Avoid Flashbacks Like the Plague (and don’t use clichés, either)

The first chapter is your only chance to grab the reader so she’ll continue your story. If you segue into a flashback, the forward momentum is lost. Who cares what happened in the past? Throw in a line or two of dialogue or introspection to show us how the past is relevant to the current action, and then move on. Or make it part of the story action, such as a confrontation with a friend or a hesitation on the part of the main character to perform some act. Work backstory into your chapter with minimal intrusion. Flashbacks, too, will kill pacing, so remove those long passages that reflect past scenes and not the present. Only retain what is necessary to explain the current action.

8. Every Conversation Should Have a Purpose

When I suggest you use dialogue generously, I don’t mean that two friends should get together and chat meaninglessly on matters that don’t move the story forward. Dialogue must serve a purpose: to reveal information, define character, move the plot ahead, offer reaction and reflection on what’s just occurred. So ask yourself as you approach a conversation, what do you want to get across in this segment? If you don’t have a point to make, delete the scene.

9. Use Character Tags Sparingly

Try to replace “he said” or “she said” with actions. Avoid adverbs and show the tone of the conversation in dialogue instead. Don’t use “he thought” or “he wondered” if you are in the character’s head. Do use italics for inner thoughts.

Bad Example:

“You’d better not stick your nose where it doesn’t belong,” he said in an angry voice.

You’re telling me to mind my business? she thought. “I’ll do whatever it takes to find Angie’s killer,” she replied. “You’re the one who should watch your back.”

“Oh, yeah?” he sneered nastily. “Don’t say I didn’t warn you.”

Better Example:

“You’d better not stick your nose where it doesn’t belong.” He towered over me, as though his superior height could intimidate me into behaving.

You’re telling me to mind my own business? You’re the one who should watch your back. “I’ll do whatever it takes to find Angie’s killer.”

“Oh, yeah?” He jabbed his finger in the air. “Don’t say I didn’t warn you.”

10. Proofread Your Work

Would you enjoy reading a book riddled with spelling errors or misplaced commas? No? Then why send one to a contest where mechanics are judged? Proofread your work for typos, dropped quotation marks, missing periods, and misspellings. Same goes for your work before you indie publish it. Get beta readers to help if you can, and definitely hire both a developmental and a copy editor. You want your work to appear professional, not only out of respect for your readers but also for your future career as an author. If the goal is to increase your readership, you’ll strive to publish a polished product so readers will want more.

10 Mistakes for Beginning Writers to Avoid #amwriting #writetip Share on X

Critique Groups

Thanks to a post by author Terry Odell, I am turning back the clock to my early blogging days. It’s incredible to realize I’ve been blogging for over ten years. I didn’t start out on WordPress and converted my site somewhere along the way. Fortunately, I save all my posts in Word. My very first topic was on Critique Groups. Believe it or not, much of the same advice applies today. Here’s what I said back then:

CRITIQUE GROUPS (August 2005)

Yesterday I went to critique group. Including myself, this consists of six authors, most of us published or agented. We meet every other week and rotate houses. While eating a sumptuous brunch, we discuss publishing news, share personal insights, and encourage each other to keep writing through the ups and downs of our careers. I can’t tell you how invaluable this group has been to me. I could not have achieved what I have without them.

After exchanging news, we get down to work. We read each other’s manuscripts silently for 15 to 20 minutes at a time, passing the pages around the table, until all of us have been read. Then we share our comments aloud, focusing on one person at a time. We do not do line editing. Mostly we focus on character development, emotional reactions, dialogue, plot consistency, and so forth. For example, when my sleuth Marla asked a suspect outright if he might have killed the victim, one of my critique partners said this was too blunt. So this morning, I toned down Marla’s response in my WIP (work in progress). We catch typos, point out clichés, and suggest ways to restructure for more impact. But more importantly, we’re there for each other to gripe, to cheer, to support, and to listen.

I wrote an article for Romantic Times Magazine [now RT Book Reviews] on how to set up a critique group. Here’s an excerpt with seven tips for getting started:

1. To find other interested writers, join a local writers group and put a notice in their newsletter that you are looking for critique partners.
2. Limit your group to six members or less.
3. Seek friends with compatible personalities and a similar writing level.
4. The focus of your meetings should be on critiquing content, not line editing. Consider holding a separate meeting on occasion just for brainstorming plot ideas.
5. Determine a procedure for your group that is agreeable to everyone. Some groups read aloud, others pass pages around the table and read silently, and still others e-mail chapters ahead of time. It’s up to you how you want to run your show.
6. Offer constructive criticism. If you see the need for change, make suggestions for improvements in a positive manner. Don’t forget to give praise where it’s due.
7. Have fun! Enjoy refreshments and spend time chatting about the industry. Being sociable will draw you closer together and enable you to accept advice more readily.

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My current group has six members, most of whom were around back then. See how long we’ve known each other? These are steadfast friends, and they understand me on a level better than most people. We share common needs and goals and understand the foibles of the business. We’re also pros at our jobs, producing a constant stream of material, attending conferences, and supporting each other via social media. When you find a good critique group, it’s like discovering gold. Treasure your partnerships.

Critique GroupcritiqueCritique2014critque Dec09

In these photos, besides myself, are Zelda Benjamin, Sharon Hartley, Alyssa Maxwell, Kat Carlton, and Cynthia Thomason. We do like to eat!

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Do you belong to a critique group? If so, what is your process?

 

Avoiding Info Dumps

An info dump is when you drop a chunk of information on the hapless reader. This can take various forms. Here are some examples:

Overzealous Research

You love your research, and you can’t help sharing it with readers. These excerpts are from Facials Can Be Fatal (Bad Hair Day Mystery #13). The first paragraph is the original. The second one is the revised version.

Original

“The company built houses and rented them to the miners and their families. Single men would have shared a place together, eight to twelve of them in one dwelling. The homes were shotgun style. You could see in through the front door straight back to the rear. Since the miners worked twelve hour shifts, they weren’t all home at the same time. The rent was taken out of their paychecks.”

Revised

“The company built houses and rented them to the miners and their families. Single men often shared a place together. Since they worked twelve hour shifts, they weren’t all home at the same time.”

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Original

“The Colorado River Compact of 1922 divided the waters of the Colorado River between seven states and Mexico. Getting it to the farther regions of our state proved difficult. Thus was born the Central Arizona Project Canal, or CAP as we call it. This required pipelines and tunnels to move the water. That can be costly, which is why our cities obtain most of their water supply from underground aquifers. Groundwater is our cheapest and most available resource.”

Revised

“The Colorado River Compact of 1922 divided the resource between several states. The Central Arizona Project Canal, or CAP as we call it, uses pipelines to move the water to the far reaches of our state. That can be costly, which is why many of our cities obtain their water supply from underground aquifers. Groundwater is our cheapest and most available resource.”

Laundry List

Any kind of list runs the risk of being tedious. Here’s a litany of symptoms you might get after being bitten by a rattlesnake. This passage is from Peril by Ponytail (Bad Hair Day Mystery #12):

Western rattlesnake strike ready

“You’d have intense burning pain at the site followed by swelling, discoloration of the skin, and hemorrhage. Your blood pressure would drop, accompanied by an increased heart rate as well as nausea and vomiting.”

As this passage wasn’t necessary to my plot, I took it out. Be wary of any list that goes on too long. Here’s another example:

He counted on his fingers all the things he’d have to do: get a haircut, buy a new dress shirt, make a reservation, call for the limo and be sure to stop by a flower shop on the way to Angie’s house.

Do we really need to know all this, or could we say, He ran down his mental to-do list and glanced at his watch with a wince. Could he accomplish everything in one hour flat?

Dialogue

Here’s a snatch of conversation between my sleuth, Marla the hairdresser, and her husband, Detective Dalton Vail:

conversation

“I’m going to talk to our next-door neighbor, who happens to be the Homeowners’ Association president,” Dalton told her. “Wait here with Brianna. Since my daughter is a teenager, she won’t understand the argument you and I had yesterday with the guy.”

“Yes, isn’t it something how he made a racist remark?” Marla replied.

“I thought it was kind of Cherry, our association treasurer, to defend you.”

This dialogue could have come from Hanging by a Hair (Bad Hair Day Mystery #11). But why would I have Marla and Dalton talking about something they both already know? This is a fault of new writers who want to get information across. It’s not the way to go, folks. Show, don’t tell. In other words, show us the scene and let it unfold in front of us. Don’t have two characters hack it to death later when they both know what happened. Now if one of these participants were to tell a friend what went down, that would be acceptable.

No doubt you’ve run across info dumps in your readings. Can you think of any further examples or other forms this problem might take?

Avoiding Info Dumps in Your Story #writetip #amwriting Share on X

 

Book Reviews

As an author, I’m often asked what I like to read. Basically, my taste runs to genre fiction. I like to escape to other worlds far away from the reality of daily news. Here are some of my recent reads from Fall 2015. You can also follow my reviews on Goodreads: http://www.goodreads.com/author/show/91508.Nancy_J_Cohen

Bookshelf

A Matter of Honor by Jamie McFarlane (Science Fiction)
Captain Liam Hoffen and crew are determined to rescue the survivors from Cape of Good Hope, a ship abandoned by the powerful Belirand Corporation. But even as they set this goal, they’re marked for death. Because now they know the secret that Belirand will kill to keep. Aiding their quest is the mysterious inventor, Phillipe Anino. While avoiding Belirand’s assassins, Liam and friends discover the issue is way bigger than they’d thought. It could blow a hole in everyone’s concept of the known universe. And Belirand is willing to guard this knowledge at the expense of Liam, his crew, and their families. Is he willing to risk all to save the forty-five crew members of Cape of Good Hope?

A Matter of Honor is another action-packed installment in the Privateer Tales. What makes you care are the characters who are noble at heart and take the moral high road. They are heroes you can cheer for until the final page is turned, and then you have to wait impatiently for the sequel.

Plantation Shudders by Ellen Byron (Mystery)
Cajun cuisine mixes with murder and history in this delightful debut novel from Ellen Byron. Maggie Crozat, an artist from Manhattan, goes home for a stay at her family’s B&B. The mansion’s rooms are filled, but no sooner can you say “Laissez les bons temps roulez,” than the shenanigans begin. First one guest meets her demise. When her death appears suspicious and the finger points to Maggie’s relations, Maggie vows to uncover the truth. Impeding her progress is the sheriff, whose feud with the Crozat family is legendary. Fortunately, his handsome relative shows up on the force and quickly becomes Maggie’s ally. Will she unmask the murderer before more guests meet their untimely end? Can she save their plantation from financial ruin? Maggie needs to fire up her southern charm and sniff out a killer to save the estate. With the richly Southern setting, quirky characters, and evocative descriptions, you’ll be wanting more in this charming series.

Kris Longknife: Unrelenting (Science Fiction)
Admiral Princess Kris Longknife is in charge of Alwa’s defense, a planet under imminent threat of attack from a homicidal race. Her resources are limited. But it’s hard for her to remain focused when an act of sabotage within her own ranks neutralizes a number of military women’s birth control devices. Kris is one of the affected officers who finds herself unexpectedly pregnant. With a baby on the way, she faces her biggest battle yet. The survival of the planet depends on her. Will her forces be strong enough to defend this one world and prevent the aliens from eradicating humanity elsewhere in the galaxy? Natives, colonialists, scientists, and soldiers join forces in the ultimate confrontation.

Kris Longknife is a sympathetic, strong female protagonist who keeps being forced into military space battles when she’d rather seek peace. But with her brilliant strategic mind, she’s best suited to lead her people toward victory. I’m eager for the next installment.

A Cup of Jo by Sandra Balzo (Mystery)
The grand opening of Maggy Thorsen’s coffee shop by a train station is proceeding according to plan, until the event organizer is found dead inside an inflatable coffee cup. Suspects abound, from the woman’s husband to various acquaintances, most of whom have motives. When her boyfriend’s integrity is called into question, Maggy decides to do some investigating of her own. A solid mystery, a cast of quirky characters, and a savory setting make this a pleasant whodunit to add to your shelves.

Killer Transaction by Catherine Bruns (Mystery)
Real estate agent Cindy York has the job from hell. She’s consistently cheated by rival Realtor, Tiffany Roberts. Tiffany steals her listings and woos her clients while their boss looks the other way. Being cheated one time too many, Cindy leaves a nasty message on Tiffany’s voice mail. This comes back to haunt her when she discovers the woman’s dead body. The police focus on Cindy as the main suspect. With her job in jeopardy and being a hairsbreadth away from serving jail time, can Cindy find the culprit and clear her name?

Smuggler’s Dilemma by Jamie McFarlane (Science Fiction)
In Book 5 of the Privateer Tales, Captain Liam Hoffen and company are hired to locate a battleship operated by the deadly pirates known as Red Houzi. The pirate fleet has just decimated a naval force, and the Navy must regain control so people don’t panic. Liam’s unorthodox tactics are the only thing that might help them gain the upper hand. But when Liam spies the enemy ship, he decides that rather than call in the Navy as he’d been ordered, he’ll attack the vessel and take it over instead. Meanwhile, he struggles with his girlfriend’s recovery from disabling injuries. Can she manage well enough to come along as his pilot? This story contains the usual battle scenes, along with personal interactions that develop the characters.

Mercy’s Prince by Katy Huth Jones (Fantasy)
Valerian is second in line to the throne until his brother is killed in battle. Now the Crown Prince, Valerian must live up to his father’s expectations and become a warrior. While he’s struggling with his fate, Mercy lives in a nearby village and has to discover her destiny. Aware only recently of her healing power, she has no idea how extensive her gifts are until forced to use them. When Valerian and Mercy meet, they slowly realize they belong together. United, they can defeat the enemy. But how long will the peace last before the fearful soldiers come back stronger? Dragons, mind melds, magic, and romance blend together in this coming-of-age tale. Mercy’s Prince is a pleasant escapist read.

The Savants by Patrick Kendrick (YA SciFi Thriller)
The Eastern seaboard of the U.S. is imperiled when a nuclear bomb explodes underwater off the coast, triggering a fault line to crack apart. A gigantic tsunami will flood a number of states unless the President can find a solution. He discovers unlikely help at a research institute for savants, individuals who’ve suffered brain damage but are gifted in unique ways. Working together for the first time, these young people believe they can help. But their leader, who has brought them there to study the group’s dynamics, hides a secret of his own. Much worse is the secret guarded by the Vice President, who sows the seeds of distrust in our government. Can disaster be averted and the traitors in our midst exposed in time to save the world? Scientific theories collide with political intrigue in this fast-paced thriller. Kudos to Mr. Kendrick for educating us about savants and their special talents.

Queen of Hearts by Rhys Bowen (Historical Mystery)
This installment in the Royal Spyness series is the best yet. A trip to America for Lady Georgiana, distant cousin to the royal family, provides laughs with its fish-out-of-water theme. Add to this a wacky cast of film stars, an eccentric producer, and a jewel thief, and the fun accelerates. Georgiana’s suitor, the mysterious Mr. Darcy, appears when the crew congregates at a glitzy Hollywood mansion. He’s after the jewel thief, but then someone turns up dead. As the puzzle deepens, Georgiana wonders which one of her new friends is the culprit.

G-2 (The Guardian of Earth Series) by Nigel Carson (Science Fiction)
When Zeke discovers a hostile alien fleet is headed to Earth, he is determined to stop them. His role as Guardian of Earth and descendant of a faraway race is a secret. He trusts no one for help, including his robot valet, Forman. It’s a good thing, since Forman’s creator has tampered with his programming. She’s put a locator inside him, and this becomes useful as Zeke and Forman are compromised by the Maleem invaders. Zeke has a narrow escape aided by his girlfriend, Jessie. Could they use the way she freed him as a means to repel the alien force? Why is it that humans are disappearing around the globe? As more world leaders succumb to the Maleem mind link via a mysterious necklace, Zeke consults his Taman relatives for answers. How can he defeat an ingenious enemy who is seemingly unstoppable? They tell Zeke that he needs to have faith in his own powers and the help of others who believe in him. Can he use his newfound heritage to protect the planet? Filled with action, adventure, and suspense, this story will take you on a ride that’s out of this world. The secondary characters are memorable and unique. An exciting, edge-of-your-seat read!

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http://bookloversbench.com/contest/

 

 

Marketing Tips from Book Publicist

Maryglenn McCombs, book publicist, spoke at the recent Florida Chapter of MWA meeting. These are my notes from her speech.

IMG_1818

“Publishers are looking for authors who have platforms.” How do you get one?

  • Join professional writers’ groups and get involved. Besides the Mystery Writers of America and Sisters in Crime, Maryglenn mentioned Crime Writers Association of North America, Independent Book Publishers Association, and StoryCircle.org.
  • Attend conferences and get connected with other people in the industry.
  • Ask your writer friends for endorsements. Make sure they are recognizable names in your genre.
  • Write a good book.
  • Have a professional product so that you’re taken seriously.
  • Also: Write a blog; comment on other authors’ posts; become active on Facebook and Twitter; share news and interesting articles.

Maryglenn mentioned that an off-press date is when the printing is finished, but it’s different from the release or pub date when the book is available for sale. If you can do it, time your pub date with an event or holiday. For a historical, you can set the release date around an event or a particular date in history.

Aim for review coverage at or after the book is available for purchase. Reviews any earlier are not helpful. The exception is trade media that serve bookstores and libraries.

Readers read. Radio people listen. TV viewers watch. So how do you reach the readers?

“Book promo is a marathon, not a sprint.” Three to six months ahead of your pub date, send info to syndicated reviewers, consumer print media, trade media, and larger online outlets such as:

The Freelance Star
The Bismarck Tribune
Mysterious Reviews
Mystery Fanfare
Stop You’re Killing Me

Promote your book for up to one year after its release. Target local media, alumni groups, newspapers where you grew up, niche markets relating to topics in your book, other groups where you’re a member, media in the town where your book takes place.

Share your news if you win an award, your book goes into a second printing, or you sell more rights.

Have available advance reading copies in print and digital formats; a jpg of your cover in 96 dpi and 300 dpi; a professional headshot; a website with your contact info; a one-page press release or media sheet with your book’s data; a 175 word or less story blurb; web links, and an author bio. “Brevity is the soul of wit” for press releases and pitches. Also prepare your elevator pitch.

To find reviewers, look for similar titles and Google them for reviews and media coverage. When contacting reviewers or press people, cast a wide net. Do your research ahead of time and address the proper person by name. Be polite, but also be persistent. Follow the submission rules on blogs and review outlets. Be accommodating to their requests. Do not ask a reviewer to send you a copy of the review. It shows you’re not reading her posts. Follow their sites and leave comments to maintain a relationship. Send a follow-up thank you for a review and ask the reviewer’s permission to use quotes from it. What counts is how you react after media coverage. Always say thank you, even for a bad review. i.e. “It’s feedback like this that will make me a better writer.”

What Works

Print Media
Launch Parties
Steady Media Coverage
Personal Contact with Booksellers
Starred Reviews
Winning Awards or Being Nominated
Big Endorsements
Your book put on “Best of…” Lists or Gift Guides

What Doesn’t Work

Radio Tours
Bad Covers
Lengthy Book Tours
Book Trailers
Mass Mailings
Swag and Gimmicks
Asking Readers for Amazon Reviews
“Buy my Book” Social Media Tactics. Share your real news, research tidbits, history of a region, writing tips. Work on social media for up to thirty minutes twice a day. Be engaging and play nice.

Seek “evangelists” or fans who will tell everyone about your book. But don’t let them manipulate posts online as that’s unethical. You want people who will tell their friends and book clubs about your work, hand out your bookmarks, and recommend your titles.

Disclaimer: These statements are my interpretation and any errors are my own.

Here I am with Kathryn DePalo and Kat Karlton aka Karen Kendall.

Self-Discipline

You can’t complete a full-length novel without a strict code of self-discipline. Imagine all the distractions we have throughout the day. How can a writer put these aside to focus intently on a book? How can we face a blank page each day, knowing we have to fill in the words? How can we concentrate day after day, month after month, on the same story until it’s done?

It takes immense self-discipline. You can train yourself to do it. First, you must set an attainable goal. Don’t think about the 300 page manuscript you have to complete or the 80,000 minimum word count. Consider how many pages you can reasonably complete each day. Set a daily goal. Determine what time of day is your most creative and set your starting hour. You will complete your pre-writing rituals and get down to business each day…when?

Now consider how many days per week you’ll be able to get this done. Do you want a five-day work week with weekends off? Or do you have a day job, so you have to binge write on weekends? How about allowing for doctor appointments, lunch with friends, and business meetings? Now set a weekly goal.

Use your tabulations from above to figure out your monthly projections. Then set monthly goals.

Beyond all this is the deadline you set for the first draft. Always leave leeway for sick days or vacations or unexpected visitors from out of town. When is your expected completion date?

Keep in mind that these deadlines are somewhat variable. Let’s say you’ve set five pages per day as your attainable goal. One day you might write two pages. Another day you might write seven pages. But your overall goal is twenty-five pages per week. As long as you reach the weekly goal, you’re okay.

Now comes the hard part. You need to practice BICHOK: Butt in Chair, Hands on Keyboard. You must do this day after day, no matter how tedious it becomes. Progress may seem slow, but even if you complete two pages a day, you’re moving forward. That’s the important thing. Do not stop to revise your work. You can fix it after it’s done. Keep moving ahead.

woman computer

Non-writers don’t realize how hard it is to accomplish these goals. It’s easier to make plans with friends, play on Facebook, or do the household projects you keep putting off. You’d rather do a hundred other things than stick to a writing schedule. But the only way you’ll write that book is through sheer determination. You WILL do it despite temptation.

So set your goals, grit your teeth, and get your butt in the chair. You’re allowed to take an exercise break, but then sit back down and finish your daily goal. When done, you can have the reward of checking your email and social media and going out to have fun. The next day, it starts all over again. Put on those blinders while you write and keep going full-speed ahead. Many people say they want to write a book. Only a true writer at heart will finish one after the other.

What’s your method for getting the work done?

Fun in the Sun Conference

Florida Romance Writers Fun in the Sun Conference

Featuring Keynote Speaker NYT Bestselling Author, Carla Neggers, with Special Guest Speaker, Dr. Debra Holland, Bestselling Indie Author

Conference 2016

DATE: Saturday, January 16, 2016
TIME: 10:00 AM – 6:00 PM
PLACE: Broward County Main Library, 100 S. Andrews Ave., 6th Floor, Ft. Lauderdale, FL 33301

Editors & Agents:
Kristine Swartz, Berkley
Charles Griemsman, Harlequin Desire
Karen Thomas, Publisher of Cleis Press
Marlene Stringer, Stringer Agency

Great Workshops:
Marketing on a Shoestring
The Indie Road to Success
Maintaining a Long-Term Career
Beginning Writers’ Boot Camp
Conquering the Synopsis
Editor/Agent Panel Spotlight

Event will conclude with a public BOOK SIGNING that is open to all registered authors! Anyone interested in signing should email [email protected]

PLUS…PLUS!!! A Sunset Cruise on the Intercostal Waterway – Friday @ 6:00 pm

COST:
FRW Members:
Saturday only – $90
Conference + Sunset Cruise – $115
Sunset Cruise only – $35

Non-Members:
Saturday only – $100
Conference + Sunset Cruise – $125
Sunset Cruise only $40

Hotel accommodations are available. Visit our website for more information and to register: http://www.frwriters.org/conferences/2016-frw-conference/
For questions, please email
[email protected]

Contest Alert! Enter to win a $25 Amazon/BN gift card from Booklover’s Bench. Check out our other features, including a weekly Let’s Talk discussion with our authors.

Bradenton

I was invited to give a talk for the Manatee Arts and Lecture Series in Bradenton, Florida, followed by a high tea, on Wednesday, October 21. https://youtu.be/_hRX_Pt18LY

We arrived the day before at this surprisingly large town on Florida’s west coast just north of Sarasota. After crossing a bridge spanning the Manatee River on Business Route 41, we swung left to the Palmetto Riverside Bed and Breakfast. This lovely historic house was built in 1913 and later expanded as a wedding venue. It has six bedrooms, each with private bath. The rooms are decorated with many interesting knickknacks. From the moment you enter, the host and hostess greet you warmly and see to your every need.

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Here’s the house next door:

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Drinks and appetizers are complimentary pre-dinner. We enjoyed hors d’oeuvres and chatting with other guests before heading over to the Riverhouse Reef and Grill for dinner. This was a lovely setting on the river, and we enjoyed our meal of salmon with a lemon dill sauce. Here we visited with my former critique partner, author Sharon Hartley, who’d made the trip to join us. Our appetizers, besides a bowl of green olives and another one of a strange orange fruit:

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In the morning, our B&B hosts served us a sumptuous breakfast on the sunny enclosed porch. The choices were too many and highly tempting. A cart was rolled over to our tableside. It held a bread basket (croissants, nut bread, French bread slices); yogurt parfait; fruit cup; selection of cheeses; orange juice; watermelon smoothie. Who could eat all this? But that wasn’t all! Our host brought over a plate with scrambled eggs and a panini sandwich. More weight gained!

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Barely able to move after this enormous meal, we staggered to the car and headed into town. Free until the afternoon, we visited the South Florida History Museum before moving on to my first engagement of the day at the Manatee Performing Arts Center. I gave my scheduled talk, which was video recorded for an educational TV station, fielded questions from readers in the audience, and signed books courtesy of Bookstore One from Sarasota.

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Then we moved on to Latte Luna, a delightful café in town, where we and other guests were treated to a high tea. More food! This meal started with scones and jam, then proceeded to a plate filled with some sort of spinach and cheese concoction, plus three little sandwiches. We finished with desserts including an iced banana cake, oatmeal cookie, and iced cupcake.

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If you’ve been following my blogs, now you know why going away from home is a sure way for me to gain weight. A couple of Halloween events coming up will be fun but won’t help in that regard. Then I MUST focus on losing the extra pounds before our upcoming cruise.

Since we got out of the tea room late, we stayed for a night at the historic Hampton Inn in downtown Bradenton. I liked the décor and architecture of this hotel that is on the National Register of Historic Places.

Contest Alert! Enter to win a $25 Amazon/BN gift card from Booklover’s Bench. Check out our other features, including a weekly Let’s Talk discussion with our authors.

See my Guest Blog on “Far-Flung Family Ties” at http://bit.ly/1WLP0Rr and leave a comment for a chance to win a Kindle copy of Peril by Ponytail (Bad Hair Day Mystery #12).

Young Adult Mysteries

This panel at Bouchercon was titled “Importance of Book Clubs and Young Adult Literacy.” Speakers included Destiny Geddis, Matthew McGrath, B.K. Stevens, and Kaley Whittle, with Tina Whittle moderating.

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Disclaimer: These notes are based on my interpretation and any errors are mine.

· This panel included YA readers. They do reviews and have a book club at their charter school. Here is what they wish writers and editors knew about YA.

· YA mysteries have a teenage sleuth. The crime doesn’t have to be a murder. These stories often include elements of self-discovery and current issues for teens.

· Panelists advised authors to talk to young people to see how they speak. TV teens are as accurate as CSI teams on TV. Know your audience. Do the research. Talk to young adults to see what they do and what their friends do. “We don’t use certain words that have become antiques. We talk differently.” They also use different languages between texting, e-mail, talking in person to friends and to adults.

· Not all teen protagonists need a tragic backstory. They don’t have to be misunderstood. They don’t have to be loners, either. There’s lots of diversity in high school.

· Adults are not always evil, mean, unlikable, or uncaring. Avoid clichés like “I’m a teenager and I hate my parents.” Teens don’t rebel against authority in high school. They have to be respectful to teachers. Parents don’t always have to be divorced or dead. Nor does the family dog have to die. Most parents love their kids and try to be good parents and sometimes make mistakes.

· Don’t force the romantic elements. Have your characters be strong on their own, and then they can fall in love. You don’t need a lot of angst. The romance doesn’t always mean boy/girl, or white guy/white girl. Platonic relationships work too. Friendships are also desirable. The romance can lead to character growth when the protagonist has to make a choice.

· Don’t kill off a pet just to elicit an emotional response. Make the emotion natural and realistic to a character who’s connected to readers. Don’t throw in a baby either for the emotional response. Look at http://doesthedogdie.com for a guide to movies.

· Create a diverse cast of characters.

· Treat YA mysteries as seriously as adult mysteries. Readers should have access to clues, and the protagonist should solve the mystery on her own. “We figure things out really quickly and we want surprises. Don’t dumb down the mystery. Give us challenges. Develop the villains as fully as other characters.” Avoid dialogue such as “as you know…”

· Strong female characters do not act like stereotypical men. They can be feminine but strong. Males will read books with a female lead. Don’t follow gender clichés. Guys can be sensitive, and girls can like sports.

· Leave your moral soapbox at home. Subtlety is appreciated. Talk to the reader, not at the reader, otherwise it feels preachy.

· It’s okay to be both serious and funny.

YA writers or readers, what would you add?

Blog Tour with Nancy J. Cohen

Today begins my Blog Tour to celebrate the release of Peril by Ponytail, #12 in the Bad Hair Day Mysteries. Join us at each stop, leave a comment, and enter to win my giveaways. Share with your friends!

Great Escapes Virtual Book Tour & Giveaway

Blog Tour2

Giveaway
: signed copies hardcover Died Blonde and Dead Roots plus a $10 Starbucks gift card

September 14, Author Interview, A Blue Million Books
September 15, Book Review, Book Splurge
September 16, Book Review, Laura’s Interests
September 16, “Hunting Ghosts,” Mystery Playground
September 16, “On-Site Research Tips”, Southern Writers Magazine Suite T
September 17, ‘Top Five Desert Honeymoon Survival Kit,” Romancing the Book
Giveaway: One lucky commenter will win signed a paperback copy of Hanging by a Hair
September 17, Book Review, Socrates’ Book Reviews
September 18, “Dude Ranch Adventure,” 3 Partners in Shopping, Nana, Mommy, &, Sissy, Too!
September 18, Spotlight at Love Romance Novels, The Pop Culture Divas, and The Revolving Book
September 19, Book Review, Readalot
September 19, “A Day in the Life”, Dru Ann’s Book Musings
Giveaway: One lucky commenter will win a copy of Shear Murder
September 20, Book Review, Book Babble
September 20, Author Interview, Frankie Bow

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Contest Alert!

Enter now at http://freshfiction.com/contest.php?id=7600 to win a Collectible Handcrafted Porcelain Drummer Doll or one of two runner-up prizes – a pair Arizona crafted earrings and a signed paperback Hanging by a Hair. I bought the doll while in Arizona doing research for Peril by Ponytail. U.S. Residents only please.

Enter Sept. 4-18 to win a $25 Amazon/BN gift card from Booklover’s Bench.  Check out our other features, including a weekly Let’s Talk discussion with our authors.

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